Michael Connor
Since 2002
Works in Brooklyn, New York United States of America


From the Mixed-Up Files: Ten Years Ago Today


From the Rhizome archives, here's a discussion that unfolded ten years ago today on our mailing list, prompted by an article in The New York Times about curator Steve Dietz' dismissal from the Walker Art Center.


The Greatest Hits of Rhizome April 2013


In April 2013, the most viewed article on Rhizome was Daniel Rourke's richly illustrated interview with David OReilly, animator and director of a recent episode of Cartoon Network's series Adventure Time. The most commented-upon thread was, of course, Breaking the Ice, in which generational differences emerged, future directions were debated, pasts relived, and present staff members reminded of founding ideals.

We added Oliver Laric's "An Incomplete Timeline of Online Exhibitions and Biennials" to the ArtBase following Laric's decision to withdraw from BiennaleOnline. Later, organizer David Dehaeck fired back in the pages of El País, saying "The BiennaleOnline is about art and not bits and bytes." Got that?

In the month's longreads, Tom McCormack probed the links between ASCII art and Apollinaire, and Part 3 of Jacob Gaboury's well-researched 'Queer History of Computing' series continued to bring sexual politics into technology history. 

Daniel Rourke profiled Alex Myers and Emilie Gervais, Megan Heuer delved into Peggy Ahwesh and Sadie Benning's use of Pixelvision, I wrote about Ryder Rypps' Red Bull-fueled endurance performance Hyper Current Living and visited Eyebeam's F.A.T. retrospective, and Alexander Keefe dug up screeds by occultist techno-utopian Xul Solar.

Our Seven on Seven conference was always on our minds; in case you missed it, check out the videos of all presentations, my recap, Giampaolo Bianconi's remarkably lucid live blog, and profiles of participants Jill MagidFatima Al QadiriJeremy BaileyCameron Martin and Harper Reed

 

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Notes on ASMR, Massumi and the Joy of Digital Painting


When I first came across ASMR, it struck me as an Internet meme that bordered on a vast consensual hallucination, like the stories of fainting spells that sweep village schools.


The Week Ahead: Bloc Party Edition


Events and deadlines that are on our radar this week: 

Montréal

The fifth annual Sight & Sound festival hits town this week, marking the fifth anniversary of the artist-run new media venue Eastern Bloc.  


"Art and Not Bits and Bytes"


Last Friday, Rhizome published a new artwork by Oliver Laric that was originally made for BiennaleOnline, but which could not be shown because HTML code and outgoing links were (surprisingly, for an online biennial) proscribed. Today, BiennaleOnline organizer David Dehaeck fires back in the pages of El País, saying "The BiennaleOnline is about art and not bits and bytes."

 

READ ON »



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DISCUSSION

DISCUSSION

The Commenter: A Lament


Hi Theresa, I think Netbehaviour probably is the best listserve option for you, good that you're already on that. I love that you're on dialup.

Michael, much respect to the original crew. I don't think we can ever quite bring back the late-90s model you fell in love with. :/ It's always useful to be reminded of the founding ideals.

And hey, no worries about the donation! But, y'know, I rly couldve seen u in
image

DISCUSSION

DISCUSSION

Post-Postism?


Just wondering, how have you seen "postinternet" used to describe a refusenik stance? Do you mean, a refusal of net art? Or of the internet? Or of the idea of an autonomous art, separate from networked neoliberal capitalism?

DISCUSSION

Shia LaBeouf: Is there genius in his endgame?


Hi Tom, it seems we erred too far on the side of subtlety with this one, sorry about that :P

Coincidentally, I'm going to be in LA this week for a show I curated at a commercial gallery, and we do also have some research ongoing that might open up this discussion in a more interesting way for you.

Pure promo hype just makes everyone feel bad in the end...But, I like a lot of Harmony Korine's work, and I'm glad to hear he's collecting art.

Thanks as always for your thoughtful comments.