Lower East Side Printshop
Since 2009
Works in New York United States of America

PORTFOLIO (3)
BIO
The Lower East Side Printshop, established in 1968, is a New York City non-profit art center that supports contemporary artists of all creative backgrounds by offering them studio space, career services, and expertise in printmaking to develop new work. Artists can experiment, explore new ideas, and collaborate with experienced master printers to create important new work and broaden their practice in a supportive and professional environment. In addition, a diverse audience of art enthusiasts and professionals alike can learn about and collect prints in our classes, lectures, and exhibitions.

The Printshop is the largest openly accessible print studio in the city. It offers independent and collaborative residencies for artists, free and fee-based, contract printing services for small and large publishers, educational opportunities in all aspects of the print field and at all levels of expertise, and affordable collecting opportunities. The Printshop supports innovation and experimentation with the medium, and promotes non-toxic materials and processes.
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OPPORTUNITY

Fall Printmaking Course Catalogue 2013


Deadline:
Tue Nov 12, 2013 15:35

Location:
New York, New York
United States of America

FALL PRINTMAKING CLASSES!

RELIEF PRINTMAKING with Justin Sanz
4 weeks, Thursdays, 6-9pm
September 12 – October 3
Fee: $275

This course will introduce you to various methods of creating woodcut and linocut prints. This direct and versatile process is one of the oldest methods of printing. Learn how to prepare wood and linoleum blocks, carve images by hand, apply ink with rollers, and print by hand and on the press using oil based inks. Also covered will be methods for creating images with multiple blocks and colors, reduction printing, and alternative techniques.

INTRO TO PRINTMAKING with Lisa Mackie
8 weeks, Mondays,
6-9pm September 16 – November 4
Fee: $520

This course provides a broad introduction to 3 basic printmaking processes. Learn about intaglio techniques by creating a drypoint and etching, create unique prints with monoprint and carve blocks for relief printing. Important techniques used in all printmaking processes, such as paper tearing, ink modification, chine colle, registration, and printing multiple color plates, will also be covered.

* This class uses only Akua Water-based non-toxic inks.

INTRO TO SCREENPRINTING FOR ALL with Roni Henning
6 weeks,
Wednesdays, 6-9 pm
September 18 – October 23
Fee: $425

Explore the wide range of screenprinting techniques in this versatile medium. Silkscreen allows you to easily print hand-drawn, photographic, and digital imagery on paper, fabric, and other surfaces in a variety of colors. You will create handmade and photographic stencils and learn to use a vacuum table and exposure unit to shoot screens. Topics will include screen preparation, color separation for multi-plate prints, correct color mixing, registration, screen monoprinting, editioning, and basic methods of printing onto t-shirts.

SOLAR PLATE ETCHING with Sheila Goloborotko
6 weeks, Tuesdays, 6-9pm
October 1 – November 5
Fee: $395

Solar plate is the safest and quickest method for creating photographic imagery in etching. Also known as photopolymer etching, this is an easy and innovative way to create intaglio and photo etchings without the use of acid and other harmful chemicals. Hand-drawn, photo-based, or digital images are exposed onto light-sensitive polymer plates, which are developed in water and printed on an etching press.

*This class uses only Akua Water-based non-toxic inks.

INTRO TO SCREENPRINTING FOR VISUAL ARTISTS with Roni Henning
6 weeks, Thursdays, 6-9 pm
October 10 – November 14
Fee: $425

This course covers all Intro to Screenprinting for All topics, however instruction will strongly focus on addressing individual projects and interests. This course is ideal for artists looking to explore, learn a new, or perfect a new artmaking technique. Artists should bring ideas and/or images to the first session.

MONOTYPE
with Sarah Nicole Phillips
6 weeks, Wednesdays, 6-9pm
November 6 – 20; December 4 – 18
Fee: $395

This comprehensive workshop will introduce you to one of the most liberating forms of printmaking, with an emphasis on experimentation and creativity. Learn to create innovative one-of-a-kind prints using drawing, painting and collage. Explore color mixing, brushwork, ghost images, chine colle, stencils and unique tools to create unique prints. We will pull highly developed monotypes by hand and with the aid of a press.

*This class uses only Akua Water-based non-toxic inks.

