PORTFOLIO (1)
BIO
Mark Tribe is an artist and curator whose interests include art, technology, and politics. He is Assistant Professor of Modern Culture and Media Studies at Brown University, where he teaches courses on digital art, curating, open-source culture, radical media, and surveillance. He is the co-author, with Reena Jana, of New Media Art (Taschen, 2006). His art work has been exhibited at the ZKM Center for Art and Media in Karlsruhe, the Ars Electronica Festival in Linz, and Gigantic Art Space in New York City. He has organized curatorial projects for the New Museum of Contemporary Art, MASS MoCA, and inSite_05. In 1996, he founded Rhizome.org, an online resource for new media artists. He received a MFA in Visual Art from the University of California, San Diego in 1994 and a BA in Visual Art from Brown University in 1990. He splits his time between Providence and New York City.
vuk's email
I'm trying to get in touch with Vuk Cosic. Does anyone know his current email address? The one on his web site <http://www.ljudmila.org/~vuk/> is bouncing.
Conference on Neuroaesthetics at Goldsmiths
Dates:
Fri May 20, 2005 00:00 - Tue Apr 19, 2005
For Immediate Release:
NEUROAESTHETICS
Organized by Warren Neidich, ACE-AHRB Fellow, Goldsmiths College with assistance from Charlie Gere, Institute for Cultural Research, Lancaster University.
IAN GULLAND LECTURE THEATRE, GOLDSMITHS COLLEGE, FRIDAY AND SATURDAY MAY 20 AND 21ST FROM 9:30 am-7:00 pm daily
Art is increasingly bound up with knowledge production and information distribution. As of this trend, artists have begun to investigate the brain and Neuroaesthetics is a means by which they are accomplishing it.
Neuroaesthetics is a dynamic process through which the questions of neuroscience are made “ready-mades”. Concepts such as sensation, perception, memory and recently networks, plasticity and sampling operate within philosophical, cultural, sociological, psychological,historical and economic milieus and are concurrently inciting artistic experimentation.
Neuroaesthetics describes new conditions for the production of a new population of objects, object relations and non-objects which in the end can be differentially sampled by the plastic brain providing a means by which culture may play a role in sculpting neural networks. As such the importance of art in the larger bio-political contexts should not be over looked.
Goldsmiths College and the Arts Council of England have assembled a distinguished group of artists, curators, scientists and philosophers to explore the following topics: 1. How curators explore notions of the Neuro-Sensorial-Cognitive. 2. How new optical technologies create altered subjectivity. 3. The meaning of the term “The Cultured Brain”. 4. The brain as the new site of bio-political interactions. 5. How drugs and altered states of consciousness influenced Minimalism and Post-Minimalism.
6. How notions of Brain influence Architectural forms and processes 7. Art praxis and artist Interventions in the late twentieth Century.
Speakers will include: John Armleder, artist, Geneva; Armen Avansien, Researcher, Freie University Berlin; Paul Bach-y-Rita M.D, Professor, University of Wisconsin, Madison; Lionel Bovier, Publisher, JRP Ringier, Zurich; Jules Davidoff, Professor, Goldsmiths College; Diedrich Diederichsen, Contributor, Texte zur Kunst; Olafur Eliasson, Artist, Berlin; Kodwo Eshun, Lecturer, Goldsmiths College London; Margarita Gluzberg artist, London; John Gruzelier, Professor, School of Medicine, Imperial College London; Deborah Hauptmann, Associate Professor, Technical University Delft, Holland; Joseph Kosuth, Artist, New York/Rome; Scott Lash, Director, Centre for Cultural Studies, Goldsmiths College; Bo Lotto, Lecturer, University College London; Brian Massumi, Professor, University de Montreal Montreal; Johannes Menzel, Senior Publishing Editor Neuroscience, Elsevier Press; Paul Miller a.k.a. D.J. Spooky, Artist, New York City; Isabelle Moffat, Independent Critic, London; Marcos Novak, Professor, University of California, Santa Barbara; John Onians, Director of the World Art, University of East Anglia; Andrew Patrizio, Professor, Edinburgh College of Art Edinburgh; Philippe Rahm, Architect, Principal Decosterd & Rahm Associates, Lauzanne; Andreas Roepstorff, Professor, University of Aarhus, Denmark; Israel Rosenfeld, Professor, City University of New York, New York City; Barbara Maria Stafford, Professor, University of Chicago, Chicago; Lucy Steeds, Centre for Cultural Studies, Goldsmiths College; Chloe Vaitsou, Independent Curator, Low Fi Collective London; Martina Wicklein, Research Fellow, Institute of Ophthalmology at University College London; Charles Wolfe, Boston University and Co-editor Multitudes, Paris.
