mez breeze
Since the beginning
Works in Sydney Australia

PORTFOLIO (2)
BIO
Mez Breeze is the Creative Director of Mez Breeze Design, an agency which provides boutique digital product and design services (including illustration, transmedia, text, games, interface design, and responsive media). Recent and past Clients include the British Branch of Appreciative Inquiry, CloudGraf, Brandaide, Brecely Studios, GeekGirl, and The University of Technology Sydney. Mez Breeze Design has recently partnered with Dreaming Methods to produce a set of mobile-oriented projects that have been showcased at "Chercher le texte: manifestation internationale de littérature numérique” 2013: one of their joint projects was also nominated for the 2013 Digital Humanities Awards in the "Best DH visualization or infographic" Category. Mez is an Advisor to The Mixed Augmented Reality Art Research Organisation and is currently Senior Research Affiliate with The Humanities and Critical Code Studies Lab.
Mez has exhibited her ground-breaking creative works widely, including at The Brooklyn Academy of Music 2001, “Playengines” Melbourne Australia 2003, “Arte Nuevo InteractivA” Mexico 2005, the “Radical Software” Show at Turin Italy 2006, DIWO at the HTTP Gallery London 2007, New Media Scotland 2008, the Laguna Art Museum California and Alternator Gallery Canada 2009, Federation Square Melbourne and Arnolfini Gallery Bristol 2010, Netherlands Media Arts Institute 2011, “Remediating the Social” Exhibition in Scotland 2012, “Network Art Forms: Tactical Magik” in Tasmania 2013 and Jeu de Paume 2014. Her awards include the 2001 VIF Prize (Germany), the JavaMuseum Artist Of The Year 2001 (Germany), 2002 Newcastle New Media Poetry Prize (Australia), co-winner of the 2006 Site Specific Index Page Competition (Italy) and the Burton Wonderland Gallery Winner 2010 (judged by Hollywood Director Tim Burton). Her works reside in Collections as diverse as The World Bank and the PANDORA Electronic Collection at the National Library of Australia. Duke University have recently extended to Mez an invitation to develop a comprehensive career archive of her works, associated documents, correspondence and papers to be housed there at the David M. Rubenstein Rare Book & Manuscript Library.

Discussions (242) Opportunities (0) Events (6) Jobs (0)
DISCUSSION

_Neo[geo.graphic||image specifi]City_


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Types.of.Und.Fineable.Ware[z] 10:46am 25/09/2005
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_soft[h(e)ard]ware dichotomy leanings_

[read: _skeletalware_]
+bone.code.stripped.4.brevity
+constructed.4.non.comp[(brain.l)ooter]iling
+filleted.f.lesh[ion]characters.mimick.core.functions

[read:cor(t)e(x)stetchware]
+language.EEG.copy.catted
+neural.replification.in.punctu[re.a.code.vampire]ation.stakes

[read: scoopware]
+stop.the.builds.+.steal.grey[s anatomie]matta.by.the.[cmd]line.ful

.

l

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_reality repres[t]entative_ 03:30pm 23/09/2005
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.my.crumbling.senti[m]en[t]ce.
......aged.b.yond.the.grave....
....old.{UP}start+new.go{AH}.

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_d[l]a[la][la]_fey_net.wurk_ 07:23am 21/09/2005
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/new.metronix.sounds.scraping --printer+S[l]R.[n]fused--

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_vo.m

it_ph(ero)[m]o[a]ne_ 07:57pm 20/09/2005
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_broken.glass.inflecti_m[S]outh.[fried.Chicklet]blood.+silence.vitriol.spilli_condemn+b+cont[l(OSs)]aminate_
s[sub_c]heep[ish].acting.vs.victim.gall+barb_soft_word_fairy_[f]loss_

#poking.inf[v]ectiff_melting.within.tender.blocks+denial.stills#
#stttt[the](g)act[t]ic(a).d.reaming+.conversive.swellings.in.bottomless.chokings#

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_DFT_ 06:14am 15/09/2005
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_dead flesh tower]]]ings[[[ vs [[[char]]]coal.bird.smudges_

_[tonal_media_choking vs _ [Edgar.A]Po.et[h]ic.bio.clock.wurking_

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Neo[geo.graphic||image specifi]City
Narrow||baton(rouge)down/the/pinpoint/hatches
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_intricate mirror mem[e_st]ories_
_ch[str]ained+[D-fence]linked_
http://www.hotkey.net.au/~netwurker/
http://www.livejournal.com/users/netwurker/

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DISCUSSION

Fwd: Call for artists -- New Orleans Benefit


>
>CALLING ALL ARTISTS
>A benefit for New Orleans SEPT. 13TH at Chi Art Gallery
>
>New Orleans Relief Benefit
>100% of all funds raised go to Red Cross NOLA
>
>Place: Chi Contemporary Fine Art, 293 Grand St, Williamsburg, Brooklyn
>Event date: Tuesday Sept. 13, 6 to 9 pm
>DROP OFF for art:
>CHI gallery: Fri 9/9, Sat 9/10, Sun 9/11 11:30 am to 8 pm
> Mon 9/12 9am to 6pm
>Coney Island Museum: Fri 9/2, Sat 9/3, Sun 9/4, Mon 9/5 1 to 4 pm
>
>MAILING: send work to:
>Chi Contemporary Fine Art, 293 Grand Street, Bklyn, NY 11211
>
>Idea: Art benefit sale, small works starting at $50. (priced to move)
> larger, more expensive work if you want
>Carrie Skoczek, 917 604 0607 info
>Marie Roberts 347 733 2934 (i know way less than Carri does)
>
>Gala on Tues, Food, drink, fun /a way for us artists to help
>
>Thank you all. Marie
>PLEASE SPREAD THE WORD. WE NEED ART. WE NEED PEOPLE TO BUY ART

