Michael Connor
Since 2002
Works in Brooklyn, New York United States of America


Five Years Later, Kev Has a New Website


Kev in one of his favorite meditation places, an old rock quarry upstate.

Kev Bewersdorf and I had been neighbors for months before we met. When we did, it was because he needed gas for his generator, but I didn't have any.

At that point, he had already deleted all of the images, texts, and music he'd once posted online. But previously, 2008ish, I had followed his work avidly. He used to have a website called Maximum Sorrow consisting of texts and artworks connected with his "philosophy of 'corporate spiritualism' realized through marketing practices and continuous web surfing." Bewersdorf also pursued this interest in web surfing through his occasional participation in Nasty Nets and his role as co-founder of Spirit Surfers (with Paul Slocum and Marcin Ramocki). (For those who can't remember a time before Tumblr, these were surf clubs, or artist-run collaborative blogs to which members would post found and created images, texts, gifs, and tracks.)


Aleksandra Domanović's Internet Realism


From yu to me (2014). Still frame from single-channel video with sound.

Aleksandra Domanović's From yu to me was commissioned by Rhizome, Abandon Normal Devices, and Fridericianum. View the work and read an accompanying text by Brian Droitcour here.

"Every map of the internet looks the same."

Multi-directional trees, hubs and spokes and branches, clouds of varying density: to Alex Galloway, writing in his book The Interface Effect, the many attempts to visualize information society all begin to look the same. Maps of the internet, he argues, tend to conceal more than they reveal; the main purpose they serve is to dazzle the beholder with the complexity of it all.


A Surf Session with Cory Arcangel


Arcangel Surfware.

On Saturday, May 17, artist Cory Arcangel will present a solo exhibition and pop-up store, "You Only Live Once," at the Holiday Inn New York-Soho, featuring a new clothing and lifestyle merchandise line, Arcangel Surfware. We met for a session at his Brooklyn apartment to talk about surfing tricks and habits, gear, and how things change for each generation of surfers.

Can you start by showing me something from your browsing history?

Most, I'm not going to say all the time, but more often than not, my deep surfs revolve around late-80s/ early- to mid-90s metal. (Laughter.) I've been going deep into Steve Vai lately.... Here's all my Steve Vai searches.

Wow, that's a lot of Steve Vai.


Seven Big Ideas from Seven on Seven 2014


Frances Stark and David Kravitz during the Seven on Seven work day. Photo: Ed Singleton.

The fifth anniversary edition of Rhizome's Seven on Seven took place on Saturday. The project pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. The results were unveiled to the public on Saturday at the New Museum, and are recapped here.

#1. Occupy invented #normcore

In the keynote, Kate Crawford suggested that K-Hole's #normcore trend report, as well as the Snowden-leaked GCHQ Powerpoint, could be read as manifestations of the anxieties of an age of mass surveillance, those of the surveillers and those of the surveilled.


Shana Moulton and Nick Hallett's 'Whispering Pines 10' on Art21


Wake up, sleepyhead. Art21 just posted their profile of Shana Moulton and Nick Hallett's opera, Whispering Pines 10, presented by Rhizome at the New Museum in 2011. Not only do Moulton and Hallett come off as the sweetest performance artist/composer collaborative duo ever, but the documentation of the projection-oriented opera isn't bad either.



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DISCUSSION

Rhizome Today


Hey Charles! It will be interesting to see if this comment will stay on your profile after the post disappears, and if the link to it will work, and if some kind of vortex will open.

DISCUSSION

July 2: NYC poetry event with Kev, Bunny Rogers, and Brigid Mason


Hi Tom,

I feel really good about the event. I'm not really ready to write about it, but I feel like I have to say something...

You used the word "ironic," which means saying one thing while meaning another. But Kev often said one thing while *also* meaning the opposite, which is something different. You call it confusion, I call it an interest in paradox.

I wrote of the spiritual dimension of Kev's work that "Taoism is as much an aspect of contemporary culture as it an ancient philosophy, translated and refracted as it is through the Transcendentalists and the 60s counterculture and numerous scholars. Thus, Kev, who has always played the role of the quintessential American, does so even in his seemingly un-American disavowal of the consumer internet." In other words, a "mishmash" sounds about right.

DISCUSSION

July 2: NYC poetry event with Kev, Bunny Rogers, and Brigid Mason


In summary, I think it's OK for Kev to think about Taoism and the internet, even though I'm not interested in that in particular. But I am interested in his gesture of radical semi-refusal and its limits, and where he will go next.

DISCUSSION

July 2: NYC poetry event with Kev, Bunny Rogers, and Brigid Mason


I'm not particularly interested in the spiritual aspect of digital art, hence our recent emphasis on infrastructure and labor and materialism, mundane afrofuturism and internet realism...

It strikes me as patently ridiculous to disallow the possibility of "spiritualized computer art." Sure, that's a premise that has been used in lots of dubious ways, and maybe you don't buy Kev's version of it, which is fine. But that doesn't make the premise itself categorically doubtful. No aspect of our lives can really be considered outside of the digital, spirituality included.

I am interested in Kev's ideas, because he has spent the last five years thinking deeply about the internet while attempting to stake a position outside of this. I think others are interested in his thoughts on this, and his reasons for finding this untenable.

Tbh I have no real idea what Kev is going to do tonight, which is scary, but I certainly don't think that Rhizome should only stage events the outcome of which is known in advance.

DISCUSSION

Solidarity after "Sharing:" Notes on Internet Subjects #1


Hi Abe, thanks for your feedback. Our intent with this particular panel was to articulate a position that we felt was missing from the media narrative around the sharing economy. To this end, we felt that including a sharing economy proponent would stall the discussion before any first principles could be established. I did feel, in the end, that Rob Horning's polemical skill in particular was a bit wasted without a real opponent to wield it against...

As you may know, Rhizome works quite closely with many individuals in the tech business sector; in fact, my co-organizers Nathan Jurgenson and Kate Crawford are both researchers with roles in the tech industry. I'd imagine that future Internet Subjects panels will be structured more as debates, when that seems most appropriate, and will feature not just researchers, writers, and scholars, but business people and artists as well.