marc garrett
Since the beginning
Works in London United Kingdom of Great Britain and Northern Ireland

PORTFOLIO (7)
BIO
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80's from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular 'Savage Yet Tender' alternative broadcasting 1980's group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) for a while with Heath Bunting on Cybercafe BBS, dedicated to arts, technology and hacking.

Co-director and co-founder, with artist Ruth Catlow of the net arts collectives and communities- furtherfield.org, furthernoise.org, netbehaviour.org, also cofounder and co-curator/director of the gallery space called HTTP Gallery in London, UK. Currently involved in co-running, collaborating with many others on Node.London. Also co-curating various contemporary Media Arts exhibitions, nationally and Internationally such as Game/play a touring exhibiton.
Discussions (1651) Opportunities (11) Events (175) Jobs (2)
DISCUSSION

Institution pulling rank..


BlankTime for a Debate...

Is the Institution pulling rank?

I mean, is this really real? It can't be. I would not of thought that the G=
etty Museum would even bother wasting their precious time with something so=
trivial unless they are suddenly becoming the FBI. If the Getty has decide=
d to pick on Curt - Furtherfield will begin a massive Net campaign/debate a=
bout issues of bullying & abuse to smaller art's organisations. They may ha=
ve the right to cause unrest and the power to use the Law but they are mora=
lly wrong in their action. Curt is innocent until proven guilty. If there i=
s evidence contradicting such; then a polite message should be enough when =
asking the image in question to be removed.

There could be a more undrlying issue emerging here, in relation to artists=
being supported by net organisations (usually for free) are challenging la=
rger insitutions just by existing, for many net art groups are being visite=
d regularly, with an increasing a global presence. What does everyone else =
think?

Marc garrett

> >I understand that you are not hosting the image but any display of
> >the image without a proper license is illegal. From our terms and
> >conditions - Any use of the image without such a license from Getty
> >Images is unauthorized. A license is needed in order to receive
> >permission to reproduce or manipulate this image. I know that you
> >can only assume that the image was licensed but I am telling you
> >that it is not, therefore all displays, including yours, is
> >unauthorized. We have the right to contact the isp host to ask for
> >cooperation when they have even less involvement in the content -
> >Under Section 512(c) of the Copyright Act, known as the Digital
> >Millennium Copyright Act, upon notice of infringement, in order to
> >take advantage of limitation of liability, qualified Internet
> >Service Providers must expeditiously remove the infringing material.
> >From the photographers perspective, who has asked us to represent
> >and protect his work, his image is featured on your site and is
> >being used to promote a good or service. This type use requires a
> >license and a fee or is considered copyright infringement.

DISCUSSION

Re: Re: FW: question


I always thought that harvard education was an elitist cult...

marc

In a message dated 7/15/2002 8:57:20 AM Central Daylight Time, Cora_Roelo=
fs@dfci.harvard.edu writes:

You were dangerous 15 yrs ago

Sorry to bother you Cora, and I won't again, but you really thought I was=
dangerous, and that I have a cult? The cult part I can see but the danger=
ous leaves me confused. G2K is all pretty basic Frankfurt School stuff, an=
d more or less establishment net.art now. Plus I vote Nader.

Anyhow, best wishes, and hopes for energy without externalities,

Max Herman
genius2000.net

++

DISCUSSION

Re: Re: FW: question


Some people cannot let others change...

marc

In a message dated 7/15/2002 8:14:43 PM Central Daylight Time, info@furth=
erfield.org writes:

You were dangerous 15 yrs ago

17 and dangerous already, that's precocity.

DISCUSSION

Re: Re: FW: question


When I was a nipper - I was always getting in trouble. Especially when fron=
ting punk/electro bands on stage, getting drunkl and all...times change tho=
ugh. Now I'm getting in trouble in other ways that are less concerned with =
demolition...

marc

In a message dated 7/15/2002 8:14:43 PM Central Daylight Time, info@furth=
erfield.org writes:

You were dangerous 15 yrs ago

17 and dangerous already, that's precocity.

DISCUSSION

Re: WORDS


BEAUTIFUL...

marc

>
> http://www.electrichands.com/sketches/fwords/idx3.htm
>
> Please click the pictures
>
>
>
> Quoting furtherfield <info@furtherfield.org>:
>
> > BlankWORDS
> > ARE
> > MERELY
> > STEPPING
> > STONES
> >
> >
> >
>
>
>
>
> -------------------------------------------------
> This mail sent through IMP: http://horde.org/imp/
>
>