mez breeze
Since the beginning
Works in Sydney Australia

PORTFOLIO (2)
BIO
Mez Breeze is the Creative Director of Mez Breeze Design, an agency which provides boutique digital product and design services (including illustration, transmedia, text, games, interface design, and responsive media). Recent and past Clients include the British Branch of Appreciative Inquiry, CloudGraf, Brandaide, Brecely Studios, GeekGirl, and The University of Technology Sydney. Mez Breeze Design has recently partnered with Dreaming Methods to produce a set of mobile-oriented projects that have been showcased at "Chercher le texte: manifestation internationale de littérature numérique” 2013: one of their joint projects was also nominated for the 2013 Digital Humanities Awards in the "Best DH visualization or infographic" Category. Mez is an Advisor to The Mixed Augmented Reality Art Research Organisation and is currently Senior Research Affiliate with The Humanities and Critical Code Studies Lab.
Mez has exhibited her ground-breaking creative works widely, including at The Brooklyn Academy of Music 2001, “Playengines” Melbourne Australia 2003, “Arte Nuevo InteractivA” Mexico 2005, the “Radical Software” Show at Turin Italy 2006, DIWO at the HTTP Gallery London 2007, New Media Scotland 2008, the Laguna Art Museum California and Alternator Gallery Canada 2009, Federation Square Melbourne and Arnolfini Gallery Bristol 2010, Netherlands Media Arts Institute 2011, “Remediating the Social” Exhibition in Scotland 2012, “Network Art Forms: Tactical Magik” in Tasmania 2013 and Jeu de Paume 2014. Her awards include the 2001 VIF Prize (Germany), the JavaMuseum Artist Of The Year 2001 (Germany), 2002 Newcastle New Media Poetry Prize (Australia), co-winner of the 2006 Site Specific Index Page Competition (Italy) and the Burton Wonderland Gallery Winner 2010 (judged by Hollywood Director Tim Burton). Her works reside in Collections as diverse as The World Bank and the PANDORA Electronic Collection at the National Library of Australia. Duke University have recently extended to Mez an invitation to develop a comprehensive career archive of her works, associated documents, correspondence and papers to be housed there at the David M. Rubenstein Rare Book & Manuscript Library.

Discussions (242) Opportunities (0) Events (6) Jobs (0)
DISCUSSION

Wurk 1 in the _W[n]e[t]b.Wurks_ Series


_W[n]e[t]b.Wurks_ Series: presenting 1.1_

title: _ID_xor.cism_
meth[f]o[rm]d: javascript/html
integration: previous emailed_net.wurk + dreamt.image.derivatives
loc: http://www.hotkey.net.au/~netwurker/xor/xor.html
feedback: please

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DISCUSSION

Fwd: Re: 2 wr[b]yte


>Date: Sun, 09 Oct 2005 12:09:50 +1000
>To: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
>From: "_dream.thick[ener]_" <netwurker@hotkey.net.au>
>Subject: Re: [-empyre-] 2 wryte
>
>At 07:08 AM 9/10/2005, fwrote:
>
>>1. Etymologically, "to write" means: to tear, scratch, cut.
>
>_cognition_actions>gestured_n.scriptions_+_[purposeful]balances_
>
>=
>
>_taw[t(h)or]ny_furred poetics.
>
>have.u.ever.seen.crow.poetry?
>[masked.in.activity.caw[l]ings]
>
>
>>Thus "to write"
>>points to the basic cut (or the differentiation) that makes a difference,
>>that in-forms by creating information, meaning, sense.
>
>
>_again[st.all.covert.ezy.formulatary]||action_
>_differentiation.of.cellular.lvl.text.spawned+jumbled.thru.x.p[oetry.reg]ression.lotteries_
>
>[Insertion of
>Current.Statement.of.Dialogical.M(funeral.meaning).Pyre(s+damaged)N.tent(s)]:
>
>*i.f(t)umble.+.s(addened+black_ball_f(etal)iltered)ojourn.here*
>*list.bound(aried.in.a.s.trapped.wurd.straight.jacket*
>*a(i)ching.typewritten.mouth(ings).deafmute.stretched.thru.bad.formatting*
>*mp_ty.silence.moderat[h]or[goddishly_like].gaps_n.d(e)uce.incomprehensions*
>
>>Or with George
>>Spencer Brown: "Draw a distinction, and you create a universe."
>
>_D.Raw[l]ing.torn.bleeding.thru.proactivity>oth[ub]erness.m.braced+m.pathy.ack.no.ledged_
>
>
>>Thus, when I
>>think about 'digital writing' I have to do with a doubled or better: a
>>self-referential notion.
>
>_self_rif.f[lings+ego=arrowings]>construction_ripplings_
>
>>Aesthetically, digital writing - for me - is
>>concerned with the processes, conditions and potential of writing in its
>>pure sense.
>
>
>processes
>conditions
>potentionals
>*
>playfulness>processes.not.tied.with.rubber.conventionality.strings
>v[-conditions]>context*context[devote.meandering.minus.a.canons.s(info)tainment]
>potentials>sighing.the.good.decency||empathy|endency.[silent.texted]smiles
>
>
>-
>01---------------------------

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DISCUSSION

DISCUSSION

_i_dentity_x_or[s]c[h]ism_


_i_dentity_x_orcism_

(1) exXo[n_valdez_like].cism_of_the_cor[e]p[o]orate_possessed

_i_dentity_E_SS[||XX]_O[n]rcism_
_identity_shifts_in-ex.cell[ph]less.oil.deities_
_i_dentity_dreams.in.the.lap.of.the.stinking_luxX_ur_y_gawds_

(2) Bo_[PAY_didn't_they]PAL-xXx_or.c[(s)y]s[t(e)]m

_i_dentification_of_[the_other_+unknown_]N_E_my_x_orcisms_
_i_d.[mark_black_]N_tity_x_orcism_

(3) Other [D]Ex_[wh]or[e]cisms

_[i_den]_titty_x_orcism_
_occu_[n_sue]_lar||pol[e_dancing_creationism_M_T_moralities]arity_x_orcism_

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DISCUSSION

RSS Poem Generator [with manual mezangelled] Output Vers1


At 07:11 PM 13/09/2005, rushking + i [bi rss poem generator]wrote:
>Katrina Sets W[d]e[ad]b Records
>But I'm [k]Not[ted +] Dead Yet[i.body.searches+cover.all.ups]
>Yahoo N[ahnoo]yah-Nyah's Google On Search[ing+not.al/gore.y.rhythm.finding].
>
>In In[af]fluence, Bloggers play code.d CatchUp
>D[squ]eals Mark 'Real[ity.swivel.h(ydra)eaded] Change' In Newspaper.
>
>[g]N[tell.a(all)]ews S[orry]ites Surge On Katrina
>Dealing With. Advertising Risks [all]. Unpredictable Content.
>Google [leder]Hosed In Gei[ger.visions]co[opted] Spin Cycle
>Hungry For [wolfs] Help In The [UN]Google Kitchen

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