To register please contact Theresa Mikuria, conference administrator at neuroaesthetics@gold.ac.uk.. Information can also be found at www.goldsmiths.ac.uk or www.artbrain.org. Registration fee:25 .
NEUROAESTHETICS
Organized by Warren Neidich, ACE-AHRB Fellow, Goldsmiths College with assistance from Charlie Gere, Institute for Cultural Research, Lancaster University.
IAN GULLAND LECTURE THEATRE, GOLDSMITHS COLLEGE, FRIDAY AND SATURDAY MAY 20 AND 21ST FROM 9:30 am-7:00 pm daily
Art is increasingly bound up with knowledge production and information distribution. As of this trend, artists have begun to investigate the brain and Neuroaesthetics is a means by which they are accomplishing it.
Neuroaesthetics is a dynamic process through which the questions of neuroscience are made “ready-mades”. Concepts such as sensation, perception, memory and recently networks, plasticity and sampling operate within philosophical, cultural, sociological, psychological,historical and economic milieus and are concurrently inciting artistic experimentation.
Neuroaesthetics describes new conditions for the production of a new population of objects, object relations and non-objects which in the end can be differentially sampled by the plastic brain providing a means by which culture may play a role in sculpting neural networks. As such the importance of art in the larger bio-political contexts should not be over looked.
Goldsmiths College and the Arts Council of England have assembled a distinguished group of artists, curators, scientists and philosophers to explore the following topics: 1. How curators explore notions of the Neuro-Sensorial-Cognitive. 2. How new optical technologies create altered subjectivity. 3. The meaning of the term “The Cultured Brain”. 4. The brain as the new site of bio-political interactions. 5. How drugs and altered states of consciousness influenced Minimalism and Post-Minimalism.
6. How notions of Brain influence Architectural forms and processes 7. Art praxis and artist Interventions in the late twentieth Century.
Speakers will include: John Armleder, artist, Geneva; Armen Avansien, Researcher, Freie University Berlin; Paul Bach-y-Rita M.D, Professor, University of Wisconsin, Madison; Lionel Bovier, Publisher, JRP Ringier, Zurich; Jules Davidoff, Professor, Goldsmiths College; Diedrich Diederichsen, Contributor, Texte zur Kunst; Olafur Eliasson, Artist, Berlin; Kodwo Eshun, Lecturer, Goldsmiths College London; Margarita Gluzberg artist, London; John Gruzelier, Professor, School of Medicine, Imperial College London; Deborah Hauptmann, Associate Professor, Technical University Delft, Holland; Joseph Kosuth, Artist, New York/Rome; Scott Lash, Director, Centre for Cultural Studies, Goldsmiths College; Bo Lotto, Lecturer, University College London; Brian Massumi, Professor, University de Montreal Montreal; Johannes Menzel, Senior Publishing Editor Neuroscience, Elsevier Press; Paul Miller a.k.a. D.J. Spooky, Artist, New York City; Isabelle Moffat, Independent Critic, London; Marcos Novak, Professor, University of California, Santa Barbara; John Onians, Director of the World Art, University of East Anglia; Andrew Patrizio, Professor, Edinburgh College of Art Edinburgh; Philippe Rahm, Architect, Principal Decosterd & Rahm Associates, Lauzanne; Andreas Roepstorff, Professor, University of Aarhus, Denmark; Israel Rosenfeld, Professor, City University of New York, New York City; Barbara Maria Stafford, Professor, University of Chicago, Chicago; Lucy Steeds, Centre for Cultural Studies, Goldsmiths College; Chloe Vaitsou, Independent Curator, Low Fi Collective London; Martina Wicklein, Research Fellow, Institute of Ophthalmology at University College London; Charles Wolfe, Boston University and Co-editor Multitudes, Paris.
