He has exhibited at Art Interactive in Cambridge, MA, Hallwalls Contemporary Art Center in Buffalo, NY, Art in General in New York City, Fylkingen in Stockholm, Contemporary Arts Center in Cincinnati, SESI Gallery in Sao Paulo City, Window Project Space in Auckland, New Zealand, Visual Studies Workshop in Rochester, Chiangmai New Media Art Festival in Thailand, DigiFest DXNet in Toronto, and the Cyberarts Festival in Boston. He has been a frequent artist-in-residence at the Experimental Television Center in Owego, New York and is included in the DVD anthology, "ETC: 1969 - 2009" covering 40 years of video arts at ETC. He was previously a visiting professor with the Department of Expanded Media at the School of Art and Design at Alfred University in Alfred, NY and now teaches in the T.I.M.E.-Digital Arts Department at The Cleveland Institute of Art.
Happy Christmas from CULTURETV http://www.culturetv.tv
Well despite the holidays, the show must go on. So we present to You this week a range of art activities and forms. From gallery exhibitions to urban art and from a fake movie to an interactive installation.
Deitch Projects specializes in producing ambitious projects by contemporary artists. Since opening with a performance by Vanessa Beecroft in January 1996, the gallery has presented over one hundred and twenty solo exhibitions and projects, twelve thematic exhibitions, and numerous public events[...]
Hz #7 presents:
Exploding, Plastic and Inevitable: the Rise of Video Art by Jeremy Welsh
Jeremy Welsh, a video artist and professor at the Bergen National=20
Academy of the Arts, Department of Fine Art, Norway, presents a=20
condense history of the medium which came to be known as "Video Art."
Directory.Linking 2:/The Immersive State of Reality[Game]Play. by MEZ
Experimental cyber poet MEZ observes today's game play and asks us "=20
Should artists learn from ARGs [Alternative Reality Games'] ability to=20
push genre-dimensionalities beyond the emptiness of forced sterile=20
institutionalised [sanctioned] interactivity?"
The Old and the New and the New Old: A Conceptual Approach Towards=20
Performing The Changing Body by Franziska Schroeder
Franziska Schroeder examines two modes of performance in relation to=20
the body and technology and goes on to search for the third - "the new=20
This Concept: The Immaterial Immaterialness Exhibit
Deep/Young Anodyne Laboratories is pleased to announce its newest
ethereal exhibit, " This Concept," currently housed & viewable at
Deep/Young Ethereal Archive via the aforementioned URL.
"_ This Concept" collates a series of email instructions posted by
Curt Cloninger to the Rhizome RAW mailing list between 6/5/2005 and
8/11/2005. Rather than have these pre-objects disappear prematurely
into the ether, we have chosen to re-circulate them at varying
semi-stable frequencies in order to ward off any untoward residual
calcification that may have inadvertently accumulated in their
As You Wish,
Deep/Young Ethereal Archive
Please share. Apologies for multiple postings.
Call for Artwork and Papers:
IV 2006, International Conference on Information Visualization
CGIV 2006, International Conference on Computer Graphics, Image and
Visualization, Sydney, Australia
1 February 2006: Digital Art Gallery (D-ART 06)
1 March 2006: Submission of papers & Submission of tutorials
25 April 2006: Submission of camera-ready material.
All the info can be found at: http://www.graphicslink.co.uk/
New York Update
Knowing the World through Sound
Sunday, December 11
ABOUT THE EVENT:
Electronic Music Foundation
In collaboration with the NYU Music Technology Program
Knowing the World through Sound
A symposium and concert exploring the use of sound to understand the world
Sunday, December 11
10am to 10pm
NYU Frederick Loewe Theatre
35 West 4th Street
New York City
Knowing the World through Sound is an introductory event to An Ear to the Earth: A Festival of Music, Sound and Ecology, a citywide festival of music, sound and media art that explores how we relate to the natural world and human environments through sound. During a ten-day period in October 2006, the festival will offer concerts, installations, public art, encounters, soundwalks, and educational programs in locations across New York City.
FREEDOM OF EXPRESSION
as most of you know, the tank is a nonprofit performing arts space in lower manhattan. we believe in maintaining a space for artists in manhattan where they can perform and explore without feeling the financial pressures that manhattan increasingly brings.
We have been in our new home in Tribeca with Collective:Unconscious for almost a year now (!) and it is so nice to not be writing you all on a weekly basis telling you we are losing our home, like we had to do for the first few years of existence.
However, we are still struggling to get by in the big city. But we dont plan on staying that way! oh no.
