Joanne McNeil
Works in Brooklyn United States of America

BIO
writer (Los Angeles Times, Wired UK, Frieze, etc) // former editor of rhizome.org

Oramics to Electronica: Revealing Histories of Electronic Music at London Science Museum


Oramics to Electronica: Revealing Histories of Electronic Music, opens tomorrow at the London Science Museum.

 

The Oramics machine is a device of great importance to the development of British electronic music,” says Mick Grierson, Director of the Daphne Oram Collection at Goldsmiths. “It’s a great shame that Daphne’s contribution has never been fully recognised, but now that we have the machine at the Science Museum, it’s clear for all to see that she knew exactly how music was going to be made in the future, and created the machine to do it.”

Rare archive footage and an interactive version of The Oramics Machine feature in the exhibition. Sound and Music and Goldsmith’s have also created an iPhone app that recreates the sound of The Oramics Machine.

Oramics To Electronica enters its second phase on October 10, when it will be showcasing a wide array of electronic music and sound reproduction equipment with help from employees of the BBC Radiophonic Workshop and Electronic Music Studio (EMS), who produced the first commercial British synthesizer, the VCS3 (rocked by everyone from Brian Eno to Life On Earth composer Edward Williams). In October and November, a programme of “Electronica, Radiophonics and Oramics associated events, workshops and performances” will run alongside the exhibition; details to follow. -  FACT magazine

 

READ ON »


Star Trek Non Places



"…non places are the real measure of our time; one that could be quantified – with the aid of a few conversions between area, volume and distance – by totalling all the air, rail and motorway routes, the mobile cabins called ‘means of transport’ aircraft, trains and road vehicles, the airports and railway stations, hotel chains, leisure parks, large retail outlets, and finally the complex skein of cable and wireless networks that mobilize extraterrestrial space for the purposes of a communication so peculiar it often puts the individual in contact only with another image of himself." - Marc Augé, Non Places: Introduction to an Anthropology of Supermodernity

Images via Space Trek, a tumblr devoted to "the quiet despair of the Starship Enterprise." (via Boing Boing)

 

 

READ ON »


Mark Leckey at the Serpentine Gallery (19 May – 26 June 2011)


The difficulty in making work now is that there’s this model of how a distributed kind of collective work could be made (i.e., through the Internet), but it can’t be made in a gallery. The nature, or structure, of the gallery doesn’t allow for that; it needs certain kinds of forms, certain objects. There’s this term I like, “stigmergy”: an ant goes out, lays a path of pheromones; the other ants follow that path, and then that path gets built up until it becomes a pathway. They use this term in open source to describe a programming language that has being continually added to and amended so that the original code has been lost or forgotten, but you’re left with a structure that everyone can use. As an idea of making art, that seems really interesting—something made with the benefits of technology. At the same time, that idea is a long way from the art being made now, and a long way from Benjamin’s idea of art’s aura. The aura is still there; it still surrounds artworks, massively. The trouble is that more you start to distribute art or disperse it, the more mutable art becomes, until finally, it dissipates into just “LOLCats” or something. - Mark Leckey in an interview with Mark Fisher (Kaleidoscope, Summer 2011)

Installation view, Serpentine Gallery, London
(19 May – 26 June 2011)

 

 

Fiorucci Made Me Hardcore (1999.) Installation view

 

 

Previously: Brian Droitcour's interview with Leckey for Rhizome (2009)

 

READ ON »


Search Beyond Text


 

Google Fellow/software engineer Amit Singhal writes about the challenges inherent to searching for images in an essay for Google's Think Quarterly corporate webzine:

At Google, when we talk about organizing the world’s information, we don’t mean only text; images and videos contain a wealth of information. In the early days, this type of content simply didn’t exist online. Now, through efforts like Google Earth and Street View, we can provide something incredibly valuable: images of your physical world.

However, in many ways, getting visual information online is the easy part. What’s hard is understanding that information. Unlike text, we cannot simply read an image or video. We have to look inside them, dig out the pixels and translate them into something meaningful. For a long time, we considered this a pipe dream, but by combining search methodology and technological breakthroughs in computer vision, today we can match pictures at a visual level. Search for ‘Mount Rushmore’ on Google and our algorithms will analyze many factors, such as the shape and texture that produces a good image of Mount Rushmore, then return those images to you in striking full-color. 

 

 

READ ON »


Quinn Norton - Privacy, Ephemerality, and Self



Journalist Quinn Norton explores ideas relating to privacy, secrecy, and self in an age where nothing is ever forgotten.

 

READ ON »



Discussions (2) Opportunities (0) Events (0) Jobs (5)
JOB

Editorial Fellow


Deadline:
Fri Dec 28, 2012 14:00

Rhizome seeks an Editorial Fellow from January through May 2013. The Fellow will support the editorial department at Rhizome through research and writing for the website. This position is a unique opportunity for a person with strong dedication to the fields of contemporary art and technology to further develop professional skills.

The Editorial Fellow is ideally based in New York and must be able to commit to 16 hours of work per week for 5 months. This position is unpaid, but academic credit may be arranged. The Editorial Fellow will coordinate and assist in production of Rhizome's website and weekly newsletter Rhizome News. Fellow will support daily publishing and maintenance of the blog, as well as researching and writing editorial essays, reviews, and opinion pieces.

