These resulting images are posted online and drawn down the RSS feed, disseminated via online media and social networks to be scattered across the internet.
The works are diaristic in nature, metaphorically recording a spectator’s experience of the contemporary digital age. The resulting digital art work intentionally has a painterly aesthetic acknowledging the artists historical painting practice.
Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness. The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.
This digital photo manipulated work is premised on the belief that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself. Hence this work considers fragmented elements of Pop Culture through an artistic and conceptual exploration of specific people and events of the day.


![Jeremy Scahill the 38 year old American National Security Correspondent for The Nation magazine and author of the international bestseller Blackwater: The Rise of the World’s Most Powerful Mercenary Army, has published an article in The Nation titled ‘Inside America's Dirty Wars’. Scahill states “…Abdulrahman al-Awlaki, the oldest son of Anwar al-Awlaki, was born in Denver. Like his father, he spent the first seven years of his life in the United States, attending American schools. After he moved to Yemen with his family, his grandparents—Anwar’s mother and father—played a major role in his upbringing, particularly after Anwar went underground. Anwar “always thought that it is best for Abdulrahman to be with me,” Anwar’s father, Nasser al-Awlaki, told me. Anwar believed that his wife and children “should not be involved at all in his problems.” …Abdulrahman was not his father; he loved hip-hop music and Facebook and hanging out with his friends. They would take pictures of themselves posing as rappers, and when the Yemeni revolution began, Abdulrahman wanted to be a part of it. As massive protests shook Yemen, he would spend hours hanging out in Change Square with the young, nonviolent revolutionaries, sharing his vision for the future and, at times, just goofing off with friends. …As Abdulrahman mourned [his father’s assassination], the boy’s family members in Shabwah tried to comfort him and encouraged him to get out with his cousins …and joined a group of friends outdoors to barbecue. There were a few other people doing the same nearby. It was about 9 pm when the drones pierced the night sky. Moments later, Abdulrahman was dead. So, too, were several other teenage members of his family, including Abdulrahman’s 17-year-old cousin Ahmed. …The Obama administration would fight passionately to keep answers secret, invoking the “state secrets” privilege repeatedly …The consensus that has emerged from various anonymous officials commenting on Abdulrahman’s killing was that it was a mistake.” Inspired by Jeremy Scahill, The Nation ow.ly/kuEpP Image source Terri M Venesio ow.ly/kuEoO](http://www.ianbunn.com/wp-content/uploads/2013/05/130521dcU60.jpg)




![Scott K Johnson the American Hydrogeologist and Earth science instructor at Madison College has published an article on Ars Technica titled ‘Oceans continue to warm, especially the deeps’ referring to altered patterns seen over past two decades. In the article Johnson states “When discussing global warming, the public eye is mostly directed to global average surface air temperatures, but that’s just one slice of the climate pie. If you haven’t noticed, the ocean is awfully big, and it holds a great deal more heat energy than the atmosphere. In fact, about 90 percent of the energy that’s been added to the climate system by human activities has gone into the ocean. …The resulting ocean heat content data shows some interesting features. Drops in ocean heat content coincide with large volcanic eruptions, which pump sunlight-reflecting aerosol particles into the atmosphere for a time. But there’s also a small drop after 1998—a year known for the incredibly strong El Nino that pushed global surface temperature to a (then) high point. …After this period, ocean heat content continued to rise sharply—especially in the deep ocean. The paper states that “recent warming rates of the waters below 700 [meters] appear to be unprecedented” in the record. Supporting some earlier estimates, the data shows about 30 percent of ocean warming after 1998 taking place more than 700 meters down. While it’s certainly useful to note the extent to which heat energy is accumulating in the climate system, it’s more interesting to ask why the deep ocean has taken such a large share of it recently. It seems to relate to changes in ocean circulation. A 2011 study indicated that La Ninas and a circulation pattern called the Pacific Decadal Oscillation could cause lulls in surface warming while energy is stuffed into the deep ocean. That may be exactly what we’ve experienced over the past decade. When those conditions change, we’ll see the effects in higher surface temperatures.” Inspired by Scott K Johnson, ars technica ow.ly/k8XFo Image source Twitter ow.ly/k8Y70](http://www.ianbunn.com/wp-content/uploads/2013/04/130514dcU60.jpg)