miri chais
Works in Israel

I create cross‐breeds, and connects intricate, surrealistic "light‐bearing" objects, luring the viewer into a world of fantasy and imagination. This combinations
and fusions generate an illusion, introducing new perspectives which orient and
move toward the light.

I am interested in exploring and uncovering the poetic elements built into the technological world, while striving to transform the resulting research data into a
visual display. It is an investigative process committed to asking questions, probing,and attempting to comprehend the world in which we live, the possibilities at hand,
and the expectations for the future.
The relationship between information and meaning arising from the works is associated with acts of subtraction, addition, and equation of the different fields of
knowledge, while breaking free from the fetters of concreteness, duration, and
memory, and taking the liberty to create a new space of operation.
The displayed information and the visual capacity discernible in my works sustain a system of equilibrium and a delicate balance between object and image,
artist and inspiration, setting and dream. Each work is based on a dialogue between figure and setting, tracing the embodiment of informative concepts and the object's
ability to convey and transfer them, as they cumulate to form meaningful statements.
The warning signs, symbols, icons, and emblems of society, culture, and various digital media are sketche d and etched on the surface. They fuse to spawn new forms
which function as a recurring motif in the works; a type of private, invented lexicon decoded into a stance, prompting a critical social discourse which sheds light
on and warns against dangerous situations and elements that have taken over our environment and have become an integral part of our lives.
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Wed Nov 17, 2010 00:00 - Sat Nov 06, 2010


San Francisco: November 17, 2010 to January 18, 2011
Berlin: March 18 to April 30, 2011

The basis of the Magna Carta, like that of all legal systems, is essentially its binding nature. This bond encounters difficulties and challenges wherever it is unclear who is a participant in the system. Legal systems fray at their edges.
--Juliane Laitzsch

Artists include: Tor Archer, Matteo Bergamasco, Brad Brown, Miri Chais, Max Diel, Mark Fox, Daniele Girardi, Veronike Hinsberg, Diane Jacobs, Linda Karshan, Ruven Kuperman, Juliane Laitzsch, Joan Linder, Werner Linster, Will Marino, Justin Quinn, Susanne Ring, Ben Sleeuwenhoek, Ann Weber, Chuck Webster.

Cain Schulte Contemporary Art San Francisco & Berlin's joint exhibition Magna Carta explores the diverse and innovative creations of international artists who work with and on paper. The artists involved have been asked to create pieces that are thematically anchored in an investigation of the 13th-century legal document the Magna Carta, which is widely considered a pivotal turning point in the attempt to establish individual liberties, and a key element in the radical transformation of constitutional thought. The works in this exhibition explore contemporary issues focusing on the protection of personal freedom, individual rights, and unlawful imprisonment. The exhibition seeks to highlight the universality and contemporary relevance of the issues emanating from the Magna Carta in today's increasingly globalized world.

The artists involved hail from many countries, including Germany, Japan, Israel, The Netherlands, and across the United States. The breadth alone of the styles and visions they bring to the topic is inherently an illuminating study of cultural differences. The cadre of subjects addressed spans the Abu Ghraib torture atrocities, Japanese bondage techniques, illegal immigration, as well as the resilience of religious dogmas, the possibilities of Utopian organizations of space, and the visual codification of legal systems in medieval textile patterns.

The works on display range from small charcoal and ink drawings to large experimental sculptures. Some of the works offer novel perspectives on the deterioration and transgressions of the Magna Carta's ideals by focusing on current interpretations of cultural colonialism. Other artists have conceptualized the literal translation of Magna Carta ("big paper") as a basis for their thematic explorations within the limits of the medium of paper.

Curated by directors Marina Cain and Kit Schulte, the Magna Carta exhibition will open at the San Francisco, US gallery on November 17, 2010 and will then continue on to Berlin, DE for its opening on March 11, 2011. Each location will show a variation of works created by a selected group of gallery and guest artists.
Magna Carta is the first of an annually-occurring group exhibition, jointly produced by the Cain Schulte galleries as part of an intercultural conversation of contemporary art.

The exhibition is produced in conjunction with the following galleries:
Mixed Greens, New York; ZieherSmith, New York; Donna Seager, San Rafael; Raphael Barbibay Art Connections, Israel; Hosfelt Gallery, San Francisco.