QUALIFICATIONS: Candidates must have a high level of familiarity with contemporary art and technology. Education or advanced experience beyond the undergraduate level is preferred. The candidate must have very strong writing, editing, and analytical skills, and very high internet literacy.

TO APPLY: Please email a cover letter, resume or c.v., two references, and three writing samples (url or attachment) to Joanne McNeil at editor(at)rhizome.org. Deadline Dec 28, 2012. Review of applications will begin immediately. Starting date is January 2013.


DISCUSSION

Improving Prometheus


The script is available on his website. Here is the link again to http://starwarsmodern.blogspot.com/2012/08/prometheus-rebound_14.html

JOB

Editorial Fellow


Deadline:
Fri Aug 24, 2012 19:45

Rhizome seeks an Editorial Fellow from September through December 2012. The Fellow will support the editorial department at Rhizome through research and writing for the website. This position is a unique opportunity for a person with strong dedication to the fields of contemporary art and technology to further develop professional skills.

The Editorial Fellow is ideally based in New York and must be able to commit to 16 hours of work per week for 4 months, beginning in Summer 2012. This position is unpaid, but academic credit may be arranged. The Editorial Fellow will coordinate and assist in production of Rhizome's website and weekly newsletter Rhizome News. Fellow will support daily publishing and maintenance of the blog, as well as researching and writing editorial essays, reviews, and opinion pieces.

QUALIFICATIONS: Candidates must have a high level of familiarity with contemporary art and technology. Education or advanced experience beyond the undergraduate level is preferred. The candidate must have very strong writing, editing, and analytical skills, and very high internet literacy.

TO APPLY: Please email a cover letter, resume or c.v., two references, and three writing samples (url or attachment) to Joanne McNeil at editor(at)rhizome.org. Deadline Aug 24, 2012. Review of applications will begin immediately. Starting date is Sept 17, 2012.


DISCUSSION

NA - Further Thoughts


Hi Patrick,

Thanks so much for these comments. You are right that the New Aesthetic is a broad conversation, but James Bridle's investigation is definitely political, unfortunately many of his points have been missed in the ongoing metacommentary. It seems a lot of people are confused by the visuals, which aren't *the* the New Aesthetic so much as artifacts *of* the New Aesthetic.

The NA Tumblr was Bridle thinking out loud, and something to consider in tandem with his writing/talks. Meanwhile, the conversation about these ideas has gone on for over a year now, over a number of blogs, mostly based in London

In addition to James Bridle's talks and notes, this is what I recommend reading to understand what the New Aesthetic conversation is really about:

Aaron Straup Cope's notes from SXSW:
http://www.aaronland.info/weblog/2012/03/13/godhelpus/#sxaesthetic

Chris Heathcote: A New Fashion Aesthetic
http://anti-mega.com/antimega/2012/04/02/a-new-fashion-aesthetic

Many, many BERG posts:
http://berglondon.com/blog/2011/05/13/sensor-vernacular/
http://berglondon.com/blog/2012/02/06/robot-readable-world-the-film/
http://berglondon.com/blog/2011/08/03/the-robot-readable-world/

We are the droids we’re looking for: the New Aesthetic and its friendly critics by JJ Charlesworth
http://blog.jjcharlesworth.com/2012/05/07/we-are-the-droids-were-looking-for-the-new-aesthetic-and-its-friendly-critics/

Honor Harger:
https://www.jiscmail.ac.uk/cgi-bin/webadmin?A2=ind1204&L=new-media-curating&F=&S=&P=20818

Tom Armitage:
http://infovore.org/archives/2011/05/21/waving-at-the-machines/

Greg Borenstein:
http://urbanhonking.com/ideasfordozens/2011/06/07/on-the-future-and-poetry-of-the-calibration-pose/

Natalia Buckley:
http://ntlk.net/2012/04/12/on-the-new-aesthetic/

Other notes from SXSW are linked here:
http://booktwo.org/notebook/sxaesthetic/

this was my favorite New Aesthetic tumblr post, btw:
http://new-aesthetic.tumblr.com/post/21437296950/i-used-to-go-to-the-trocadero-in-central-london-as

JOB

Editorial Fellow


Deadline:
Tue May 01, 2012 10:00

Rhizome seeks an Editorial Fellow from June through September 2012. The Fellow will support the editorial department at Rhizome through research and writing for the website. This position is a unique opportunity for a person with strong dedication to the fields of contemporary art and technology to further develop professional skills.

The Editorial Fellow must be based in New York and must be able to commit to 16 hours of work per week for 3 months, beginning in Summer 2012. This position is unpaid, but academic credit may be arranged. The Editorial Fellow will coordinate and assist in production of Rhizome's website and weekly newsletter Rhizome News. Fellow will support daily publishing and maintenance of the blog, as well as researching and writing editorial essays, reviews, and opinion pieces.

QUALIFICATIONS: Candidates must have a high level of familiarity with contemporary art and new media. Education or advanced experience beyond the undergraduate level is preferred. The candidate must have very strong writing, editing, and analytical skills, and very high internet literacy.

TO APPLY: Please email a cover letter, resume or c.v., two references, and three writing samples (url or attachment) to Joanne McNeil at editor(at)rhizome.org. Deadline May 4, 2012. Review of applications will begin immediately. Starting date is June 4, 2012.