BIO
Adam writes about media, technology, and politics wherever he can get a signal. You can find him online at http://www.poszu.com, and on Twitter @interdome.

The Strange Rituals of TEDxSummerisle


I woke up early that morning with the intention of helping to fake a TEDx Conference.


Guide to Future-Present Archetypes Part 6: Critical Vulnerability




Throughout this guide I’ve tried to isolate the patterns of how we think about the Future-Present, as symbolized by particular evocative technology. By engaging five, extraordinarily knowledgeable informants, I’ve traced their thoughts into directional arcs that don’t necessarily nail down this swirling cloud of future-forward ideas, but at least give us sense of the difficulty of the terrain.

The archetypes are stories, each one about us, our ideas, and our material world. The excitement of the future is represented by the LED. Neodymium magnets tell a story about the the allure of technological magic interacting with our everyday life. The fable of the cyborg explains a bit about our interface with our own history. The theology of our technologically advanced commodities are explained to us through drones. And our maps tendency to glitch is a cautionary tale about our minds’ inherent difficulties in navigating all of these different idea structures at the same time.

I like to think of these archetypes as stories, because there is something harmless in allegory. A meaning is intended, but if it doesn’t particular stick, or if as storyteller I trip in my delivery, the stakes are low. These are not actually designs for massive structures, harnessing dangerous physical forces to be constrained within conduits wrapped around us while we sleep at night. If these narratives become unpleasant, we can simply wake up, dispelling them like a dream, returning to the safe world of consistent reality that is not fraught with loops of meaning and pitfalls of symbolism. We can clear the slate easily, claiming the fallibility of narratives, and returning to the kernel of “simple” material things, ignoring the implications of our ideas. And then the next night, we have a chance to dream again.

But what I have come ...

READ ON »


Guide to Future-Present Archetypes Part 5: Schematic Maps


UCSD robot mouse.

When attempting to map out the Future-Present, there is not just one map to consider; there are three. These three categorical types of map—our mental maps, symbolic maps, and broken maps--are each a schematic layer in our effort to perceive the world, and it is in their dissonance that the world actually exists. We must identify not only what these maps are, but what they are when they fail. In the fractures, one sees the spidering web of weaknesses, the many possible scenarios of rupture that select without warning. Reality is unpredictable, bursting from its constraining archetypes. And yet it is uncannily similar to all the breaks we’ve seen before, like a river delta resembling a tree.

The first category of map resides somewhere in the brain, perhaps in the hippocampus. It is through these networks that our neurology gives us a sense of space that we might try to express, record, and share with others. In studies performed on mice, “place fields” have been identified in their hippocampal neurons. Everytime the mouse passes through a particular known place in its terrain, a burst of action potential fires through the same neurons. We know less about the human brain, but it is clear that our hippocampus is important to forming memories, and that larger hippocampi correlate with people who have more detailed place knowledge, London cab drivers, for example. Somewhere, lurking inside the chemical differences between the inside and outside of neurons, in the minor voltages and in the ever-changing and evolving cell pattern of our neuroanatomy, is a material record of what we mean when we sense our geography. We cannot read this map— we can only think it. We express this map’s imperfections via our senses. When this map fails, we feel lost.


The second map is spoken aloud, in the possibility of uttering a symbolic map. Humans are never content at forming schema and just keeping them to themselves. Our schemas are meant to be shared, explained, inscribed, and signified. But the topology of these symbolic maps are as complicated and multifaceted as our neurology. It was Alfred Korzybski who constructed the phrase so relevant to our contemporary times, as the second part of a statement first spoken in 1931:

A) A map may have a structure similar or dissimilar to the structure of the territory...

B) A map is not the territory.

...

Guide to Future-Present Archetypes Part 4: The Commodity Swarm


"Bomb the Drone" (Demilit project)

A certain thread of theology holds that angels are not actual entities; they are human characterizations of god’s infinite will, manifested in singular points of time and space that we can only represent as corporeal actions by supernatural beings. Drones are the same. The Unmanned Aerial Vehicles themselves are made of very real alloys and composites, flown with very real bands of electromagnetic energy emitted from satellite and ground station, launching weapons with exothermic warheads resulting in very real deaths. But “Drones”, as we have come to know them, represent an intensely collapsed political, economic, and social cosmology. They are singular points of world-historical militarism, state control, and technological specialty, orbiting high above our heads, the new astrological wanderers of our mortal fates. Dare we ask the rhetorical question: how many drones can surveil the head of a pin? MQ-1 Predator, MQ-4 Global Hawk, MQ-9 Reaper, RQ-170 Sentinel: these names are the basis of a new hierarchical choir of angels, as cataloged by Jane’s All the World’s Aircraft.