To register please contact Theresa Mikuria, conference administrator at neuroaesthetics@gold.ac.uk.. Information can also be found at www.goldsmiths.ac.uk or www.artbrain.org. Registration fee:25 .
Lecture/demonstration by Cory Arcangel
Dates:
Thu Dec 16, 2004 00:00 - Fri Dec 10, 2004
Greetings:
Please join me for a lecture/demonstration by Cory Arcangel at 6:00 PM on Thursday, December 2, in the LeRoy Neiman Gallery in Dodge Hall on Columbia University's Morningside Campus at 116th and Broadway (see map at http://www.columbia.edu/about_columbia/map/dodge.html).
Cory Arcangel is a computer artist whose work has been exhibited in the Whitney Biennial, the American Museum of the Moving Image, Eyebeam, Foxy Productions, Tate Britain, and Team Gallery. He is a founding member of BEIGE, a group of computer programmers and enthusiasts who recycle obsolete computers and video game systems to make art and music, and a member of RSG (Radical Software Group). You can find Cory's work online at http://www.beigerecords.com/cory.
In this presentation, "Page Scraping, Disassembly, and Other Assorted Techniques for Making Art from Other People's Code," Cory will demonstrate his work and discuss its relationship to technology and media culture.
Cory writes: "My work is inspired by and functions as a means to understand my own media saturated existence. Since the present and future is filtered through the past, my work with digital media technology is directly informed by my time spent with television, music, video games and early Macintosh computers. This interest focused and crystallized during my time spent as a classical guitar major and TAMARA student at Oberlin Conservatory of Music and College. I used the knowledge, discipline and dedication acquired in my studies of classical music and applied them to the similarly structured environment of working with computer code. This lecture will focus on my tendency as an artist to work fluidly between sampled images, music, and code."
This is the fifth lecture in a series on Open Source Culture. For more information about the series, and streaming video of previous lectures, please visit http://www.columbia.edu/cu/arts/dmc/lectures.
The Art & Technology Lectures are organized by the Digital Media Center and sponsored by the Computer Music Center. Streaming video of the lectures is produced in partnership with the Columbia Center for New Media Teaching and Learning.
Sincerely yours,
Mark Tribe
Director of Art & Technology
Columbia University School of the Arts
Please join me for a lecture/demonstration by Cory Arcangel at 6:00 PM on Thursday, December 2, in the LeRoy Neiman Gallery in Dodge Hall on Columbia University's Morningside Campus at 116th and Broadway (see map at http://www.columbia.edu/about_columbia/map/dodge.html).
Cory Arcangel is a computer artist whose work has been exhibited in the Whitney Biennial, the American Museum of the Moving Image, Eyebeam, Foxy Productions, Tate Britain, and Team Gallery. He is a founding member of BEIGE, a group of computer programmers and enthusiasts who recycle obsolete computers and video game systems to make art and music, and a member of RSG (Radical Software Group). You can find Cory's work online at http://www.beigerecords.com/cory.
In this presentation, "Page Scraping, Disassembly, and Other Assorted Techniques for Making Art from Other People's Code," Cory will demonstrate his work and discuss its relationship to technology and media culture.
Cory writes: "My work is inspired by and functions as a means to understand my own media saturated existence. Since the present and future is filtered through the past, my work with digital media technology is directly informed by my time spent with television, music, video games and early Macintosh computers. This interest focused and crystallized during my time spent as a classical guitar major and TAMARA student at Oberlin Conservatory of Music and College. I used the knowledge, discipline and dedication acquired in my studies of classical music and applied them to the similarly structured environment of working with computer code. This lecture will focus on my tendency as an artist to work fluidly between sampled images, music, and code."
