marc garrett
Since the beginning
Works in London United Kingdom of Great Britain and Northern Ireland

PORTFOLIO (7)
BIO
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80's from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular 'Savage Yet Tender' alternative broadcasting 1980's group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) for a while with Heath Bunting on Cybercafe BBS, dedicated to arts, technology and hacking.

Co-director and co-founder, with artist Ruth Catlow of the net arts collectives and communities- furtherfield.org, furthernoise.org, netbehaviour.org, also cofounder and co-curator/director of the gallery space called HTTP Gallery in London, UK. Currently involved in co-running, collaborating with many others on Node.London. Also co-curating various contemporary Media Arts exhibitions, nationally and Internationally such as Game/play a touring exhibiton.
Discussions (1670) Opportunities (12) Events (175) Jobs (2)
DISCUSSION

RHIZOME_RAW: Sleazy Art Meetings 10


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BlankSleazy Art Meetings 10

The Home Alone Conceptual Artist

I'm 19 years old and I still live with my parents. I've always been a good =
girl, and I have never dared to think about art activism, conceptualism tha=
t seriously before. Mostly because my dad always scared away the more sensi=
tive of my boyfriends, who were usually very artistic, calling them queer o=
r pinko. I guess he was always worried that I'd wind up sharing a creative =
or critical hypothesis with another boy, jumping into something deeper than=
I had bargained for.

Guess what Dad, sheltering me from it has only made me want it more. My fam=
ily went on a short holiday the other week and while they were gone I had t=
he house to myself. I had some time to think before they left, about what I=
was going to do, and when I found the

DISCUSSION

RHIZOME_RAW: Sleazy Art Meetings 10


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BlankSleazy Art Meetings 10

The Home Alone Conceptual Artist

I'm 19 years old and I still live with my parents. I've always been a good =
girl, and I have never dared to think about art activism, conceptualism tha=
t seriously before. Mostly because my dad always scared away the more sensi=
tive of my boyfriends, who were usually very artistic, calling them queer o=
r pinko. I guess he was always worried that I'd wind up sharing a creative =
or critical hypothesis with another boy, jumping into something deeper than=
I had bargained for.

Guess what Dad, sheltering me from it has only made me want it more. My fam=
ily went on a short holiday the other week and while they were gone I had t=
he house to myself. I had some time to think before they left, about what I=
was going to do, and when I found the

DISCUSSION

Sleazy Art Meetings (3)


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BlankSleazy Art Meetings (3)

Coming Out to Play

I've always wanted to do something a bit more daring artistically, but my g=
allerist is rather conservative. Sure I've thought about dumping the uptigh=
t neurotic but he's such a good catch and I kinda want to hang on to him an=
d the shows are happening. Still, I need excitement and fresh input and I d=
on't' ever want the gallerist to get any hint that I might be subverting hi=
m, so I turned to the radical 'Agit-Art Service' in hope of finding a discr=
ete underground artist to satisfy my needs.

I didn't bother to put up an ad, I just replied to who had ads up themselve=
s on the 'Agit-Art Service' system. The first one I met was this cool guy w=
ho said he'd be willing to explore non institutionalized concepts with me a=
nywhere. Anywhere I thought...mmm, we had a brief chat online then arranged=
to meet.

He was trendy and obviously quite well known in his field and wanted discre=
tion so we decided to meet at a park on the other side of the city. He was =
a cute looking art activist and nice to be with, but as soon as we met he h=
is mobile rang and it seemed to be from a fellow activist. Him and the pers=
on on the other end of the phone dicussed various art strategies. As we wer=
e getting closer to each other I thought it was of the radical idea of spic=
e up our lives. I undid his reactionary angst and pulled out his agenda.

I proceeded to re-invent Plato's Pharmacy while he talked to his fellow art=
activist friend who seemed female to me, and he had a tough time not letti=
ng her onto what was going on. When he got off the phone he fell to the gro=
und and I continued to make a very close reading of the Phaedrus to him as =
he proclaimed that what I was doing was incredible. Then we did it, I slid =
his crucial Platonic distinction into my pharmakon and we continued to expl=
ore various 'art rule' gibberings that had been implimented by language bas=
ed 'gate keepers', from institutions out in the open.

