Michael Connor
Since 2002
Works in Brooklyn, New York United States of America


Five Years Later, Kev Has a New Website


Kev in one of his favorite meditation places, an old rock quarry upstate.

Kev Bewersdorf and I had been neighbors for months before we met. When we did, it was because he needed gas for his generator, but I didn't have any.

At that point, he had already deleted all of the images, texts, and music he'd once posted online. But previously, 2008ish, I had followed his work avidly. He used to have a website called Maximum Sorrow consisting of texts and artworks connected with his "philosophy of 'corporate spiritualism' realized through marketing practices and continuous web surfing." Bewersdorf also pursued this interest in web surfing through his occasional participation in Nasty Nets and his role as co-founder of Spirit Surfers (with Paul Slocum and Marcin Ramocki). (For those who can't remember a time before Tumblr, these were surf clubs, or artist-run collaborative blogs to which members would post found and created images, texts, gifs, and tracks.)


Aleksandra Domanović's Internet Realism


From yu to me (2014). Still frame from single-channel video with sound.

Aleksandra Domanović's From yu to me was commissioned by Rhizome, Abandon Normal Devices, and Fridericianum. View the work and read an accompanying text by Brian Droitcour here.

"Every map of the internet looks the same."

Multi-directional trees, hubs and spokes and branches, clouds of varying density: to Alex Galloway, writing in his book The Interface Effect, the many attempts to visualize information society all begin to look the same. Maps of the internet, he argues, tend to conceal more than they reveal; the main purpose they serve is to dazzle the beholder with the complexity of it all.


A Surf Session with Cory Arcangel


Arcangel Surfware.

On Saturday, May 17, artist Cory Arcangel will present a solo exhibition and pop-up store, "You Only Live Once," at the Holiday Inn New York-Soho, featuring a new clothing and lifestyle merchandise line, Arcangel Surfware. We met for a session at his Brooklyn apartment to talk about surfing tricks and habits, gear, and how things change for each generation of surfers.

Can you start by showing me something from your browsing history?

Most, I'm not going to say all the time, but more often than not, my deep surfs revolve around late-80s/ early- to mid-90s metal. (Laughter.) I've been going deep into Steve Vai lately.... Here's all my Steve Vai searches.

Wow, that's a lot of Steve Vai.


Seven Big Ideas from Seven on Seven 2014


Frances Stark and David Kravitz during the Seven on Seven work day. Photo: Ed Singleton.

The fifth anniversary edition of Rhizome's Seven on Seven took place on Saturday. The project pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. The results were unveiled to the public on Saturday at the New Museum, and are recapped here.

#1. Occupy invented #normcore

In the keynote, Kate Crawford suggested that K-Hole's #normcore trend report, as well as the Snowden-leaked GCHQ Powerpoint, could be read as manifestations of the anxieties of an age of mass surveillance, those of the surveillers and those of the surveilled.


Shana Moulton and Nick Hallett's 'Whispering Pines 10' on Art21


Wake up, sleepyhead. Art21 just posted their profile of Shana Moulton and Nick Hallett's opera, Whispering Pines 10, presented by Rhizome at the New Museum in 2011. Not only do Moulton and Hallett come off as the sweetest performance artist/composer collaborative duo ever, but the documentation of the projection-oriented opera isn't bad either.



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DISCUSSION

Video of Post Net Aesthetics is Now Online


Point of clarification, she doesn't say it's the first material engagement of this kind for all artists everywhere, she says it's the first material engagement of this kind for many of the specific artists connected with what she describes as "the postinternet movement.

DISCUSSION

Video of Post Net Aesthetics is Now Online


For the most part, I thought Ben made some excellent points, although this was not one of them.

In the video, you can see that he used air quotes when referring to "contemporary art," so it comes across a bit differently than it does in the text. I take contemporary art-in-air quotes to refer to a generally non-tech savvy, moneyed group that self-identify as the mainstream of "contemporary art," as in, for example, Bishop's "Digital Divide," where she defines the mainstream as the larger art fairs and the national Biennale pavilions. So, I would characterize Ben's statement as an exaggeration, not a misrepresentation of the work that has been done on this topic for a long time, mostly outside of this self-identified group.

But to address your larger point, that was definitely not the broader idea behind this panel, nor can Rhizome be expected to stand behind every assertion made by the panelists.

Although, it would be an interesting thought experiment to try to believe in every conflicting assertion made at our events.

DISCUSSION

Video of Post Net Aesthetics is Now Online


The statement is obviously exaggerated, but I would offer a slightly different argument: VVORK was incredibly influential in demonstrating that online viewing of non-born digital artwork could be experientially rich while reaching a wide audience.

To put you back in the headspace, here's a comment by Sally McKay on digitalmediatree from 2007:

"VVork is popular because they show lots and lots of pictures of art from around the world without a bunch of commentary. I love that! It's kind of weird how rare it is."

It was rare, and that was weird. And it ain't rare anymore.

As a side note, check out how few references to the internet are in this Whitechapel book titled "A Manual for the 21st Century Art Institution," published in...2010.

http://www.amazon.com/Manual-21st-Century-Art-Institution/dp/3865606180

DISCUSSION