Holly Crawford
Since 2005
Works in United Kingdom of Great Britain and Northern Ireland

PORTFOLIO (1)
BIO
Holly Crawford is cross media artist, behavioral scientist, economist and art historian. She received her Ph.D. from the University of Essex in Art History and Theory, B.A and M.A. in Economics and M.S. in Behavioral Science from UCLA. From 2004-2006, she was a non-clinical Fellow at NYU Medical School Psychoanalytic Center. Her art and poetry (www.art-poetry.info) give new meanings and draws categories themselves into question through transformative juxtapositions. Her projects include: Offerings (Ars Electronica, (.net Participant); Open Adoption, The Road, Hyphens, Voice Over, Found Punctuation (video) Tate Modern 2007, My I have your autograph? (unofficial, Basel Miami Art Fair 2007), Critical Conversations in a Limo, NY 2006 (VIP project, Armory), 2007 in Melbourne (MIAF) & San Francisco (The LAB & Sesnon Gallery UCSC), Sound Art Limo, NY and Melbourne 2007, Flatland Limo, NYC 2008. Many projects are ongoing, site specific and participatory. Publications: Artistic Bedfellows, ed., 2008, Attached to the Mouse, 2006 and catalogue essay, “Disney and Pop” in Once Upon a Time Walt Disney Studio; Artistic Bedfellows, edited, 2008. Some projects are created and curated through AC (Art Currents) which she created and directs, www.artcurrents.org She taught art at UCLA and SVA. She was born in California and now lives in New York City.
Discussions (5) Opportunities (20) Events (134) Jobs (1)
EVENT

WHAT WAS I THINKING?!


Dates:
Thu Nov 21, 2013 18:00 - Thu Nov 21, 2013

Location:
New York, New York
United States of America

WHAT: A piece of your art work that you want to destroy publicly

DATE: Thursday 11/21/13

PLACE: AC Institute

527 W. 27th St. #210
New York N.Y. 10001

TIME: 6-8 p.m. One night only.

Stump on it. Rip it. Tear it up. Get rid of it. Painting, drawing, proposals, video, photographs, mixed media, sculpture and? NO ART LEFT BEHIND.


EVENT

Tracey Snelling: Nothing


Dates:
Thu Dec 12, 2013 18:00 - Wed Jan 08, 2014

Location:
New York, New York
United States of America

Nothing tells the story of a young woman named Jane. She has resigned herself to a life with a man that she doesn't love and a dead-end job as a maid in a small rundown motel. Her one form of escape is to try on the lives of the guests that are staying in the rooms she cleans.

As Jane reluctantly cleans while dabbling in her role playing game, she comes face to face with her own life, in a frightening and honest way.

Set in the heat-soaked town of Twentynine Palms, the desert landscape becomes a character, and the film rides the line between art and narrative.

Written and directed by Tracey Snelling.
Courtesy of the artist and Rena Bransten Gallery.

Bio:
Through the use of sculpture, photography, video, and installation, Tracey Snelling gives her impression of a place, its people and their experience. Often, the cinematic image stands in for real life as it plays out behind windows in the buildings, sometimes creating a sense of mystery, other times stressing the mundane. Snelling has shown work in museums such as Gemeentemuseum Helmond, the Netherlands; Shanghai Zendai MOMA, China; The Museum of Arts and Design, NY; Kunstmuseen Krefeld, Germany; El Museo de Arte de Banco de la Republica, Bogota; and Stenersen Museet, Oslo. She has had solo exhibitions throughout the US as well as in China, Belgium, the Netherlands, and London, and has been awarded residencies in Beijing and Shanghai. Her large-scale installation Woman on the Run was originally commissioned by Selfridges, London during Frieze 2008, and has traveled to Smack Mellon, Brooklyn; 21c Museum, Louisville; Frist, Nashville; SECCA, Winston-Salem; and the Virginia MOCA, Virginia Beach. Snelling presently has a solo exhibition at Aeroplastics Contemporary in Brussels, and will have one at Rena Bransten Gallery in San Francisco in December.

www.traceysnelling.com

Tracey Snelling-writer, director, set design
Idan Levin-executive producer, producer
Christine No-producer
Elizabeth Guest as "Jane"
Todd Banhazl-cinematographer
John LaRosa-sound design, production sound mixer
Jeremy Castillo-editor, 2nd unit dp
Jeff Powers-gaffer
Music by Ryan Ruehlen and My Uncle is a Cannibal

Nothing premiered at the San Francisco International Film Festival 2012.