People off in the distance could see what we were up to and watched us as w=
e pro-actively explored new conceptions with each other, but no one venture=
d near to us. We wound up caught in an endless play of differences, differe=
nces between signs, and differences within signs in the back of his jeep an=
d finally I deconstructed his theoretical load. What an experience, and whe=
n we parted we made a promise to do it again sometime. I think we both are =
going to try and deconstruct a few more culturalized ideas, there are just =
so many to choose from and so little time.

marc garrett
http://www.furtherfield.org

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<DIV>
<DIV align=center><STRONG><FONT size=3>Sleazy Art Meetings
(3)<BR></FONT><BR><U>Coming Out to Play</U>&nbsp;</STRONG></DIV>
<DIV>&nbsp;</DIV>
<DIV><BR></BIG><BIG><BIG><FONT size=2><STRONG>I've always wanted to do
something&nbsp;a bit&nbsp;more daring artistically, but my&nbsp;gallerist i=
s
rather conservative. Sure I've thought about dumping&nbsp;the uptight
neurotic&nbsp;but he's such a good catch and I kinda want to hang on to him=
and
the shows are&nbsp;happening. Still, I need excitement and&nbsp;fresh
input&nbsp;and I don't' ever want&nbsp;the gallerist&nbsp;to get&nbsp;any h=
int
that I might be&nbsp;subverting him, so I turned to the radical 'Agit-Art=

</STRONG><STRONG>Service' in hope&nbsp;of finding a discrete&nbsp;undergrou=
nd
artist&nbsp;to satisfy my needs.&nbsp;<BR><BR>I didn't bother to put up an =
ad, I
just replied to who had ads up themselves on the 'Agit-Art
<STRONG>Service'</STRONG> system. The first one I met was this cool guy who=
said
he'd be willing to explore non institutionalized concepts with me anywhere.=

Anywhere I thought...mmm, we had a brief chat online then arranged to
meet.<BR><BR>He was&nbsp;trendy and obviously quite well known in his field=
and
wanted discretion so we decided to meet at a park on the other side of the =
city.
He was a cute looking art activist and nice to be with, but as soon as we m=
et he
his mobile rang and it seemed to be from&nbsp;a&nbsp;fellow activist. Him a=
nd
the person on the other end of the phone&nbsp;dicussed various art
strategies.&nbsp;As we were getting closer to each other&nbsp;I thought it=

was&nbsp;of the&nbsp;radical idea&nbsp;of spice up our lives. I undid
his&nbsp;reactionary angst&nbsp;and pulled out his agenda. <BR><BR>I procee=
ded
to&nbsp;re-invent Plato's Pharmacy&nbsp;while he talked to his fellow art=

activist friend who seemed female to me, and he had a&nbsp;tough time not=

letting her onto what was going on. When he got off the phone he fell to th=
e
ground and I continued to make a very close reading of the Phaedrus to him =
as he
proclaimed that what I was doing was incredible. Then we did it, I slid his=

crucial Platonic distinction</STRONG> <STRONG>into my pharmakon&nbsp;and
we&nbsp;continued to explore various&nbsp;'art rule'&nbsp;gibberings that h=
ad
been implimented by language based 'gate keepers', from&nbsp;
institutions&nbsp;out in the open. <BR><BR>People off in the distance could=
see
what we were&nbsp;up to&nbsp;and watched us&nbsp;as we
pro-actively&nbsp;explored new conceptions with each other, but no one vent=
ured
near to us. We wound up caught in an endless play of differences, differenc=
es
between signs, and differences within signs in the back of his jeep and fin=
ally
I&nbsp;deconstructed his theoretical load. What an experience, and when we=

parted we made a promise to do it again sometime. I think we both are going=
to
try and deconstruct a&nbsp;few more culturalized ideas</STRONG><STRONG>, th=
ere
are just so many&nbsp;to choose from and so little time.
</STRONG></FONT></BIG></BIG></DIV>
<DIV><BIG><BIG><STRONG></STRONG></BIG></BIG>&nbsp;</DIV>
<DIV><BIG><BIG><FONT size=2><STRONG>marc garrett<BR></STRONG><A
href="http://www.furtherfield.org"><STRONG>http://www.furtherfield.org</S=
TRONG></A></FONT></BIG></BIG></DIV></DIV>
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DISCUSSION

Lewis LaCook Resident Critic


Blank FurtherCritic
Resident
Critic
Lewis LaCook is our first critic in residence on Furtherfield. offering
regular and informative reviews of varied explorative projects & artworks
featured on furtherfield, plus other works by artists who are currently
exhibited on the Internet.

