Jason Nelson
Since the beginning
Works in United States of America

PORTFOLIO (11)
BIO
Without really predicting the future, I've discovered a few places where quality goods can be purchased. I'm
also from Oklahoma, but sadly don't live there now. Being a poet by training, I love the way lights flicker and sounds make my stomach all a flutter.

Jason is scared of being hidden. But then so are the digital bits he farms. Certain regulations require his standing, and then sitting, which is just too damn obvious. Sometimes he teaches at Griffith University (on the coast’s most golden of coasts) as a lecturer in Cyberstudies, although the term conjures robots with beaks and hard wired…somethings. If you like this, you love this: www.heliozoa.com.

Sometimes, after nights of talking with friends late into the night, you come home at three or four in the morning and stumble into the bathroom. After a long release of fluids, and the sound of a night’s hard work being flushed away, you look in the mirror. At first the disheveled interloper in the metal backed glass is someone you don’t know. You douse your face with water and lookup again. Still the head and nose and eyes appear strange wobbling back at you with their curious stare. You strain to recognize the person. You clean the glass with a mildewing towel from the floor and still struggle to befriend this other invading your space.

Perhaps that is the way I feel as a hypermedia poet. After the intoxicating experience of creating hypermedia works, I am bewildered by my artistic reflection. Am I, as some ask, a painter? A poet? A sound manipulator? A multimedia tinkerer? I suppose some would say I am all of these. And others would say none. The work presented here for the Ohio Arts grant represents my pulling together art forms, my collage of poetry, image, sound, movement, and interaction. All of these elements are then filtered through the web environment, allowing for a broad audience, a hypermedia gallery for every computer.

But all of this, all the merging of various genres and technology is still too new, too ever evolving for anybody to know in any coherently explainable way what exactly they are doing. And that is exactly why hypermedia is so beautiful and enticing. Sometime, long ago, someone began classifying and categorizing our world. You are a baker, you are a criminal and you over there are a Central American poet revealing the class struggle. While some say postmodernism is mired in it’s own labeling of anti-labeling paradox, it has, at least, provided a generous platform for the creation of hypermedia works. The previous ideas of what goes where, of what poetic technique is helpful for recreating the pains and joys of life, seem silly in a hypermedia environment. An environment where technology allows the artist to cross boundaries and create new borders. Creativity is dental floss is mouse movement.

When I painfully shave the coarse hairs from my face, and cleaning the cream from my face look into the mirror, I don’t see an artist I can place in a recognizable category. All I see are the crooked lines between my eyebrows and the towel rack behind me. I see a poem forming in the exhaust fans loud and louder buzz. The condensation over words carrying the light from a seventy-five watt bulb to patterns on the floor.

Discussions (71) Opportunities (3) Events (23) Jobs (0)
DISCUSSION

bird flu redo


Recently fixed and reworked my net artwork Pandemic Rooms

http://www.secrettechnology.com/pandemicrooms/

come, play and offer suggestions to fix, or compliments....

Jason Nelson

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DISCUSSION

net art? net art?


Jim and others,

I agree completely. Well not completely as that implies some sort
of eternal agreement, which might be impossible given recent laws.

But...yes...it does appear there is more notice and less discussion.

So what does all this mean?

The more calls and notices would seem to mean that net art is thriving, and
that maybe it has moved towards more institutional worlds, than the vague
underground that has charged it along so curiously....

But on reading the calls for work, most of them center on video work
or installation whatnots, or digital prints. I suppose that's galleries need.
A website doesnt always gather big funds and fancy dress donors.
(although this will change, and rather soon I would imagine).

So maybe the temptation of openings and white walls has moved the
attraction.

Jason Nelson

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DISCUSSION

Re: net art?


Jim and others,

I agree completely. Well not completely as that implies some sort
of eternal agreement, which might be impossible given recent laws.

But...yes...it does appear there is more notice and less discussion.

So what does all this mean?

The more calls and notices would seem to mean that net art is thriving, and
that maybe it has moved towards more institutional worlds, than the vague
underground that has charged it along so curiously....

But on reading the calls for work, most of them center on video work
or installation whatnots, or digital prints. I suppose that's galleries need.
A website doesnt always gather big funds and fancy dress donors.
(although this will change, and rather soon I would imagine).

So maybe the temptation of openings and white walls has moved the
attraction.

Jason Nelson

Jim Andrews <jim@vispo.com> wrote:
is it my imagination or is it the case that there are fewer and fewer
posting on rhizome.org concerning net art, as opposed to news items about
gallery or museum etc work?

does this reflect more concern among the rhizome people for such work rather
than net art?

ja?
http://vispo.com

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DISCUSSION

where we create update


The where we create project has been updated...explore....and even submit!

goto and read everything at this the url:
http://www.newformsreview.com/wherewecreate/

Then submit your pictures and text to:

wherewecreate@gmail.com

details (cause I'm too persistant for anyones good)

1. a roughly 300 by 300 pixels or around there photo (S)
of where you work, where you create,

2. some text about the place where you work, anything really,
but hopefully something descriptive, interesting.

3. your details, name, location, and a few urls.

cheers, Jason
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DISCUSSION

Contacts for funding, jerkholes (kidding)


All,

Does anyone have the slightest connection or e-mail address or phone
number for anyone within the Google, Amazon, Ebay, Yahoo, MSN etc
corporations? It would seem that the most difficult process would be
to find the contacts needed for such endeavours....and getting a meeting
to pitch the proposal for philanthopic support.

cheers, Jason Nelson

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