mark cooley
Since 2002
Works in United States of America

PORTFOLIO (9)
BIO
Mark Cooley is an interdisciplinary artist interested in exploring the intersections of art, activism and institutional critique in a variety of contexts. Subjects of particular interest are U.S. foreign policy, corporate culture, and the political economy of new technologies. Recently, Mark has focused his attention on food production and consumption and the ways in which artists may mediate in these processes.

http://www.flawedart.net

Correction: Launch of Manchester-Peripheral at Futuresonic 2006


drew hemment:

Please note: previous announcement about Manchester : Peripheral

contained typing error. Corrected version below.


ANNOUNCING THE LAUNCH OF
MANCHESTER : PERIPHERAL

by Alastair Dant, Tom Davis & David Gunn (UK/USA)

http://www.manchesterperipheral.com

The sounds of Manchester, for you to remix. Manchester : Peripheral

is an interactive SoundMap that uses physical workshops and virtual

interfaces to allow individuals to create their own "folk songs".

It creates a constantly evolving audio portrait of the area and an

intimate guide to the urban landscape. Sounds and musics contributed

by local people are remixed via an online SoundMap, with a physical

installation in development for 2007. Visitors to the website are

encouraged to save and share their mixes and to submit their own

sounds for inclusion on the site, creating an ongoing relationship of

collaborative creativity with the wider community. Looking beyond the

city centre, Manchester : Peripheral delves deep into the musical

culture of four wards across the Manchester's metropolitan borough,

celebrating a far more diverse and complex image of Manchester.

Manchester : Peripheral is one in a series of ongoing works by the

Folk Songs Project using digital art, community engagement and audio

recordings to explore individual and collective identity in regions

across the world.

A new project commissioned by Futuresonic, Manchester International

Festival and Museum of Science and Industry.

A part of Futuresonic 2006
http://www.futuresonic.com

READ ON »


System_Hack



Here’s an article I wrote about Heath Bunting’s “SuperWeed” project for the “System_Hack” show. Read Up!

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Too Much Patriotism? Keep Freewaves Alive Part Deux


anne:

Do you value free-flowing art and ideas?
Do you want to keep free speech free?
Do you want to help our small but innovative nonprofit organization?


What is Freewaves?=20

FREE events
FREE website
FREE speech
+ FREEwaves
___
=3D Too Much Freedom?

10th festival of experimental media arts - November 2006
Curated entirely online, for the first time

11 curators + 1500 entries + 50 countries represented
What will they say about freedom?

Help us interpret the meaning of freedom - support Freewaves:=20
- provide artists fees
- maintain space for challenging work to be seen
- develop experimental exhibition formats and curatorial processes
- produce new website accessible for everyone everywhere


(what your donations won't get you: your stem cells on a grain of sand, bab=
y animal calendar or their frozen offspring, Hummer tote bag (with cosmetic=
s purchase), jalape=F1o jelly sampler, hot-air balloon ride with Sasquatch,=
Tony Robbins self-help tapes)

See "Security Blanket," a program from our 2004 festival, including
artists videos and interviews at www.freewaves.org=20


Your name will appear on our brand-new digital donor wall

Payments accepted by Paypal or check:
Mail to Freewaves, 2151 Lake Shore Ave., Los Angeles CA 90039

What could you pay that would only hurt for a day?

Link to our $25, $50, and $100 donation page=20
http://www.freewaves.org/support.htm

MAKE A $25.00 DONATION
MAKE A $50.00 DONATION
MAKE A $100.00 DONATION

Thanks in advance from Freewaves!

Freewaves=20
An online magnet for the media arts, Freewaves is a grassroots yet global a=
rts organization dedicated to collecting and connecting the most innovative=
and culturally relevant independent new media from around the world . . . =
www.freewaves.org.=20

----------------------------------------
You are subscribed to this list as list@rhizome.org. To unsubscribe, send =
email to unsubscribe ...

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Wigged Productions presents "Extrapolations", an online exhibition


Seth Thompson:

Wigged productions is pleased to announce the opening of its online
exhibit Extrapolations. Curated by Humberto Ramirez, the show
includes work by Lana Lin, The Yes Men, Arzu Ozkal Telhan, Deva
Eveland, eteam, Jason Nelson, Jody Zelen and Peiyun Lee. The
curatorial project focuses on works situated outside of mainstream
visual strategies using anachronism, simulacra, radical denial,
historical revision, humor etc. The idea of critique as an oblique
activity, tangential and tactical is central to this project. The
show will run through June 15, 2007.

Please click on the link below to access the curatorial essay and exhibit.

http://www.wiggedproductions.com/html/extrap/curatorial.html

--
Seth Thompson
Wigged Productions
seththompson@wigged.net
http://www.wigged.net

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Slavery's Ephemera


Slavery's Ephemera
By Judith Jackson Fossett
Design by Erik Loyer

From Editors' Introduction

Nearly 150 years after the height of the plantation South, the presumed �romance� of the era still seems to hold sway in the American national imaginary. Tourism at plantation sites has surged in recent years. The visitor to these locales surveys a very particular past, for tour guides typically focus on architectural spectacle and period furnishings as they sketch a specific (and usually white-washed) history of ephemeral southern grandeur. The visiting tourist is powerfully positioned within a mise-en-scene of imagined hospitality, an immersive experience underwritten both by the mansions� scale and lush settings and by the simultaneous erasure of virtually all traces of slavery. The visitor is swept into a stage set ripe for fantasy, creating a powerful scene for the projection of romance and structuring a sort of mobility through an imagined space of history. This fantasy unfolds in an isolated temporal and geographic zone, narrativized as separate in space and time, a lost moment reflecting a �gentler� past that mustn�t be disturbed by the ghostly presence of the slave. These tours serve to freeze the possible meanings of the South, the plantation, and the past along very narrow registers.

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