http://www.furtherfield.org/crit/index.htm

DISCUSSION

Current Furtherfield Projects


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Furtherfield
Projects
FurtherCritic Resident Critic, Writer & artist, Lewis LaCook
FurtherStudio Furtherfield Online Residency, Jess Loseby
Skin Strip Global Collaboration with CompletelyNaked
Real-time Fantasies Interactive, live, online drawing event
Furtherfield Networking Party Yearly Networking in UK
Furtherfield Urban Web street sculptures, web cam in UK
DIDO(Day In Day Out) Perpetual global diary

http://www.furtherfield.org/ffield/index2.htm

correct link...

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href="file://C:Program FilesCommon FilesMicrosoft SharedStationery">
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<DIV>
<TABLE cellSpacing=0 cellPadding=7 width=759 align=center border==
0>
<TBODY>
<TR>
<TD vAlign=center align=left width=281 bgColor=#99cc33>
<TABLE height=89 width="85%" border=0>
<TBODY>
<TR>
<TD width="10%">&nbsp;</TD>
<TD vAlign=top align=left width="90%"><FONT
face="Arial, Helvetica, sans-serif" size=4>Current <BR>Furt=
herfield
<BR>Projects</FONT> </TD></TR></TBODY></TABLE></TD>
<TD width=450 bgColor=#cccccc>
<DIV align=left></DIV>
<DIV align=left><FONT size=2><B><FONT
face="Arial, Helvetica, sans-serif"><FONT size=2><B><FONT
face="Arial, Helvetica, sans-serif"><FONT
color=#333333>FurtherCritic</FONT> </FONT></B></FONT></FONT></B><FO=
NT
face="Arial, Helvetica, sans-serif"><FONT size=2><FONT
face="Arial, Helvetica, sans-serif" color=#333333>Resident
Critic</FONT></FONT></FONT><B><FONT
face="Arial, Helvetica, sans-serif"><FONT size=2><FONT
face="Arial, Helvetica, sans-serif">, </FONT></FONT></FONT></B><FON=
T
face="Arial, Helvetica, sans-serif"><FONT size=2><FONT
face="Arial, Helvetica, sans-serif">Writer &amp; artist, Lewis
LaCook</FONT></FONT></FONT><B><FONT
face="Arial, Helvetica, sans-serif"><FONT
color=#333333><BR>FurtherStudio</FONT> </FONT></B><FONT
face="Arial, Helvetica, sans-serif">Furtherfield Online Residency, =
Jess
Loseby</FONT><B><FONT face="Arial, Helvetica, sans-serif"><BR><FONT=

color=#333333>Skin Strip</FONT> </FONT></B><FONT
face="Arial, Helvetica, sans-serif" color=#333333 size=2><B>Glo=
bal
</B></FONT><FONT face="Arial, Helvetica, sans-serif">Collaboration =
with
CompletelyNaked</FONT><B><FONT
face="Arial, Helvetica, sans-serif"><BR><SPAN class=toplinks>Real=
-time
Fantasies</SPAN></FONT></B><FONT size=2><FONT
face="Arial, Helvetica, sans-serif"> Interactive,</FONT></FONT><FON=
T
face="Arial, Helvetica, sans-serif"> live, online drawing
event</FONT><B><FONT face="Arial, Helvetica, sans-serif"><BR><FONT=

color=#333333>Furtherfield Networking Party </FONT></FONT></B><FONT=

face="Arial, Helvetica, sans-serif">Yearly Networking in
UK<BR></FONT><FONT face="Arial, Helvetica, sans-serif" color=#333=
333
size=2><B>Furtherfield Urban Web</B></FONT><FONT
face="Arial, Helvetica, sans-serif" size=2> street sculptures</FO=
NT>,
<FONT face="Arial, Helvetica, sans-serif">web cam in UK </FONT><B><=
FONT
face="Arial, Helvetica, sans-serif"><BR><FONT color=#333333>DIDO(=
Day In
Day Out) </FONT></FONT></B><FONT
face="Arial, Helvetica, sans-serif">Perpetual global
diary</FONT></FONT></DIV></TD></TR></TBODY></TABLE></DIV>
<P><A
href="http://www.furtherfield.org/ffield/index2.htm">http://www.furtherfi=
eld.org/ffield/index2.htm</A><BR><BR>correct
link...</P></BODY></HTML>

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