Joanne McNeil
Works in Brooklyn United States of America

BIO
writer (Los Angeles Times, Wired UK, Frieze, etc) // former editor of rhizome.org

Connecting at ContactCon


Last week, Douglas Rushkoff hosted ContactCon at the Angel Orensanz Foundation in the Lower East Side. This unconference model symposium, co-organized by Vanessa Miemis, aimed to put into action ideas that challenge censorship, corporate ownership, and other unfree aspects of internet technology. As Rushkoff explained to Alternet's Sarah Jaffe, the event hoped to "reify the 'net values of 1992 back up to 2012."

Douglas Rushkoff's Keynote at SXSW 2010

The event started with "provocations" from participants representing progressiving technology organizations like FreedomBox and Telecomix (videos), in addition to well known speakers like Eli Pariser and Laura Flanders. Afterward, participants organized into small groups discussing issues ranging from the highly technical — mesh networks and coownership of the physical layer — to a proposal to organize hacker spaces in libraries (which was well received by the audience, for, as Rushkoff pointed out, the idea is clear and actionable...

 


Snapshots of Occupy Wall Street


Reuters/Eduardo Munoz via The Atlantic In Focus

On a quiet night, Zuccotti Park feels more like a LARP than a demonstration. Everyone deep in character with a specific task. Extemporized librarians, scanning books. The media team inside a cat’s cradle of crisscrossing wires, barricade by the discarded boxes of donated devices. The scent of detergent from a block away as the sanitation unit mops the pavement. 

What should we be? "Tactical beekeepers!" my friend Melissa suggested; a joke on the state ban on face covering that police were enforcing, accounting for the absence of Guy Fawkes masks and bandanas. But actually my role there was as tourist, which anyone could tell whenever I checked my phone for text messages or turned the device horizontally for snapshots of witty posters.

In what would be the shadow of the World Trade Center, and at the heart of both a neighborhood traumatized and city district that represents financial power the world over; the psychogeography of Zuccotti Park will inspire theoretic naval gazing for years to come. But every Occupy Wall Street march in New York seems to poetically incorporate the history and semiotics of the city. Times Square marchers in Milton Glasner's "I (Heart) NY" t-shirts, waving sparklers in the air, singing show tunes along with a brass band behind the TKTS booth while tourists feverishly snapped photos, as they would any other urban spectacle. Another photo op: the wall of riot cops beneath the Washington Square arch, the Empire State Building gleaming directly north, lights piercing the night sky. After the General Assembly meeting disassembled for the midnight curfew, it seemed like anyone out on Bleecker Street that Saturday night could have been part of it. 

This movement was built on unforgettable images.

 

READ ON »


Weekend Clicking


Posters from the May 1968 protests are collected in Beauty Is in the Street, via The Paris Review

 

READ ON »


Weekend Clicking


Still from Power Slave (1995) via FM Towns Marty

READ ON »


Chris Collins on WFMU Too Much Information


The most recent episode of WFMU's Too Much Information is on the topic of pseudonyms with guests like EFF's Jillian YorkCarmela Ciuraru author of Nom de Plume, and Chris Collins, who talks about his epic post for The State, unraveling the mystery of several visually striking work-at-home images found on Craigslist attributed to "Luzy":

Each image I found was more thrilling than the previous one, and I was struck by their breadth and intensity as a body of work. Each one used stock imagery typical to this type of industry: images of sandy beaches, exotic locations, piles of money, and “cyber” looking backdrops. Yet each was constructed in a way that seemed alien to all traditional conventions of design. Imagery was stretched, enlarged and compressed in odd ways, and the text on the images made it clear that English was not the first language of the images’ creator. They exploded with strange color choices. The compositions were unlike anything I’d ever seen. A graphic designer would look at them and call them horrendous. I found them bizarre, perplexing, and beautiful.


READ ON »



Discussions (2) Opportunities (0) Events (0) Jobs (5)
JOB

Editorial Fellow


Deadline:
Fri Dec 28, 2012 14:00

Rhizome seeks an Editorial Fellow from January through May 2013. The Fellow will support the editorial department at Rhizome through research and writing for the website. This position is a unique opportunity for a person with strong dedication to the fields of contemporary art and technology to further develop professional skills.

The Editorial Fellow is ideally based in New York and must be able to commit to 16 hours of work per week for 5 months. This position is unpaid, but academic credit may be arranged. The Editorial Fellow will coordinate and assist in production of Rhizome's website and weekly newsletter Rhizome News. Fellow will support daily publishing and maintenance of the blog, as well as researching and writing editorial essays, reviews, and opinion pieces.

QUALIFICATIONS: Candidates must have a high level of familiarity with contemporary art and technology. Education or advanced experience beyond the undergraduate level is preferred. The candidate must have very strong writing, editing, and analytical skills, and very high internet literacy.

TO APPLY: Please email a cover letter, resume or c.v., two references, and three writing samples (url or attachment) to Joanne McNeil at editor(at)rhizome.org. Deadline Dec 28, 2012. Review of applications will begin immediately. Starting date is January 2013.