_intricate mirror mem[e.st]ories_
_ch[str]ained+[D-fence]linked_
http://www.hotkey.net.au/~netwurker/
http://netwurker.blogspot.com/

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DISCUSSION

Web Statistics Poem Generator v.1


_Input:_ 3/9/05 key word entries

1 + 3 + 5 + 7
4 + 8 + 10

11 + 13 + 15
16 + 17 + 20
21 + 22 + 23

_Output:_

the Syntax of Inertia
a technique feeder

its emotional body style
depends upon
Aldous energy + machine, mez
_intricate mirror mem[e.st]ories_
_ch[str]ained+[D-fence]linked_
http://www.hotkey.net.au/~netwurker/
http://netwurker.blogspot.com/

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DISCUSSION

_glob.oil_ 03/09/2005


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_glob.oil+clim[bing.natures.wrath.ladder]ate.alt.aftermath_ 03/09/2005
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_poverty blood 4 oil_
_su.r[e]vival.stitching.via.s[creaming]outh.melts+white.vicious.vulpine.leaders.gloat.white_
_][cu[sp|t]][.cultural.KKKorners.sinking.in.de[hege]monic.hel[p.only.4.terror.null.I.US]l_
_white_death.vultures.feed.on.oil_driven.carrion_as.mutha.n[m]ature.reels.+gree[d]n.house.wrecks_

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_(c)(txt)lust_er_ 09:42am 31/08/2005
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1. fabu[g]loss[y]ity_trapped.in.a.shadowed.txt.bowl_
2. scrabbling.quips+lingual_stretching_p.rose[tipped.pen.sills]
3. down.furred+_sheep[ish.ly]feath.erred

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WRYTING-L@LISTSERV 01:47pm 25/08/2005
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_ego.swa[m]ping.in.rotten.anti-blood.patch[1.3_ID]es_
_u.stretch.thru.ego.teeth+gri[mace+(peter)gun]n_

::
subject: x.hibits.wanton.removal.of.responsible.usage.of.the.text.ewe.all.
object:
build+wane.thru.bovine.s[victorian]heaths+greg[nef]arious.m.a[ping]tching

::
subjective:
pls.x.plore.b4.un.in.formed.knee[in.ur.historical.crotch].jerk.reactive.[haze]distancing
objective:
client.indicates.lack.of.critical.awareness+cogen[ial]t.assessment.of.con[pre]textuals.
exploration = null; lazy = h[ypothese]i[s].

_intricate mirror mem[e.st]ories_
_ch[str]ained+[D-fence]linked_
http://www.hotkey.net.au/~netwurker/

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DISCUSSION

FW: Did New Orleans Catastrophe Have to Happen? 'Times-Picayune' Had Repeatedly Raised Federal Spending Issues


Did New Orleans Catastrophe Have to Happen? 'Times-Picayune' Had Repeatedly
Raised Federal Spending Issues

By Will Bunch

Published: August 31, 2005 9:00 PM ET

PHILADELPHIA Even though Hurricane Katrina has moved well north of the
city, the waters may still keep rising in New Orleans. That's because Lake
Pontchartrain continues to pour through a two-block-long break in the main
levee, near the city's 17th Street Canal. With much of the Crescent City
some 10 feet below sea level, the rising tide may not stop until it's level
with the massive lake.

New Orleans had long known it was highly vulnerable to flooding and a
direct hit from a hurricane. In fact, the federal government has been
working with state and local officials in the region since the late 1960s
on major hurricane and flood relief efforts. When flooding from a massive
rainstorm in May 1995 killed six people, Congress authorized the Southeast
Louisiana Urban Flood Control Project, or SELA.

Over the next 10 years, the Army Corps of Engineers, tasked with carrying
out SELA, spent $430 million on shoring up levees and building pumping
stations, with $50 million in local aid. But at least $250 million in
crucial projects remained, even as hurricane activity in the Atlantic Basin
increased dramatically and the levees surrounding New Orleans continued to
subside.

Yet after 2003, the flow of federal dollars toward SELA dropped to a
trickle. The Corps never tried to hide the fact that the spending pressures
of the war in Iraq, as well as homeland security -- coming at the same time
as federal tax cuts -- was the reason for the strain. At least nine
articles in the Times-Picayune from 2004 and 2005 specifically cite the
cost of Iraq as a reason for the lack of hurricane- and flood-control dollars.

Read more:
http://www.editorandpublisher.com/eandp/news/article_display.jsp?vnu_content_id01051313

_intricate mirror mem[e.st]ories_
_ch[str]ained+[D-fence]linked_
http://www.hotkey.net.au/~netwurker/

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