This is the fifth lecture in a series on Open Source Culture. For more information about the series, and streaming video of previous lectures, please visit http://www.columbia.edu/cu/arts/dmc/lectures.
The Art & Technology Lectures are organized by the Digital Media Center and sponsored by the Computer Music Center. Streaming video of the lectures is produced in partnership with the Columbia Center for New Media Teaching and Learning.
Sincerely yours,
Mark Tribe
Director of Art & Technology
Columbia University School of the Arts
Lecture by Jon Ippolito at Columbia
Dates:
Thu Dec 02, 2004 00:00 - Mon Nov 29, 2004
Columbia University School of the Arts Presents
A Lecture by Jon Ippolito
"How To Hack Copyright for Fun and Profit"
Thursday, December 2
6:00 PM
702 Hamilton Hall
Columbia University
116th and Broadway
New York City
Jon Ippolito is an artist, a curator at the Guggenheim museum, and co-founder of the Still Water program for network art and culture at the University of Maine where he is an Assistant Professor of new media.
This is the fourth lecture in a series on Open Source Culture. The series will conclude with a lecture by Cory Arcangel on December 16.
The Art & Technology Lectures are organized by the Digital Media Center and sponsored by the Computer Music Center. Streaming video of the lectures is produced in partnership with the Columbia Center for New Media Teaching and Learning.
For more information about upcoming speakers, and streaming video of previous lectures, please visit http://www.columbia.edu/cu/arts/dmc/lectures.
A Lecture by Jon Ippolito
"How To Hack Copyright for Fun and Profit"
Thursday, December 2
6:00 PM
702 Hamilton Hall
Columbia University
116th and Broadway
New York City
Jon Ippolito is an artist, a curator at the Guggenheim museum, and co-founder of the Still Water program for network art and culture at the University of Maine where he is an Assistant Professor of new media.
This is the fourth lecture in a series on Open Source Culture. The series will conclude with a lecture by Cory Arcangel on December 16.
The Art & Technology Lectures are organized by the Digital Media Center and sponsored by the Computer Music Center. Streaming video of the lectures is produced in partnership with the Columbia Center for New Media Teaching and Learning.
For more information about upcoming speakers, and streaming video of previous lectures, please visit http://www.columbia.edu/cu/arts/dmc/lectures.
Conference: The Phantom Limb Phenomena @ Goldsmiths College in London
Dates:
Sat Jan 15, 2005 00:00 - Wed Nov 24, 2004
For Immediate Release:
The Phantom Limb Phenomena: A Neurobiological Diagnosis With Aesthetic Cultural and Philosophical Implications.
A conference to be held at Goldsmiths College, Saturday and Sunday, January 15th, and 16th, 2005.
Organized by Warren Neidich, Department of Visual Arts, Goldsmiths College and Jules Davidoff, Department of Psychology, Goldsmiths College
Since its original description in 1866 by the Neurologist S. Mitchell the phantom limb phenomena has attracted many scholars across a broad spectrum of discourses. It describes the condition, found in many amputees, in which sensation of the removed limb persists. As such it has served as a metaphor for many ideas in other fields beyond the scope of neurobiology and neuro-psychology, such as, philosophy, psychoanalysis, cultural studies, anthropology, visual cultural, literature, film and art.
This conference will investigate the following: 1.The Cognitive Neuroscientific and Neuropsychological Implications of the Phantom Limb 2. The Psychoanalytic and Philosophical Implications of the Phantom Limb 3.The Phantom Limb as Cultural Probe 4: Artistic Responses to the Phantom Limb.