INTAGLIO
with Erik Hougen
6 weeks, Tuesdays, 6-9pm
November 12 – December 17
Fee: $395

Explore the rich and incredibly diverse possibilities of intaglio printing. This course aims to provide students with a mastery of basic intaglio techniques as well as an overview of historical and contemporary approaches to the medium. We will work through five fundamental intaglio processes: hard ground, soft ground, aquatint, sugarlift, and spitbite. While learning these fundamental techniques, you will develop two or three images and discuss issues in contemporary art with specific emphasis on printmaking. You will work on a copper plate with etching tools, and print on an intaglio press, as well as explore variations of color printing and chine collé.

Follow the link to register for classes online: http://printshop.org/web/Learn/Classes/Catalogue.html (http://printshop.org/web/Learn/Classes/Catalogue.html)



OPPORTUNITY

FALL PRINTMAKING CLASSES!


Deadline:
Thu Oct 10, 2013 17:10

Location:
New York, New York
United States of America

RELIEF PRINTMAKING
with Justin Sanz
4 weeks, Thursdays, 6-9pm
September 12 – October 3
$275

This course will introduce you to various methods of creating woodcut and linocut prints. This direct and versatile process is one of the oldest methods of printing. Learn how to prepare wood and linoleum blocks, carve images by hand, apply ink with rollers, and print by hand and on the press using oil based inks. Also covered will be methods for creating images with multiple blocks and colors, reduction printing, and alternative techniques.

INTRO TO PRINTMAKING
with Lisa Mackie
8 weeks, Mondays, 6-9pm
September 16 – November 4
Fee: $520

This course provides a broad introduction to 3 basic printmaking processes. Learn about intaglio techniques by creating a drypoint and etching, create unique prints with monoprint and carve blocks for relief printing. Important techniques used in all printmaking processes, such as paper tearing, ink modification, chine colle, registration, and printing multiple color plates, will also be covered.
* This class uses only Akua Water-based non-toxic inks.

INTRO TO SCREENPRINTING FOR ALL
with Roni Henning
6 weeks, Wednesdays, 6-9 pm
September 18 – October 23
Fee: $425

Explore the wide range of screenprinting techniques in this versatile medium. Silkscreen allows you to easily print hand-drawn, photographic, and digital imagery on paper, fabric, and other surfaces in a variety of colors. You will create handmade and photographic stencils and learn to use a vacuum table and exposure unit to shoot screens. Topics will include screen preparation, color separation for multi-plate prints, correct color mixing, registration, screen monoprinting, editioning, and basic methods of printing onto t-shirts.

SOLAR PLATE ETCHING
with Sheila Goloborotko
6 weeks, Tuesdays, 6-9pm
October 1 – November 5
Fee: $395

Solar plate is the safest and quickest method for creating photographic imagery in etching. Also known as photopolymer etching, this is an easy and innovative way to create intaglio and photo etchings without the use of acid and other harmful chemicals. Hand-drawn, photo-based, or digital images are exposed onto light-sensitive polymer plates, which are developed in water and printed on an etching press.
*This class uses only Akua Water-based non-toxic inks.

INTRO TO SCREENPRINTING FOR VISUAL ARTISTS
with Roni Henning
6 weeks, Thursdays, 6-9 pm
October 10 – November 14
Fee: $425

This course covers all Intro to Screenprinting for All topics, however instruction will strongly focus on addressing individual projects and interests. This course is ideal for artists looking to explore, learn a new, or perfect a new artmaking technique. Artists should bring ideas and/or images to the first session.

MONOTYPE
with Sarah Nicole Phillips
6 weeks, Wednesdays, 6-9pm
November 6 – 20; December 4 – 18
Fee: $395

This comprehensive workshop will introduce you to one of the most liberating forms of printmaking, with an emphasis on experimentation and creativity. Learn to create innovative one-of-a-kind prints using drawing, painting and collage. Explore color mixing, brushwork, ghost images, chine colle, stencils and unique tools to create unique prints. We will pull highly developed monotypes by hand and with the aid of a press.
*This class uses only Akua Water-based non-toxic inks.

