Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
http://turbulence.org/fundraiser_05/index.html Art work donated by Cory Arcangel, Kate Armstrong, Andy Deck, Jason Freeman, Mariam Ghani, Peter Horvath, Yael Kanarek, Michael Takeo Magruder, Michael Mandiberg, MTAA, Yoshi Sodeoka, Helen Thorington and Ricardo Miranda Zuñiga Dear Friends, New Radio and Performing Arts, Inc. (NRPA) will be 25 years old in 2006; Turbulence will be 10 years old. Despite the expansion of our projects, [...]
CULTURETV is the first art webtv channel produced especially for culture, art and new media.Since its launching on the 15th of June CULTURETV is successfully received by the public.
CULTURETV starts VODcasting. CULTURETV is worldwide the first art webtv channel starting this video equivalent of the popular Podcasting. People who have iTunes 4.9 installed can subscribe to the video feed of the world-wide acclaimed site and get their favorite videos at home delivered.
CULTURETV starts with video items which are in the weekly playlist, but will add specials to the VODcast.
"This is a logical step in using the ultimate technologies", says Marjan van Mourik, director of CULTURETV. "The platform to promote and present contemporary art is interesting to explore all its possibilities. Just with one goal and that is to get people interested in art. Art is a very important part in what is life about. Viewers can subscribe to different types of content and choose their own selection. We start with the art content of CULTURETV and depending on the success will add documentaries, art videos, art events, et cetera. VODcasting will help people finding quality art content tv."
contact: Marjan van Mourik
How to subscribe to the CULTURETV VODcast?
1) Open iTunes 4.9 (older versions don't work). If it's not available download at
2) Choose! 'advanced' en select the option 'subscribe to podcast'. Type
http://www.culturetv.tv/ipod.xml and click ok.
3) You are now subscribed to the VODcast! Click on the arrow to watch video titles. Double click to load the video and click once more to watch.
4) From now on you'll see automatically if there's new ...
Anne Pasternak has been the Executive Director of Creative Time since 1994. During her tenure, she has shepherded projects like Tribute in Light, Art in the Anchorage, 59th Minute, Vik Muniz’s Clouds and Jenny Holzer’s current program being projected tonight at NYU’s Bobst Library, For the City.*
spoke with Anne about past, present and future Creative Time projects as well as her feelings on the Freedom Center and the privatization of arts funding.
What is Creative Time?
Creative Time has been around for over 30 years. We commission and present adventurous art in the public realm, which could range from the Tribute in Light, the two beacons of light in lower Manhattan after September 11th, to a skywriting project over Manhattan to laying artist carpeting down in Grand Central for four months. It takes many forms, in many places.
What’s the difference between Creative Time and Public Art Fund?
We are sister organizations and our missions and interests are very compatible. Recently, I think it’s become less clear the distinction. In the past, Creative Time was more multidisciplinary and tended to work on emerging artistic practices. Public Art Fund has started to get into some of the same territory. They are best known for presenting large scale celebrated sculptures in landmark destinations, but they have been doing that and other things too. But in general, they tend to be more sculpture-based and we tend to be more multimedia. And some would say, and I would agree, that Creative Time is more innovative.
Click thru for the entire interview. Anne and Creative Time have been tireless promoters and funders of public art in NYC. Creative Time gave a small grant to MTAA to do our first ever web art project way back in 1997 :-)