Drones function in our current Future-Present, as a category conglomerated from many components. A MQ-4 has very little to do, technologically, with a smartphone-controlled quadrocopter. The relationship between them, which we fetishize into the category of “drone”, is a composite of factors and values so intricate as to border on the cosmological. It is true that they both fly, with different types of remote control. They both contain cameras, so that a person can see a visual field from the vehicle’s perspective. They both contain technological advances that are not entirely new innovations, though their widespread use and public recognition is a relatively recent event. And yet, one is an expensive toy, while the other changes the geopolitical landscape as a weapon of war. It is only when their use, political significance, and market value are networked to their technological construction that they become equivalent in the Future-Present cosmology. 

If angels are too metaphysical a means of getting at the cultural function of such a unifying concept, let us utilize a more atheistic church, another sort of holy ghost. Drones are technology, commodified. Commodities are objects, abstracted from their strict material origins, and invested with a surplus of market-meaning. An automobile, for example, is not so much the frame riding on four wheels; it is not pivotal object of the American Dream; it is more than a single class of “Sport Utility” use-case or a particular brand name. It is all of these things. It is a history of technological advancement, a society’s main means of transportation, and a set of cultural value signifiers, condensed into a single object. What does precision milling equipment have to do with “Tell Laura I Love Her?” Everything and nothing. Technological commodities exists in multiple dimensions of technology, culture, economics, and politics simultaneously. What we perceive is the object, but behind it, is its cosmological network. We watch a video of a drone swarm in a college laboratory. We hear a news report about a drone strike on the other side of the world. We dream about the future of airspace regulation over drone-like inventions that don’t exist yet. We interact with all of these threads when we think, talk, or work with drones...


Guide to Future-Present Archetypes Part 3: The Cyborg-Historical


Superflux headset to enable prosthetic vision.

The Future-Present is something that once one has begun to notice it, it becomes very difficult to not see. This visual pattern of our conception of the future has the occult symbolism of apophenia, an illusion of perception generated as glitching artifact by the same non-illusory means by which we perceive reality. The shape of history projected forward in time looms out in the shape of a monster from patterns of moss on our architecture, and as a prophet from coffee stains on news magazines. Our imagination builds reality both forward and backward in time, as our vision builds reality on both isomorphic sides of the mirror. Our speculative thought catalogs these alternate realities, and we attach them to ourselves like equipment strapped to the stomach of a soldier, and we drag them along with us as we crawl across the surface of the earth, dodging death. Or so we dream, as we let our eyes slowly unfocus, gazing at our liquid crystal screens.

The Future-Present hangs heavy with acquired schematization, grows thickly in the rhizomatics of our mental constructs, and with this decaying biomass, lubricates the sliding transmission of our worldviews. But while the implications of the Future-Present for philosophical theories that deploy such semiotic hardware are important, there is a complex material realm of the Future-Present that should not be ignored. Regardless of what sort of opaque, nebulous terms we develop for the clouds in our temporal vision, they have material form with which we will collide with if we don’t watch where we are going. The gears of the mechanisms are sharp, and the metabolized exertions to avoid injury on the cutting edge are chemically taxing.

This is not simply a matter of seeing correctly and avoiding illusion. The illusions have important meanings. Patterns are the visual boundaries of underlying systems. When a slime mold grows into nearly the exact same shape as the Tokyo rail system, this is not a random coincidence...

 



Discussions (2) Opportunities (1) Events (0) Jobs (0)
OPPORTUNITY

Weird Shift Storefront


Deadline:
Sat Apr 19, 2014 23:00

Location:
Portland, Oregon
United States of America

The Weird Shift Storefront is currently seeking submissions of work, research, events, performances, shares of any kind.