INTAGLIO
with Erik Hougen
6 weeks, Tuesdays, 6-9pm
November 12 – December 17
Fee: $395

Explore the rich and incredibly diverse possibilities of intaglio printing. This course aims to provide students with a mastery of basic intaglio techniques as well as an overview of historical and contemporary approaches to the medium. We will work through five fundamental intaglio processes: hard ground, soft ground, aquatint, sugarlift, and spitbite. While learning these fundamental techniques, you will develop two or three images and discuss issues in contemporary art with specific emphasis on printmaking. You will work on a copper plate with etching tools, and print on an intaglio press, as well as explore variations of color printing and chine collé.

Please follow the link to register for classes online: http://printshop.org/web/Learn/Classes/Catalogue.html


OPPORTUNITY

Keyholder Residency Program Deadline


Deadline:
Sun Sep 01, 2013 06:00

Location:
New York, New York
United States of America

KEYHOLDER RESIDENCY PROGRAM

The Lower East Side Printshop, NY offers emerging artists with FREE year-long studio residencies to develop new work and foster their artistic careers. The application deadline is September 1, 2013 for residencies that begin on October 1, 2013. Printmaking facilities are available for intaglio, relief, monoprint, waterbased silkscreen, digital processes, and other techniques that employ the tools at hand.

Keyholders work independently in the Printshop’s shared Artists’ Studio and have access to a vibrant community of peers. Artists from all disciplines are eligible to apply; printmaking skills are not required, but some familiarity with the medium is recommended. Basic instruction in printmaking and some Master Printer assistance is included in the program.

Participation is limited and competitive. Applications are evaluated by a panelist of seasoned artists, curators, critics, and art professionals based on the quality of submitted artwork. Artists currently without a studio space are encouraged to apply.

Keyholder Residency includes:
• 24-hour studio access
• $1,000 stipend
• storage space
• basic supp673-lies (newsprint, blotters, solvents, cleaners)
• one free class in printmaking and consultations with Master Printers
• 20% discount on all Printshop classes
• free career development workshops
• free digital documentation of selected works produced during the residency
• inclusion in the Printshop's permanent collection
• opportunities to show new work in exhibitions presented by the Printshop

"Even beyond the technical learning and the facilities, having the support of the staff, the monthly emails, the workshops, salons, being a part of the Printshop community in general has had such a positive effect on my studio practice. That support has helped me stay more motivated, more productive, more engaged, and has helped me grow as an artist." Naomi Reis, Keyholder Resident, October 2011 - September 2012

Eligibility:
• Only legal US residents may apply (i.e., Social Security cardholders)
• Students enrolled in any kind of degree program at the time of the residency are not eligible
• Keyholder Residencies are limited to emerging artists only. The Printshop defines emerging artists as under-recognized and under-represented artists in early stages in their careers

DEADLINE: September 1, 2013
Apply online: http://printshop.org/web/Create/KeyholderResidences/application.html

Please go to http://printshop.org/web/Create/KeyholderResidences/index.html
for more information, or email Christine Walia, Programs Director at Christine@printshop.org



EVENT

Stars in My Pocket Like Grains of Sand Curated by Jayson Keeling


Dates:
Wed Jul 17, 2013 00:00 - Sun Sep 15, 2013

Location:
New York, New York
United States of America

Rebecca Bird, Pink Detonation, 2013, etching with aquatint and open bite, 11.75" x 8.75" image, 15" x 11" sheet.



For Immediate Release
July 2013

Contact: Christine Walia
212 673-5390 ext 13 christine@printshop.org

Stars in My Pocket Like Grains of Sand
Curated by Jayson Keeling Reception: Wednesday,
July 24, 6-8 pm

Exhibition Dates: July 17 – September 15, 2013
Hours: Monday – Friday, 10am-6pm; Saturday – Sunday, 12 - 6pm Free and open to the public

Lower East Side Printshop is pleased to present Stars in My Pocket Like Grains of Sand guest curated by artist Jayson Keeling. The exhibition will be on view at the Printshop from July 17 – September 15, 2013 with a public reception on Wednesday, July 24, from 6-8pm.

I still believe pattern fascinates on its own. And three-sevenths of a pattern, or even a smaller fragment, can fascinate still more—get us really hunkering down, trying to tease out the whole of the figure in the carpet.
Samuel R. Delany

Participating Artists: Rebecca Bird, Andrew Chan, Heidi duPont, Christina Moroño, Irena Pejovic, Felix Plaza, Elian Stolarsky, and Liz Zanis.