DISCUSSION

Improving Prometheus


The script is available on his website. Here is the link again to http://starwarsmodern.blogspot.com/2012/08/prometheus-rebound_14.html

JOB

Editorial Fellow


Deadline:
Fri Aug 24, 2012 19:45

Rhizome seeks an Editorial Fellow from September through December 2012. The Fellow will support the editorial department at Rhizome through research and writing for the website. This position is a unique opportunity for a person with strong dedication to the fields of contemporary art and technology to further develop professional skills.

The Editorial Fellow is ideally based in New York and must be able to commit to 16 hours of work per week for 4 months, beginning in Summer 2012. This position is unpaid, but academic credit may be arranged. The Editorial Fellow will coordinate and assist in production of Rhizome's website and weekly newsletter Rhizome News. Fellow will support daily publishing and maintenance of the blog, as well as researching and writing editorial essays, reviews, and opinion pieces.

QUALIFICATIONS: Candidates must have a high level of familiarity with contemporary art and technology. Education or advanced experience beyond the undergraduate level is preferred. The candidate must have very strong writing, editing, and analytical skills, and very high internet literacy.

TO APPLY: Please email a cover letter, resume or c.v., two references, and three writing samples (url or attachment) to Joanne McNeil at editor(at)rhizome.org. Deadline Aug 24, 2012. Review of applications will begin immediately. Starting date is Sept 17, 2012.


DISCUSSION

NA - Further Thoughts


Hi Patrick,

Thanks so much for these comments. You are right that the New Aesthetic is a broad conversation, but James Bridle's investigation is definitely political, unfortunately many of his points have been missed in the ongoing metacommentary. It seems a lot of people are confused by the visuals, which aren't *the* the New Aesthetic so much as artifacts *of* the New Aesthetic.

The NA Tumblr was Bridle thinking out loud, and something to consider in tandem with his writing/talks. Meanwhile, the conversation about these ideas has gone on for over a year now, over a number of blogs, mostly based in London

In addition to James Bridle's talks and notes, this is what I recommend reading to understand what the New Aesthetic conversation is really about:

Aaron Straup Cope's notes from SXSW:
http://www.aaronland.info/weblog/2012/03/13/godhelpus/#sxaesthetic

Chris Heathcote: A New Fashion Aesthetic
http://anti-mega.com/antimega/2012/04/02/a-new-fashion-aesthetic

Many, many BERG posts:
http://berglondon.com/blog/2011/05/13/sensor-vernacular/
http://berglondon.com/blog/2012/02/06/robot-readable-world-the-film/
http://berglondon.com/blog/2011/08/03/the-robot-readable-world/

We are the droids we’re looking for: the New Aesthetic and its friendly critics by JJ Charlesworth
http://blog.jjcharlesworth.com/2012/05/07/we-are-the-droids-were-looking-for-the-new-aesthetic-and-its-friendly-critics/

Honor Harger:
https://www.jiscmail.ac.uk/cgi-bin/webadmin?A2=ind1204&L=new-media-curating&F=&S=&P=20818

Tom Armitage:
http://infovore.org/archives/2011/05/21/waving-at-the-machines/

Greg Borenstein:
http://urbanhonking.com/ideasfordozens/2011/06/07/on-the-future-and-poetry-of-the-calibration-pose/

Natalia Buckley:
http://ntlk.net/2012/04/12/on-the-new-aesthetic/

Other notes from SXSW are linked here:
http://booktwo.org/notebook/sxaesthetic/

this was my favorite New Aesthetic tumblr post, btw:
http://new-aesthetic.tumblr.com/post/21437296950/i-used-to-go-to-the-trocadero-in-central-london-as

JOB

Editorial Fellow


Deadline:
Tue May 01, 2012 10:00

Rhizome seeks an Editorial Fellow from June through September 2012. The Fellow will support the editorial department at Rhizome through research and writing for the website. This position is a unique opportunity for a person with strong dedication to the fields of contemporary art and technology to further develop professional skills.

The Editorial Fellow must be based in New York and must be able to commit to 16 hours of work per week for 3 months, beginning in Summer 2012. This position is unpaid, but academic credit may be arranged. The Editorial Fellow will coordinate and assist in production of Rhizome's website and weekly newsletter Rhizome News. Fellow will support daily publishing and maintenance of the blog, as well as researching and writing editorial essays, reviews, and opinion pieces.

QUALIFICATIONS: Candidates must have a high level of familiarity with contemporary art and new media. Education or advanced experience beyond the undergraduate level is preferred. The candidate must have very strong writing, editing, and analytical skills, and very high internet literacy.

TO APPLY: Please email a cover letter, resume or c.v., two references, and three writing samples (url or attachment) to Joanne McNeil at editor(at)rhizome.org. Deadline May 4, 2012. Review of applications will begin immediately. Starting date is June 4, 2012.