Weird Shift is a six-month multi-faceted project, designed to create a community culture around lesser-known areas of knowledge. Weird Shift’s purpose is to collect, document, share, and thereby stimulate the investigation of illuminating and exciting marginalia. By providing events for visitors to share and learn about sideline intellectual pursuits and performances, Weird Shift creates a community culture around minor areas of knowledge that include local and regional arcana, anecdotal stories, speculative histories, and vernacular electronics. By offering a physical space in which the Archives of the Weird Shift can be made publicly available and curated for display, Weird Shift shares the work of many people and inspires visitors to pursue their own alternative research. And by having staff on hand in the space to engage community members, Weird Shift supports this culture and offers its resources to those who can use them for further weird marginalia studies.

We want you to be part of this space, to come in and work with us to promote this sort of research into marginal studies. We are looking for workshops, lectures, art installations, performances, events, games, skill shares, paper presentations, speeches, individual artworks, and general research that can be incorporated into the archive.

Our current schedule will run the space between April and October, 2014. The storefront is located in Portland, Oregon.

If you are interested in working on a project in this space submit images and ideas to thedarkarchivist@weirdshift.com

Tell us two things: 1) what you want to do, and; 2) some possible dates when you could do it. Currently we have an open call for visual artworks, performances, lectures etc. and there will be more specific calls for curated selections at later dates.

We are also interested in remotely-delivered projects, via network, phone, or mail.

Scheduling is happening now on a rolling basis! Get in touch today!

Weird Shift Storefront is supported by the Precipice fund and FreeGeek project grants.


DISCUSSION

On the Natural History of Surveillance


Block quote fail! The first paragraph is actually meant to be a block quote, as those are Sebald's words. The second paragraph is me responding to his words, which were published in 1999, so I have the benefit of another 13 years of history on my side, when I claim that objective truth, in the age of Wikipedia and other new media projects, is more complicated. Perhaps that makes things a bit clearer. (Working to fix the formatting now.)

I personally believe in facts, rather than truth. Facts are beholden to their context, which is a terrain of other facts. There is no singular truth, but there is a preponderance of facts mapped and understood in context. Continuing to add these constituent facts into our reality is much more important than attempting to label a single, authentic reality.

So as that relates to technological surveillance, it is important to incorporate the many things that the US government is doing, in that regard, into our worldview as fact. These are not potentials, to be held up and weighed against a background of "ethical, legal action", or "just war", or any other proclaimed field on which we can argue back and forth, "is X really torture or not?" While these debates of objective truth spiral around the front pages of the newspaper, the actions continue to occur, as facts. That is what is important, in my opinion.

DISCUSSION

The Shape of Shaping Things to Come


In both of this comments, it is a good point that the resources and technological advances in different aspects of the production process, not just the "scanner/printer" per se, are what will be the defining factor in the way the market evolves. The scanner/printer is a consumer object in itself, because it conceptually makes the fabbing process a "one-machine" activity for certain users. But production, as always, is a much wider domain than any particular machine.

Per this particular comment, I just want to add something about the parallel to paper-printing technology. Again, it is a conceptual issue of what is a "machine. The idea of a "desktop printer", or a "Print-On-Demand" printer, is similar to that of a "3D Printer". It in itself is a consumer unit, that doesn't really address the technology inside. A desktop color laser printer has basically the same quality print engine as an in-line "book machine". What defines the ability to make a book is the right paper, the pre-press know-how, and in-line bindery functions. If someone knows InDesign and is willing to cut and bind a book by hand, they could indeed make a professional-quality book with a $300 desktop printer. It is because we, as both users and consumers, privilege the all-in-one process of the machine (despite the fact that book-machines aren't magic and are difficult to use with consistent quality) that we think of certain machine set-ups as having this singular ability, when actually the technology is a much wider field.

So when we say that consumers will always get better quality or speed or value by going to a "professional", weren't not really talking about the operator, the owner, or the technology itself, but we're talking about access to certain technologies, and the skills to use them all together. No offense to either of the commenters here, whose skills and experience are no doubt well-earned; but I think that while these skills will still be real and crucial, they will be, in the near future, distributed outside of "professional" industry. I'm saying this from my particular experience in paper printing. There is still a necessary investment in skill and equipment, but it is leaving the "industry". Coffee shops are getting bookmaking machines. Offices are getting bindery equipment. Individuals are learning to cloth-bind books, for no other reason than they want to do so. Perhaps this is a feature of the changing nature of "professionalism" in industry, or because of the cheapening of technology. But either way, it's interesting to watch.