The eight artists in Stars in My Pocket like Grains of Sand use abstract imagery—sometimes ephemeral, other times impenetrable—to propose and obscure their personal agendas. The works serve as activators for contemplation and healing, and allow the viewers to play a participant role. The strength of these works is their lack of clarity combined with a state of lucidity that engage the viewer in a collective dreaminess and willful distraction. Visitors are granted the expansive creation of internal/external, or existential points of view simultaneously which encourages their entry into unconscious realms.

About the Artists

REBECCA BIRD (b. 1973 Lynnwood, WA; lives and works in Brooklyn, NY) received her BFA from The Cooper Union for the Advancement of Science and Art. Select exhibitions include Kopeikin Gallery, Los Angeles, CA; Adam Baumgold Gallery, New York, NY; Sync Space, Los Angeles, CA; and Michael Steinberg Fine Art, New York, NY. She is the recipient of a Fulbright Fellowship and her work is included in the Museum of Modern Art collection in New York, NY.

ANDREW CHAN (b. 1973 Melbourne, Australia; lives and works in New York, NY) received his BA from RMIT in Melbourne, Australia and MA from New York University. Recent solo exhibitions include Dopio Zero, Hong Kong and Australian Galleries, Melbourne Australia. Select group exhibitions include Metropolis Gallery, New York, NY; Bullet Space, New York, NY; Bronx Museum of the Arts, New York; and Randall’s Island Park, New York, NY. Chan is the recipient of awards from New York Foundation for the Arts and Pollock-Krasner Foundation.

HEIDI duPONT (b. 1977 New York, NY; ives and works in New York, NY) received a BA in studio art from University of Vermont and BA in Graphic Design from Academy of Art University. Over the past 15 years she has been exploring monoprint as a means to capture a fleeting perspective of the captivating grace and prestigious athleticism of subjects that are at once intimidating, venturous, awe-inspiring, and alluring.

CRISTINA MOROÑO (b. 1973 Madrid, Spain; lives and works in New York, NY) received her BA and MA from Complutense University, Madrid, Spain. Solo exhibitions include Insula Galerie, Paris, France; Rodrigo Juarranz Art Gallery, Madrid, Spain; Galería Marco de Arco, Madrid, Spain; and a forthcoming show at Moret Art Espacio, La Coruña, Spain. Select group exhibitions include Nobel As Galleri, Oslo, Norway; L’Arcada galeria d’art, Barcelona, Spain; and ARTGN Gallery, Tarragona, Spain. Her work is included in several collections including Museum of Contemporary Art, Madrid, Spain; Los Bragales Collection, Madrid Spain; and Spanish Embassy in Japan and Dakar.

IRENA PEJOVIC (b. 1981, Gevgelija, Macedonia; lives and works in Cranford, NJ) received her BFA from Montclair State University. Recent solo exhibitions include Right Angle Gallery, Hoboken, NJ; Gallery MC, New York, NY; and Pop-Up Gallery at the Monroe Arts Center, Hoboken, NJ. Select group exhibitions include Printmaking Center of New Jersey, Branchburg, NJ; Lana Santorelli Gallery, Hoboken, NJ; Box Heart Gallery, Pittsburgh, NJ, The Artist’s Society, Gevgelija Macedonia; and Culture Center, Negotino, Macedonia. Pejovic was awarded the 2013 Step Beyond Travel Grant from the European Cultural Foundation.

FELIX PLAZA (b. 1946, Santurce, Puerto Rico; lives and works in New York, NY) received a Fine Art Certificate from New York Phoenix School of Design. Select solo and group exhibitions include Exit Art, New York, NY; 2B Gallery, Budapest, Hungary; Dieu Donne, New York, NY; Brooklyn Public Library, NY; and Donnell Library, NY. He is a former participant of Printline Exchange Residency, Belgrade, Yugoslavia and has work included in many private collections.

ELIAN STOLARSKY (b. 1990, Montevideo, Uruguay; lives and works in Uruguay) is a candidate at the Instituto Escuela Nacional de Bellas Artes. Select exhibitions include do Brou, Sáo Paulo, Brazil; Salão de Outono da América Latina, Sáo Paulo, Brazil; Soa Gallery, Montevideo, Uruguay; and Atchugarry Foundation, Maldonado, Uruguay. She is the recipient of the 2013 Eduardo Victor Haedo scholarship granted by the Ministry of Education and Culture of Uruguay and is in several collections including the Union Foundation, ITAU Foundation, and the Manfredi Gallery.

