mark cooley
Since 2002
Works in United States of America

PORTFOLIO (9)
BIO
Mark Cooley is an interdisciplinary artist interested in exploring the intersections of art, activism and institutional critique in a variety of contexts. Subjects of particular interest are U.S. foreign policy, corporate culture, and the political economy of new technologies. Recently, Mark has focused his attention on food production and consumption and the ways in which artists may mediate in these processes.

http://www.flawedart.net

RELEASE: Walking Tour of Brooklyn Waterfront Politics


>
> FOR IMMEDIATE LISTINGS RELEASE
>
> The Center for Urban Pedagogy (CUP) presents
> A Walking Tour of Brooklyn Waterfront Politics
> Saturday, October 22, 2:00‟5:00 pm
> Free and open to the public
>
> New York, NY, October 10, 2005 ‟ The Center for Urban Pedagogy, a

> nonprofit design and education organization, invites you to explore

> the politics that shape the Brooklyn waterfront. This walking tour,

> led by Dan Wiley, will introduce you to the infrastructure,

> buildings, open spaces, and people involved in countless

> discussions and debates on the future of our city.
>
> Saturday, October 22, 2005
> A Walking Tour of Brooklyn Waterfront Politics
> 2:00 PM, starting at the Rotunda Gallery
> 33 Clinton Street, Brooklyn Heights
> A/C to High Street, 2/3/4/5 to Borough Hall, R/M to Court Street
>
> Admission is free, but space is limited.
> For details and reservations, please call the Rotunda Gallery at

> (718) 875-4047 x11
>
> RAIN DATE: Sunday, October 23, 2:00 pm at the Rotunda Gallery


> CUP's Brooklyn Waterfront Walking Tour is produced in association

> with "Post-Everything," an exhibition at Brooklyn's Rotunda

> Gallery, curated by Janine Cirincione.
>
> # # #
>
> MEDIA CONTACT: Damon Rich, The Center for Urban Pedagogy (CUP)
> T: (718) 596‟7721 or (917) 741‟2640 or damon@anothercupdevelopment.org


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META[CC] Receives Franklin Furnace Funding


image from television news overlayed with normal closed captionsand meta[cc] generated captions in news ticker format
conglomco media network:
META[CC] Receives Franklin Furnace Funding
META-CC.net, featuring an online real-time video captioning engine that
provides multiple perspectives and resources to the mainstream news
media, received Franklin Furnace's Future of the Present 2006 Grant,
supported by Jerome Foundation.
The website seeks to become an open forum for real time discussion and
commentary of televised media by combining strategies employed in
web-based discussion forums, blogs , tele-text subtitling, on-demand
video streaming, and search engines.
As the project develops, additional features such as web-based remote
channel switching, video archiving, further data-mining capabilities,
and on-demand streaming of archived content will be implemented.
Meta[CC]is a project of the Conglomco Media Network.
Utilizing the expanding potentials for copying, appropriating,
sampling, and synthesizing provided by the internet, Conglomco seeks to
create projects that explore the possibilities of social commentary and
creative activism in a networked and techno-savvy environment.
META[CC] ( http://meta-cc.net )
Conglomco Media Net ( http://conglomco.org )
Promo Video ( http://www.meta-cc.net/meta2.mov )

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Rhizome seeks Design and Production Intern


RhizomeFrancis Hwang:
Rhizome is looking for a Design and Production Intern for the Fall 2005
session. The intern will assist the Director of Technology with tasks
such as editing HTML pages, graphics production, and implementation of
major design projects. In addition, there will also be opportunities to
do self-directed work in fields such as website design, information
architecture, and usability.

We are looking for a responsible individual with a strong interest in
new media and new media art, and an eagerness to learn about
cutting-edge technologies and ideas by putting them into practice. The
internship will involve a number of specific web-technologies,
including: standards-based HTML, CSS, Javascript and AJAX, FTP, and
Photoshop. The ideal candidate will have experience with some or all of
these technologies.

To apply, email your detailed cover letter and resume to Francis Hwang
at francis@rhizome.org.

Hours: 10 hours per week, scheduling flexible
Dates: October 10 - December 16, 2005 (flexible)
Notes: On-site, unpaid

Francis Hwang
Director of Technology
Rhizome.org
phone: 212-219-1288x202
AIM: francisrhizome
+ + +

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argosfestival 2005



argosfestival
13.10.2005 - 22.10.2005
BRUSSELS

www.argosarts.org

As in previous years the fifth edition of the argosfestival provides a free port for a wide range of audiovisual art forms. It’s a wide work area that is in constant evolution, subject to societal and technological developments. The festival programme reflects this
variability, going beyond the traditional delineations between disciplines and media, and offering a valuable perspective on numerous in-between spaces — in cinema, television, media art and visual art. Film, video, audio, installation and means of performance nestle together in a wide variety of both Belgian and international work.

The products of several generations, historical and new work, all complement each other, creating breathing space for a multitude of trajectories. Beyond the origin, language and context in which they were realized, clear connections can be made in regards to formand content. The search for new narrative environments and relations between (the experience of) space and time; a resistance to conventional audiovisual forms and (mass)media and the immaterial stream of images that overrun us on both television and industrial cinema; a craving for adventure in expression and perception, learning how to see and hear (all over again): these are just some of the lines of flight which the programme traverses.

CURATED PROGRAMS
Four themed programmes form the backbone of the festival. In the exhibition Multipistes Jean-Christophe Royoux focuses on a generation of young French artists who propose post-cinematographic forms, deconstructions or alterations of the familiar notions of projection and identification. The works in the programme Black & White-outs also question the basic conditions of cinema, by making radical choices for monochrome images and exploring the physiological relationship between hearing and seeing. Challenging and destabilizing the dominant position of the image constitutes a directional guideline in the film and ...

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Call for Proposals at Readme 100 Software Art Factory


Leonardo:
Readme 100 software art factory presents

Open Call for Proposals
Get your Software Art Piece Done for Free
OUTSOURCE ME!
http://outsource.solaas.com.ar

Have you ever dreamt of having a piece of software art (1) you could call truly yours? Or had the feeling that most media art is dull, and that you could do it better? Or had a marvelous idea you could not realize for lack of time, commitment or expertise?
Well, your chance has come.

No need to mess around with abstruse programs or bother with dreary code. The world is full of people willing to do the hard work for you. That’s what outsourcing is about. Those are the rules of the global electronic market.

It doesn’t cost much. Actually, just for this time it will cost you nothing.

Leonardo Solaas, an Argentinean programmer and net artist, suggests reversing the rules: only once it is not the programmer who is chosen by the employer but it is the employer who is chosen by the programmer. He is looking for someone to tell him what to do, thus himself outsourcing the task of getting an idea.
Submit yours! Become his boss! Submit your ideas at http://outsource.solaas.com.ar till October 3rd, and you could be the lucky winner of a possibility to implement YOUR piece of software art.
If Leonardo chooses your concept, he will become your outsourced Contractor for
this work, and you will be his Employer.

You could learn about Leonardo’s skills and interests (at http://solaas.com.ar/outsource/leonardo) to figure out whether your proposal would fit his experience.

All this is made possible by Readme 100 Temporary Software Art Factory (2) (a.k.a. the MetaEmployer). The resulting piece will be presented at a ...

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