NeMe
Since the beginning
Works in Limassol Cyprus

BIO
NeMe is a non profit, non government, Cyprus registered cultural organisation founded in November 2004. NeMe works on two platforms - a virtual and an itinerant one - and focuses on contemporary theories and their intersection with the arts.

NeMe's itinerant platform, the "IMCA" (Independent Museum of Contemporary Art) presents NeMe projects which include, exhibitions, performances, new media events, symposia and archives. The form of the IMCA is determined as a practice or process by the nature of each project with the notion of the exhibition "space" being constantly revised and redefined.

NeMe's virtual platform resides in two sites:

* http://www.neme.org
* http://neme-imca.org

http://www.neme.org provides a service by publishing critical texts and filtered cultural information which includes arts news calls as well as providing a forum for public discussion. http://neme-imca.org publishes a documentation of all NeMe activities.
Discussions (37) Opportunities (9) Events (8) Jobs (0)
DISCUSSION

Malleable World


There is an ongoing tradition, a whole sort of hieroglyphic, textual system of markings: where to find food, where dangers are, etc. Historically, markings have long been left for other travelers along trails, train paths, and in other spaces. There also are augmentations of experience and woe such as the poems carved into the walls of the Angel Island immigration detention center which paint vivid portraits of pain, confusion, anger and sadness of many individuals stuck there between 1910 and 1940. These two examples both show a progression and thread in time and a dichotomy.  Augmentation historically been used pragmatically and expressively, often in tandem.  Creativity and deep necessity have worked in tandem.

Read Jeremy Hight's complete text and feel free to comment.


www.neme.org
neme-imca.org

DISCUSSION

The world of tags


In a tedious, bureaucratic manner combined with a somnambulist's unwavering intent, some live, navigational data archive is composing the planet's landscape in pages accessible on the Internet. As far as the ascendancy of this particular way of organizing the world goes, the assertions which follow, take up no moral position. The mode in which the landscape is produced as the construct of a live, navigational data archive, is no longer newsworthy or a source of surprise. We are summoned to live within that field, to either survive in opposition to it or be organized by its structure. Some pre-view or post-view of "the" space or "the" places based on archive works constructs the lived experience of these places. Archived and archivable data "build" the experience of spatiality which we are in the habit of designating as "space-in-itself'. The places of the earth are to be imminently mapped out or have already been so. Certainly, the activity of digital archiving impacts on its material references if any such reference is still solid enough outside the archived object: on occasion -with increasing frequency, in fact - we have a hard time establishing a demarcation between the two. In the past, we used to have recourse to the map if we happened to lose our bearings. The present habitation within the map's interior is organized as a loss of the loss. We shed light on the construction of the present-day landscape in the course of pursuing this specific condition: in what ways is loss being lost? What sorts of moves take place "without" loss? The conflict between the habitual and the extraordinary, the commonplace and the exotic, acquires new significations. It is here that some nodal point survives of local particularities on the map: the landscape in the navigation system offers a special condition of contemplation whereby the distinction is eliminated between the map and the mapped-out: within that landscape is also included (or could be) the surveying viewer. This observer of the landscape will now be designated as "incarcerated in the map" or "the map's inmate". He will be "part of the landscape" insofar as the landscape is defined in this manner. This will, then, be a landscape without a perception of its frame.

Read the complete text by Aristide Antonas on
http://www.neme.org/main/1200/the-world-of-tags
As always comments are welcome.

Should you want your texts published by NeMe you may do so by submitting them on http://www.neme.org/main/15/submit-a-text for review. A complete list of texts we published can be found on www.neme.org/sitemap/

DISCUSSION

writing within the map


Why not be able to search a place for its stories, its poetry, and its metaphors and why not be able to select what you desire as well as be able to create such things specifically for this place itself?

Publication has historically been a distribution system of printing press, audience and release of finished works. This has led to many variant developments in the past that have attempted to move this system into new paradigms,tributaries, or complete erasures into new modes. It is important to avoid the "rise, rise young lions" notion of how the new must topple the old and the construct that one must progress through radical means to "solve" the older functionalities. It is not this; it is that, as new possibilities emerge that can enhance and newer tools come into being that allow deeper levels; it is logical to explore them and to open those new tributaries. The book is not dead, nor should it be. The library does not need to be shuttered as a relic, a museum piece or traces in aging photographs. The internet too, as shiny as it may seem in comparison in these times, will someday be seen as a veritable steam ship in relation to what will come in some future present.

Read the complete text by Jeremy Hight on
www.neme.org/main/1111/writing-within-the-map
As always comments are welcome.

Should you want your texts published by NeMe you may do so by submitting them on www.neme.org/main/15/submit-a-text for review. A complete list of texts we published can be found on www.neme.org/sitemap/

EVENT

Margins of Time


Dates:
Fri Nov 06, 2009 00:00 - Sat Oct 24, 2009

Location:
Cyprus

Margins of Time presents works by creators who have used "Yiannis Ritsosʼ" life and poetry as a starting point for their personal homage to the great poet. The exhibition will also include a selection of original stones painted by Ritsos from the collection of Elli and Panicos Peonides. This project also includes:

Remembering Ritsos: talks by personal friends of Yiannis Ritsos, Hans Hendrikx (NL,GR) and Elli Peonidou (CY) and a homage to Ritsos by Louis Perentos (CY)

Exhibition of 66 artworks including:

[list] [*] Photographs by Antigoni Solomonidou Droussiotou (CY), endorsed personally by Ritsos in 1979
[*] Photomontage work by Peter Lyssiotis (AU, CY)
[*] Poetry videos of Elli Peonidou (CY) and Louis Perentos (CY)
[*] Silkscreen prints by Dimitri Perdikides (GR)
[*] Stones painted by Yiannis Ritsos (GR)
[*] Archival photographs of Ritsos' visit to Cyprus in 1979[/list]

Presentation by George Alexander (AU) and Peter Lyssiotis (AU, CY) on the nature of their collaboration for their book, _The Dead Travel Fast_ which will be launched by Nicholas Defteras.

The title of this event is taken from a collection of poems by Yiannis Ritsos, Notes on the Margins of Time written between 1938-1941.

Margins of Time is co-organised by NeMe and the Cyprus Ministry of Education and Culture and is supported by the Municipality of Limassol and Cyprus University of Technology

Venue:
Evagoras and Kathleen Lanitis Foundation, Limassol, Cyprus
Opening and presentations: 8pm, 6 November 2009.
Exhibition: 6-16 November 2009.
Opening Times: Monday-Saturday, 9am-1pm and 5pm-8.30pm


EVENT

FOUR YEARS IDEODROME


Dates:
Wed Nov 04, 2009 00:00 - Sat Oct 24, 2009

Location:
Cyprus

NeMe n collaboration with the Department of Multimedia and Graphic Arts of the Cyprus University of Technology

A retrospective look at all the videos created for IDEODROME.

Videos by: Yiorgos Sisamos, Dinos Hatdjidemetri, Yiannis Yiapanis, Helene Black, Natalie Demetriou, Andros Zemenides, Yiannis Colakides, Yiannos Economou, Konstantia Sofokleous, Ioakim Mylonas, Diomedis Nikitas, Klitsa Antoniou, Sophia Hadjipapa-Gee, Demetris Rousos, Panayiotis Fotiou, Eva Korae and Monika Herodotou, Nicos Synnos, Elias Demetriou, Adonis Florides.