LIZ ZANIS (b. 1980, Morristown, NJ; lives and works in Brooklyn, NY) received her BA from Rhode Island School of Design. Recent group exhibitions include Camel Art Space, Brooklyn, NY; C.G. Boerner, New York, NY; International Print Center New York, NY; Islip Art Museum, NY; and Queens Museum of Art, NY. She is the recipient of Swing Space Residency, Lower Manhattan Cultural Council; Geraldine R. Dodge Residency; Women's Studio Workshop Residency; the Printshop’s Keyholder Residency; and is included in collections of Cleveland Institute of Art and The Center of Book Arts.

About the Curator

JAYSON KEELING
Through the use of photography, video, and other related media, Jayson Keeling (lives and works in Brooklyn) creates artworks that provoke and dismantle pop iconography and the accepted politics of sex, gender, race, and religion. His work has been included in exhibitions at Institute of Contemporary Art, Philadelphia, PA; The Andy Warhol Museum, Pittsburgh, PA; the 92ND Street Y, New York, NY; Studio Museum In Harlem, New York, NY; El Museo del Barrio, New York, NY; and Bronx Museum of the Arts, NY. Keeling has been awarded residencies from the Art Omi International Residency Program in 2012, The Lower Manhattan Cultural Council in 2009 and 2007; and the Apex Art Outbound Residency to Addis Ababa, Ethiopia in 2009.

Lower East Side Printshop's programs have been supported in part by public funds from the National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council. Private supporters have included: Lily Auchincloss Foundation, Milton and Sally Avery Arts Foundation, Bloomberg Philanthropies, ICAP/John Nixon, Jerome Foundation, New York Community Trust, PECO Foundation, Andy Warhol Foundation for the Visual Arts, and our generous patrons and members.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

This program is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

This program is supported in part by an award from the National Endowment for the Arts.
We thank our volunteers, friends, members, and patrons for their dedication, support, and generosity.

Lower East Side Printshop, Inc. t 212.673.5390 f 212.979.6493 HTTP://PRINTSHOP.ORG 306 West 37th Street, 6th Floor info@printshop.org
New York, NY 10018


EVENT

EDITIONS '13


Dates:
Wed May 15, 2013 00:00 - Sun Jul 14, 2013

Location:
New York, New York
United States of America

Alison Elizabeth Taylor, Schilderachtig, 2013, Screenprint, archival inkjet, collage with wood veneer and glitter, 28.5" x 22.5" image and sheet, Edition of 30, Published by Lower East Side Printshop

For Immediate Release
April 2013

Contact: Christine Walia
212 673-5390 ext 13
christine@printshop.org

EDITIONS '13
Reception and Catalogue Launch: Wednesday, May 22, 6-8 pm

Exhibition Dates: May 15 - July 14, 2013
Hours: Monday – Friday, 10am-6pm; Saturday – Sunday, 12 - 6pm
Free and open to the public

Lower East Side Printshop is pleased to present the EDITIONS ‘13 reception and catalogue launch on Wednesday, May 22, from 6-8pm. The exhibition will be on view at the Printshop from May 15 – July 14, 2013. With an essay by Deborah Cullen, Director and Chief Curator of Wallach Art Gallery at Columbia University, the catalogue and exhibition feature new works by recipients of the Printshop’s Publishing and Special Editions Residencies: Alison Elizabeth Taylor, Sebastiaan Bremer, Joell Baxter, Jonggeon Lee, and Steven Millar.

The Special Editions Residency allows emerging artists to create major bodies of work in collaboration with Master Printer Erik Hougen and Printers Keigo Takahashi and Laura Charlton, fully sponsored by the Printshop. Joell Baxter, Jonggeon Lee, and Steven Millar immersed themselves in printmaking techniques for several months before developing their vision for their final works. What followed were gorgeous print projects of conceptual and technical expertise.

The Printshop’s Publishing Residency Program invited Alison Elizabeth Taylor and Sebastiaan Bremer to create new editions, also collaborating with the Printer trio. Taylor embraced the opportunity to mix and match techniques and materials—including her customary wood veneer—creating beautifully textured editions and her most ambitious print projects to date. Bremer continued his exploration of vintage family photographs and used a whimsy approach to enhance the surface quality. His technique was to remove and replace cut-outs, and add hand painting with mirrors.

