mez breeze
Since the beginning
Works in Sydney Australia

Mez Breeze is the Creative Director of Mez Breeze Design, an agency which provides boutique digital product and design services (including illustration, transmedia, text, games, interface design, and responsive media). Recent and past Clients include the British Branch of Appreciative Inquiry, CloudGraf, Brandaide, Brecely Studios, GeekGirl, and The University of Technology Sydney. Mez Breeze Design has recently partnered with Dreaming Methods to produce a set of mobile-oriented projects that have been showcased at "Chercher le texte: manifestation internationale de littérature numérique” 2013: one of their joint projects was also nominated for the 2013 Digital Humanities Awards in the "Best DH visualization or infographic" Category. Mez is an Advisor to The Mixed Augmented Reality Art Research Organisation and is currently Senior Research Affiliate with The Humanities and Critical Code Studies Lab.
Mez has exhibited her ground-breaking creative works widely, including at The Brooklyn Academy of Music 2001, “Playengines” Melbourne Australia 2003, “Arte Nuevo InteractivA” Mexico 2005, the “Radical Software” Show at Turin Italy 2006, DIWO at the HTTP Gallery London 2007, New Media Scotland 2008, the Laguna Art Museum California and Alternator Gallery Canada 2009, Federation Square Melbourne and Arnolfini Gallery Bristol 2010, Netherlands Media Arts Institute 2011, “Remediating the Social” Exhibition in Scotland 2012, “Network Art Forms: Tactical Magik” in Tasmania 2013 and Jeu de Paume 2014. Her awards include the 2001 VIF Prize (Germany), the JavaMuseum Artist Of The Year 2001 (Germany), 2002 Newcastle New Media Poetry Prize (Australia), co-winner of the 2006 Site Specific Index Page Competition (Italy) and the Burton Wonderland Gallery Winner 2010 (judged by Hollywood Director Tim Burton). Her works reside in Collections as diverse as The World Bank and the PANDORA Electronic Collection at the National Library of Australia. Duke University have recently extended to Mez an invitation to develop a comprehensive career archive of her works, associated documents, correspondence and papers to be housed there at the David M. Rubenstein Rare Book & Manuscript Library.

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[webartery] aching trans[ab]lation

[smoothing through the lost (my.cunt)

[ob.jectory 1 seems to want to burst through you. you are all
correspondingly drenched & perfumed groomed as fuming unconscious nodes. do
not dis.appoint.]

[in.vectory 2 wears a "ye old" folding body, weaponed with archaic plague
singers. they ache 2 thread & scorch, but polarise instead. you need
subscriber swingers. you context your wingtips & turn 2
typographic-yearners, all smarm & choco.late vocality. your head tagging &
cock.ed flicking author.ity unintentionally copyrights their poser
tactility taunts. such an auctorial shame.]

[in.varsity 3 engages dream.buoys & life preserver girls, growling for a
gauging, flaming hit. i stamp & tame my blistering conceptual foot.
pornoesque slickness beads on the corners of your unborn mouth. u desire a
format thrill.]

[con.textory 4 dynamically lick & lurch with click shifters & link-shirt
lifters. stenographing stenches hang in your distillate air. you sweat &
shit & symbolically, cholically project.]

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[webartery] [dis|in|con|verse|vective|text]

[. s.(mike)]

::burst[ing].thru.yr. ][drenched][ groomed (as per)fumed n.odes

[f][ye ][ body weaponed plague
tag.cocked*flicking//autho(g) stances in poser ta(c)[tile]unts]

::in.Verse inve.C][li][t.ories

[n.gauging d.ream.bouy & life
][pre][serve.her.grr(ow!)l//s.tam(e) vs

::context dynam][j][ism][ick!][ ah.lur][ch][t

[clik shi(rt)f][lif][ters &


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_net.code(r3) !: Sunday April 21 2002 :_

][mez][ [offers dot sm][f][udges 4 all]
][mez][ we][class][aves + proposition prods, all gangle [i's]eyes &
s][ilent][poke.n finga blurred....
][mez][ ag.gre]

[.vates + re.vulv][a][s in2 dev.oh.lut]e[][ionary gap.pages
][mez][ marvel][com(ma)ic][s @ zuch re:veal.*tions

][mez][ .is. .h.(e)a(d)][it][es.less

][mez][ dr][l][inks link.age power in short, s.harp. bursts....
][mez][ feels her sen.s][t][ory mode wide.N, glyping & gli.ding][!][...

][mez][ media [m]ewes & moans
][mez][ says, "Helen + claire>> that's y I construct my work on various
absorption lvls, & load it in such a way as 2 n.sure that all netizens can
acc.cess @ least 1 version...."
][mez][ codes 4 in.voluntary t.wi][n][(t)c(h)es, meta.4s & drenching
tugging hypa.l.inkages....
][mez][ e.vokes the cur][ed][ious
][mez][ a.xis][ts][ + ack.cesses, pro.][e][moting the slip & motion
][mez][ ditt.ohs, cs the haunt.ting][les][ & celeb.rates][it high.lee][
][mez][ wurks + w(h)atches, all binary ][g][limp][sed][....

][mez][ says, "Laura>> do u think this capitalistic/consumerism push is
echoed in the need to produce object-defined wurks in terms of wurk
viewable [as in a craft oriented perspective] as opposed 2 net.wurks that
thru their very dependency on the net may not be as concretely accessible?"
][mez][ says, "Ns>>my question when I create is ][k][not 2
mimick/reiterate sensory-driven templates, & yet create a document.ary like
the holistically
d.termin][able][ed wurk like _][ad][Dressed in a Skin C.ode_."
][mez][ says, "Laura, yes, its n.teresting stuff...i've been curious about
such craft/object oriented wurk 4 a long time, s.pecially in terms of how
it is absorbed more readily in2 a pre.supposed canon..linear & driven as in
4rm an economically rationalist perspectiff..."
][mez][ says, "The _n.hanced_ & _text_ versions in _][ad][Dressed in a Skin
C.ode_ all stem from a basic
net.wurk; 1 that is projected via email lists as an n.stinctive reaction 2
the data][in][flux/meniscus that su][pports][rrounds it. these email
code.wurks n.capsulate my particular trajectory [in terms of net usage 2
d.fine/actualise the wurk] more aptly than these click n x.plore versions
that r pre.sent in _][ad][Dressed in a Skin C.ode_ "
][mez][ says, "...all the _texts_ [and I use this term 2 n.clude the whole
shebang, not just the typed components] should be able 2 b negotiated [in
terms of meaning] from the very email core that I have constructed
ini.tially, in ut][n][e][t][ro.........but I find that ppl r reluctant 2 do
][mez][ says, "Of course, laura....learning 2 predict a users out.look in
terms of how they may navigate/per.use a wurk is the first step in how 2
][wo][manipulate this..."

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*star[.dot]*star .va. net ][coda][
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