Participants include: Peter Brugger- Professor Neurology, University of Zurich, Switzerland, Elizabeth Cohen-University of Rochester, Chris Frith-Wellcome Principal Research Fellow Professor in Neuropsychology, Deputy Director, Leopold Muller Functional Imaging Laboratory, Eleanor Kaufman-Dept of Comparative Literature, UCLA, Norman Klein- California Institute of the Arts, Scott Lash- Director of the Center for Cultural Studies, Goldsmiths, James Leach-Dept. of Anthropology, Cambridge, Mac MacLachlan -Co-Director of the Dublin Psychoprosthetics Group, Dave
McGonigle- Center National Research Scientific,LENA, France Arnold
Modell- Clinical Professor of Psychiatry, Harvard Medical School, Andrew Patrizio-Director of Research Development, Edinburgh College of Art, Marq Smith, Editor, Visual Culture Magazine Vivian Sobchack-Associate Dean and Professor of Critical Studies in Film and Television at the UCLA School of Theater, Film and Television, Janet
Sternburg- California Institute of the Arts Simon Cohn, Dept. of Anthropology, Goldsmiths College, Nicholas Wade-Professor of Visual Psychology, University of Dundee, Andreas Weber- Institute for Cultural Studies, Humboldt University Zu, Berlin, Robert Zimmer- Chairman Department of Computing, Goldsmiths College.
For more information and sign up application form go to www.artbrain.org, upcoming events. Or contact j.goldstein@gold.ac.uk or w.neidich@gold.ac.uk.
The Phantom Limb Phenomena: A Neurobiological Diagnosis With Aesthetic Cultural and Philosophical Implications.
A conference to be held at Goldsmiths College, Saturday and Sunday, January 15th, and 16th, 2005.
Organized by Warren Neidich, Department of Visual Arts, Goldsmiths College and Jules Davidoff, Department of Psychology, Goldsmiths College
Since its original description in 1866 by the Neurologist S. Mitchell the phantom limb phenomena has attracted many scholars across a broad spectrum of discourses. It describes the condition, found in many amputees, in which sensation of the removed limb persists. As such it has served as a metaphor for many ideas in other fields beyond the scope of neurobiology and neuro-psychology, such as, philosophy, psychoanalysis, cultural studies, anthropology, visual cultural, literature, film and art.
This conference will investigate the following: 1.The Cognitive Neuroscientific and Neuropsychological Implications of the Phantom Limb 2. The Psychoanalytic and Philosophical Implications of the Phantom Limb 3.The Phantom Limb as Cultural Probe 4: Artistic Responses to the Phantom Limb.
Participants include: Peter Brugger- Professor Neurology, University of Zurich, Switzerland, Elizabeth Cohen-University of Rochester, Chris Frith-Wellcome Principal Research Fellow Professor in Neuropsychology, Deputy Director, Leopold Muller Functional Imaging Laboratory, Eleanor Kaufman-Dept of Comparative Literature, UCLA, Norman Klein- California Institute of the Arts, Scott Lash- Director of the Center for Cultural Studies, Goldsmiths, James Leach-Dept. of Anthropology, Cambridge, Mac MacLachlan -Co-Director of the Dublin Psychoprosthetics Group, Dave
McGonigle- Center National Research Scientific,LENA, France Arnold
Modell- Clinical Professor of Psychiatry, Harvard Medical School, Andrew Patrizio-Director of Research Development, Edinburgh College of Art, Marq Smith, Editor, Visual Culture Magazine Vivian Sobchack-Associate Dean and Professor of Critical Studies in Film and Television at the UCLA School of Theater, Film and Television, Janet
Sternburg- California Institute of the Arts Simon Cohn, Dept. of Anthropology, Goldsmiths College, Nicholas Wade-Professor of Visual Psychology, University of Dundee, Andreas Weber- Institute for Cultural Studies, Humboldt University Zu, Berlin, Robert Zimmer- Chairman Department of Computing, Goldsmiths College.
For more information and sign up application form go to www.artbrain.org, upcoming events. Or contact j.goldstein@gold.ac.uk or w.neidich@gold.ac.uk.