To that end, we are proud to be launching our Freedom of Expression Campaign. The goal is to raise $100,000 over the next few months to help us secure our somewhat tenuous foothold on the big apple, increase and stabilize our administrative staff, and continue bringing you fantastic, affordable programming for the years to come.
SO HERES HOW IT WORKS
we have secured a few amazing patrons who are collectively willing to donate $65,000 IF (and yes, this here is THE RUB) IF we are able to get 1,000 additional individual donations. Thats right, if 1,000 of our friends, artists, and loved ones donate even $12 to the tank this year, then these donors will unlock the $65,000 they have pledged and we will reach our goal. they want to see that we are loved. can you show them we are loved? yes, you can!
PRETTY NEAT, YES? YES!
But 1000 people is a lot. ive only got like 14 myspace friends and that includes Tom, so thats just not gonna cut it.
so weve got a website. you can go there now and donate any amount of money, become a tank member, get some free stuff in exchange, and generally know youve done your part in securing the future of a place you care about.
YOU CAN EVEN SETUP A MONTHLY DONATION OF $1 ON YOUR CREDIT CARD.
WOULD YOU EVEN NOTICE AN EXTRA $1 ON YOUR CREDIT CARD STATEMENT EACH MONTH? NO, YOU WOULD PROBABLY NOT!
READY? Just do it right now while you're thinking about it. Think how good it will feel!! IT WILL FEEL GREAT!
Thanks folks. and if the tank is a place you care about or has been good to you, please consider spreading the word and letting people know...stick it on your blog or your myspace page or whatever. Thanks Thanks Thanks!
UPCOMING SHOWS AND EVENTS
Tonight and Tomorrow Night (thats wed 11/15 and thurs 11/16) we are having happy hour / mixer events in our basement lounge. cheap booze and lots of good people. come after work and say hey. also a convenient place/time to donate in person if you'd rather give cash...
5:30 - 7pm both tonight and tomorrow.
The Tank Basement, 279 Church Street btwn Franklin and White
Thursday November 16, 9:30pm
COREY DARGEL + KAMALA SANKARAM WITH SQUEEZEBOX
The Tank, 279 Church Street btwn Franklin and White
In addition to songs from his critically acclaimed debut album Less Famous Than You (Use Your Teeth), Corey Dargel will perform new and unreleased material including
the thumbnail was sampled from the cover of DeLanda's "A Thousand years of Nonlinear History" and reduced in a GIF color table.
John Geraci wrote:
> DeLanda's piece shown here is visually pretty similar to a piece I
> submitted to Rhizome a few years ago.
> (http://rhizome.org/object.rhiz?9436). Does anyone have more info on
> John Geraci
> ITP, NYU
> Jennifer Estaris wrote:
> > COLUMBIA ART & TECHNOLOGY LECTURES
> > Manuel DeLanda
> > Thursday, April 8, 2004, 6pm
> > LeRoy Neiman Gallery, 310 Dodge Hall
> > Columbia University, New York, NY
> > Free and open to the public
> > Manuel DeLanda was born in 1952 in Mexico City and has lived in
> > Manhattan since 1975. He began his career in the mid-seventies as an
> > independent filmmaker, showing his films in cine-clubs and museums
> > around the world. In 1980 he acquired an industrial-grade computer
> > became a programmer and computer artist, writing his own software
> > several years. His philosophical essays have appeared in many
> > and he currently lectures extensively in the United States and
> > on nonlinear dynamics, theories of self-organization, Artificial
> > Intelligence and Artificial Life. He is author of the books War in
> > Age of Intelligent Machines, A Thousand years of Nonlinear History
> > Intensive Science and Virtual Philosophy. He has contributed to
> > numerous collections, including A Thousand Plateaus by G. Deleuze
> > F. Guattari, and Ecological Imperialism by Alfred Crosby and
> > Self-Organizing Systems, edited by Eugene Yates.
> > The Art & Technology Lectures will culminate with Ricardo Dominguez,
> > tactical media artist, on May 12.
> > For more information, see
> > http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
> > Or email email@example.com
> > Co-presented by the Digital Media Center and Computer Music Center
> > Columbia University
yes, i agree...
I really don't have a simple thought that doesn't involve appropriation or sampling on some level. your painting and the photograph involve both but are different resolutions. Refusing that doesn't have to be a generational thing, as in when you were born or what sort of music you have been exposed to. Being able to accept it may be a bent of mind that is reinforced from being creative with a computer though, i hope so, but unfortunately the person suing you hasn't been bitten by that yet.
does Mel Gibson really have a scene where his pec implants are slowly removed in that flick?