marc garrett
Since the beginning
Works in London United Kingdom of Great Britain and Northern Ireland

ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.

Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.

Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Discussions (1699) Opportunities (13) Events (175) Jobs (2)
DISCUSSION

Liquid Surveillance, the soft power of UBERMORGEN


Liquid Surveillance, the soft power of UBERMORGEN.

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UBERMORGEN, Vladimir (2013) . Image courtesy of Caroll Fletcher gallery.

Rachel Falconer's article is written in response to an interview conducted with lizvlx and Hans Bernhard from Ubermorgen. 'userunfriendly' is their first solo exhibition in London and presents a performative study of creeping paranoia. It is on show at Caroll/Fletcher Gallery through October until 16th November 2013.

"UBERMORGEN, approach phenomena such as Snowden, and other symptoms of perceived hyper-capitalism from a fuzzier, more ambiguous subjectivity. In their quest for knowledge production and social dialogue, the artists present and re-present the conditions of our global socio-political situation as physical and ephemeral catalysts of open-ended investigation." Falconer.

http://www.furtherfield.org/features/articles/liquid-surveillance-soft-power-ubermorgen

OPPORTUNITY

Open Discussion: Giving What You Don’t Have


Deadline:
Sat Oct 26, 2013 14:00

Location:
London, United Kingdom of Great Britain and Northern Ireland

Cornelia Sollfrank will present her latest film Giving What You Don't Have at the Furtherfield Gallery. It features interviews with individuals Kenneth Goldsmith, Marcell Mars, Sean Dockray, Dmitry Kleiner, discussing with Sollfrank their projects and ideas on peer-to-peer production and distribution as art practice. After the film viewing there will be a discussion led by Marc Garrett, Cornelia Sollfrank, Joss Hands & Rachel Baker.

On the basis of the interviews of Giving What You Don't Have, we would like to discuss some of the issues they represent such as new forms of collaborative production, the shift of production from artefacts to the provision of open tools and infrastructures, the development of formats for self-organisation in education and knowledge transfer, (the potential and the limits of) open content licensing as well as the creation of independent ways of distributing cultural goods. An implicit part of Giving What You Don't Have is a suggested reconceptualization of art under networked conditions.


DISCUSSION

Bypassing Cartography- part 1


Bypassing Cartography- part 1

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Marc Garrett interviews Isabelle Arvers about the AntiAtlas of Borders project. Control systems along land, sea, air and virtual state borders are the subject of work and mutation for scientists, artists, filmmakers, performers, hackers, customs agents, and workers in the surveillance industries and the military. This first of two interviews attends to the inter-disciplinary border-crossing that underpins the operational production of the project.

http://www.furtherfield.org/features/interviews/bypassing-cartography-part-1

DISCUSSION

Machine visions: James Bridle on drones, bots and the New Aesthetic


Machine visions: James Bridle on drones, bots and the New Aesthetic

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Taina Bucher interviews London-based artist, publisher and programmer James Bridle. Bridle discusses his work - addressing issues of drone surveillance and invisible technologies - and his understanding of the New Aesthetics - a term he turned into a common place for contemporary digital culture debates.

http://www.furtherfield.org/features/interviews/machine-visions-james-bridle-drones-bots-and-new-aesthetic

DISCUSSION

The Body Politic of subRosa | By Rachel Falconer


The Body Politic of subRosa.

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Image: Cyberfeminism Interrogates Biotechnology: subRosa's Participatory Information Performances video.

Rachel Falconer writes about the cyberfeminist art collective subRosa, a group using science, technology, and social activism to explore and critique the political traction of information and bio technologies on women’s bodies, lives and work.

Following a recent interview with the founding members of the collective, Hyla Willis and Faith Wilding, this article presents subRosa's trans-disciplinary, performative practice and questions what it means to claim a feminist position in the mutating economies of biotechnology and techno-science.

http://www.furtherfield.org/features/articles/body-politic-subrosa