The Printshop's residency programs offer opportunities to artists of all career stages to use professional facilities and collaborate with talented printers who approach each artist’s vision with care.

About the Artists

JOELL BAXTER (b. 1968, Washington D.C.; lives and works in Brooklyn, NY) received her MFA and BFA from University of Illinois. Select exhibitions include International Print Center New York, NY; Bronx Museum of the Arts, NY; Visual Arts Center of New Jersey, Summit, NJ; and Regina Rex, Queens, NY. She is the recipient of the Lower Manhattan Cultural Council Residency Program, The Bronx Museum of the Arts Artist in the Marketplace Program, and a University Fellowship for Graduate Study.

SEBASTIAAN BREMER (b. 1970 Amsterdam, The Netherlands; lives and works in Brooklyn, NY) attended the open studio program at the Vrije Academie in The Hague. In 1992, he received the Werkbeurs Grant from FBKVB in Holland and moved to New York. In 2001 he had a solo debut Veronica at Roebling Hall, New York. Solo exhibitions include Edwynn Houk Gallery, Zürich, Switzerland; Hales Gallery, London, UK; Galerie Barbara Thumm, Berlin, Germany; James Fuentes, New York, NY; BravinLee Programs, New York, NY; Hales Gallery, London, UK; and Mia Sundberg Galleri, Stockholm, Sweden. His work has been featured in many publications and was the subject of two monographs.

JONGGEON LEE (b. 1979, Seoul, South Korea; lives and works in New York, NY) received his MFA and BFA from Seoul National University and MFA from Rhode Island School of Design. Select exhibitions include Rowan University Art Gallery, Glassboro, NJ; Kumho Museum, Seoul, South Korea; Hudson D. Walker Gallery, Provincetown, MA; and Saatchi Gallery, London, UK. He is the recipient of Yaddo Residency, Saratoga Springs, NY; Triangle Arts Association Residency Program, Brooklyn, NY; and the Emerging Artist Fellowship, Socrates Sculpture Park, Astoria, NY.

STEVEN MILLAR (b. 1968, Atlant, GA; lives and works in Croton-on-Hudson, NY) received his MFA from Washington University and BA from Yale University. Select exhibitions include International Print Center New York, NY; Lehman College Art Gallery, Bronx, NY; Islip Art Museum, NY; Kleinert/James Center for the Arts, Woodstock, NY; and The Arts Exchange, White Plains, NY. He is the recipient of the Strategic Opportunitiy Stipend Grant from New York Foundation for the Arts; Lower Manhattan Cultural Council Residency Program; and a Project Grant from Socrates Sculpture Park, Astoria, NY.

ALISON ELIZABETH TAYLOR (b. Selma, AL; lives and works in Brooklyn, NY) received her MFA from Columbia University and BFA from Art Center College of Design. Select exhibitions include Galería Juan Silió, Santander, Spain; C24 Gallery, New York, NY; South Eastern Center for Contemporary Art, Winston-Salem, NC; and a forthcoming exhibition at the Mint Museum in Charlotte, NC that will travel to the Museum of Arts and Design, New York, NY. She is the recipient of the Smithsonian Artist Research Fellowship and the Louis Comfort Tiffany Foundation Biennial Competition Award. Her work has been widely recognized and is represented by James Cohan Gallery in New York.

About the Essayist

DEBORAH CULLEN is the Director and Chief Curator of the Miriam and Ira D. Wallach Art Gallery at Columbia University. Prior to joining The Wallach Art Gallery in July 2012 she served as director of curatorial programs at El Museo del Barrio, NY, since 1997.

Lower East Side Printshop's programs have been supported in part by public funds from the National Endowment for the Arts, New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council. Private supporters include: the Milton and Sally Avery Arts Foundation, Lily Auchincloss Foundation, Bloomberg Philanthropies, Jerome Foundation, New York Community Trust, Andy Warhol Foundation for the Visual Arts, and our generous patrons and members.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

This program is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

This program is supported in part by an award from the National Endowment for the Arts.

We thank our volunteers, friends, members, and patrons for their dedication, support, and generosity.