nicholas economos
Since the beginning
Works in Shaker Heights, Ohio United States of America

PORTFOLIO (2)
BIO
Nicholas Economos is an artist and educator living in sunny Cleveland, Ohio, USA. His art practice includes work in software art, reactive media art, sound, video, and animation. He is an Editor Emeritus for Rhizome.org at The New Museum of Contemporary Art in NYC, previously editing content for the web site and the Rhizome Rare email list over numerous years. His awards include an Individual Artist Project Grant in Film, Media, and New Technology Production from the New York State Council on the Arts and an Individual Excellence Award in Media Arts from the Ohio Arts Council.

He has exhibited at Art Interactive in Cambridge, MA, Hallwalls Contemporary Art Center in Buffalo, NY, Art in General in New York City, Fylkingen in Stockholm, Contemporary Arts Center in Cincinnati, SESI Gallery in Sao Paulo City, Window Project Space in Auckland, New Zealand, Visual Studies Workshop in Rochester, Chiangmai New Media Art Festival in Thailand, DigiFest DXNet in Toronto, and the Cyberarts Festival in Boston. He has been a frequent artist-in-residence at the Experimental Television Center in Owego, New York and is included in the DVD anthology, "ETC: 1969 - 2009" covering 40 years of video arts at ETC. He was previously a visiting professor with the Department of Expanded Media at the School of Art and Design at Alfred University in Alfred, NY and now teaches in the T.I.M.E.-Digital Arts Department at The Cleveland Institute of Art.

Jan 30: Loud Objects, Zach Layton, Sawako live at the Gershwin


Tuesday, Jan 30: curated by Neke Carson, Loud Objects (Tristan Perich, Kunal Gupta, Katie Shima) will be joined by sine-wave sensualist Zach Layton at the Gershwin Hotel, a place that has been home to many artists in the past. The Loud Objects -- working with smoking soldering irons on an overhead projector -- wire up live musical circuits, manipulating electronic music. Zach Layton will accompany this dense soundtrack with an enveloping sonic fabric woven out of pure sinusoidal oscillations. Beautiful miss sound-scape Sawako will open the night, so please don't be late!

Jan 30, 2007, 8PM
Gershwin Hotel
7 E. 27th (between 5th Ave and Madison)
$10/$5 student

Links:
Loud Objects - http://www.loudobjects.com
Zach Layton - http://www.zachlaytonindustries.com
Sawako - http://www.troncolon.com
Gershwin Hotel - http://www.gershwinhotel.com

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hi




M U L T I M E D I A L E p r e v i e w

M a r k C o o l e y | A r t i s t T a l k

I n t r o d u c t i o n b y M u l t i m e d i a l e c u r a t

o r N i e l s V a n T o m m e
c u r a t o r ' s o f f i c e
t h u r s d a y, j a n u a r y 1 8 7 p m

curator's office
1515 14th street nw
suite 201
washington, dc 20005

202.387.1008
www.curatorsoffice.com


curator's office is pleased to present a free preview program for
the upcoming Multimediale festival in April of 2007. Mark Cooley is a new genre artist interested in exploring politics,
economics, power, identity, and visual rhetoric in American popular
culture. His work has been shown internationally in online and
offline venues such as Exit Art, Postmasters Gallery,
Furtherfield.org and Rhizome.org.

Multimediale is an innovative four day new media art festival
curated by Niels Van Tomme that brings together a multiplicity of
people and ideas around the theme, ‘Art as Mediation’. The festival
will run April 19-23, 2007 and will be headquartered at Provisions
Library and American University, Washington DC.


http://selforganizingsystem.org/filter.html
http://www.multimedialedc.org (online soon)

Called the hippest tiniest gallery in town by Jeffry Cudlin of "The

Washington City Paper", curator's office is a micro-gallery

dedicated to presenting progressive works and ideas.

But we are a small space, so RSVPs are essential.
info@curatorsoffice ...

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Exibition Piemonte Share Festival2007



Event: “Piemonte Share Festival 2007” Festival of culture and arts linked to the new media and digital technologies When: from Tuesday, 23rd January to Sunday, 28th January 2007 Where: Accademia Albertina di Belle Arti main premises Via Accademia Albertina, 6 - Torino website: www.toshare.it e.mail info@toshare.it

INAUGURATION: Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm With aperitif and live performances

EXHIBITION: Share Award 2007 From Wednesday 24th to Sunday 28th January 2007 Accademia Albertina Wednesday, Thursday, Friday from: 10 am – 8 pm /Saturday, Sunday from: 2 –8 pm

The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are: [more...]

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Hz #9


http://www.hz-journal.org

Hz #9 presents:

[Articles]

THE COMPOSITION-INSTRUMENT: MUSICAL EMERGENCE AND INTERACTION by Nobert Herber Composer and sound artist Nobert Herber explores the question "What kinds of compositional technique can be used to create a music" in the field of computer games and interactive digital media where the line between "composition" and "instrument" is increasingly blurred.

LeWITT’S IDEAL CHILDREN by Domenico Quaranta "Software art is conceptual art's acknowledged son" is the hypothesis around which art critic and curator Domenico Quaranta builds his anyalisis on genealogy of software art: "Is the history of conceptual art relevant to the idea of software as art?"

DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC MUSIC by Miguel Álvarez Fernández Composer, musicologist and curator Miguel Álvarez Fernández deconstructs the reading of history of electroacoustic music through the concepts of dissonance and noise.

BEHIND TECHNOLOGY: SAMPLING, COPYLEFT, WIKIPEDIA AND TRANSFORMATION OF AUTHORSHIP AND CULTURE IN DIGITAL MEDIA by Sachiko Hayashi With sampling as starting point, artist Sachiko Hayashi relocates several issues relevant to the culture of digital media.*

OPENING UP PUBLIC SPACE by Art Clay By "using wearable computing technology within global ubiquitous networks as an art tool," sound artist Art Clay's new project "China Gate" opens up our civic space for "one of the most important functions of public performance: social interaction."

TIME AND REAL-TIME IN ONLINE ART by Ewa Wojtowicz "If there is a navigable cyberspace – does it imply navigable time as well?" New Media Art historian Ewa Wojtowicz examines net art practice that employs time from various perspectives.

[Hz Net Gallery]

HYPERTEMPORALITY ANIMATIONS by Paul Blades

15x15 by Richard Vickers

CITYSNAPPER_5[BERLIN] by Olivier Vanderaa

SUPERIMPOSITIONS by Position

{TRANSCRIPTION} by Michael Takeo Magrude

Hz is an on-line journal published by the non-profit art organization ...

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NOW: Meetings in the Present Continuous


NOW is a working platform that will take place at the CCCB from 2006 to 2009. The project reflects on the present on the basis of the scientific, technological, artistic, social and spiritual transformations taking place at the start of the 21st century — because today it is no longer possible to explain art and culture without interiorizing scientific concepts and working with a systemic view of the world.

NOW is a process of research, creation and diffusion bringing together different local and international agents involved in promoting a change of paradigm in the information and knowledge society and in globalized cultures

http://www.cccb.org/now/ang/index.htm

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DISCUSSION

Re: real life?


> Yes, this sucks. One thing we can do is to help make a case to exempt small internet broadcasters.
Go to:
http://www.ruf.rice.edu/~willr/cb/sos/

http://www.wfmu.org