EVENT

Jessica Angel: AS ABOVE, SO BELOW


Dates:
Thu Dec 12, 2013 18:00 - Sat Feb 22, 2014

Location:
New York, New York
United States of America

“The ‘Strange Loop’ phenomenon occurs whenever, by moving upwards (or downwards) through levels of some hierarchical system, we unexpectedly find ourselves right back where we started.”
-Douglas Hofstadter


The solar system can easily be paralleled with the “basic” unit of matter, the atom. Operations of a colossal city are analogous to the miniature calculations of a computer. Phenomena of any system occur every instant, simultaneously, on small and large scales. I am interested in exploring these patterns and parallel realities, this duality between the vast and the minute. The deeper into the minute one goes, the closer one gets to understanding the large and vice versa.

I have chosen two specific analogies to embody the idea of the minute and the vast as equivalents 1) the relationship between the outer space and the digital information space and 2) the similarity between urban planning and computer integrated circuits.

To work around this dichotomy I will create an immersive installation that takes over the southern room of the AC Institute. I plan to “invert” these two ideas representing the “large” in a small scale and the “minute” in an outsized scale, emphasizing the concept of the strange loop and the cyclic patterns. The installation will make reference to the micro world of computers correlation with outer space phenomena.

-Jessica Angel

BIO:
Jessica Angel is a visual artist living and working between Bogota and New York. Her recent and upcoming projects aim to foster cross-disciplinary initiatives. She was invited to represent Colombia as an artist in residence at the 2014 Vancouver Biennale, where she will develop a project enabling forms of collaboration among sciences, philosophy, music, art and new media. In 2013 she organized Pintura Abierta, a collaborative project that prompted the circulation of ideas about painting. In an attempt to consider this language through its practice, the creation and reflection laboratory gathered different proposals by Colombian painters by means of on-site paintings. The project took place in the Parqueadero space of the Museo del Banco de la República.

While living in New York City Jessica has been awarded the Teaching-Artist Residency at the Cooper Union, the BRIC Media Arts Fellowship (2012), City Walls with the Brooklyn Arts Council (2010) and the BOFFO Artist in Residence (2009). She has exhibited solo at Juan Salas Gallery (2012), The Museum of Modern Art of Bucaramanga (2008), at the Salamanca University Cultural Center in Bogotá (2008), at The Project Room of Los Andes University in Bogota and at Casas Riegner Gallery (2006 and 2009). Her work has been exhibited both locally and abroad in cities like Bogota, New York, Miami, Washington, Rosario, La Paz and Mexico. In 2007 she received an honorable mention at the 4th International Biennial SIART, Bolivia and at the 1st Drawing Biennial of the Americas, Mexico (2006).
www.jessicaangelarts.com


OPPORTUNITY

Call for papers, texts on Artist-Endowed Foundations


Deadline:
Mon Jan 06, 2014 00:00

Location:
New York, New York
United States of America

AC Books is accepting submissions for papers on the topic of Artist-Endowed Foundations.

According to the Aspen Institute, there are over 300 hundred artist-endowed foundations in the United States and the number is steadily increasing.

AC Books is editing a volume of essays and texts on this theme and is accepting papers, interviews, thought pieces on such topics as philanthropy, legal implications, taxes and monetary issues, social roles, art market influences, etc, as it pertains to the artist-endowed foundation.

Please submit your proposal, a CV, and a 10 page sample (double spaced, 12pt. Times New Roman) to submissions@artcurrents.org by January 5, 2014.


EVENT

Take the Square: A film by Oliver Ressler


Dates:
Thu Oct 17, 2013 18:00 - Wed Oct 30, 2013

Location:
New York, New York
United States of America

On view October 17 – October 30, 2013
Opening Event: Thursday, October 17, 6-8pm
This event is free and open to the public.

The emergence of the movements of the squares and the Occupy movement in 2011 can be seen as a reaction by people who opposed and began to fight the massive increase in social inequality and the dismantling of democracy in times of global financial and economic crisis. The movements of the squares are non-hierarchical and reject representation; direct democracy shapes their activities. The occupation of public places serves as a catalyst to develop demonstrations, general strikes, meetings and working groups on different focal points. Successful site occupancies in one place often inspire occupations in other cities, without a linear relationship.

The film “Take The Square” is based on discussions conducted with activists from 15M in Madrid, the Syntagma Square movement in Athens and Occupy Wall Street in New York. Re-enacting the format of the working groups of the protest movements, four to six activists discuss with each other as a group in front of a camera. The discussions cover issues of organization, horizontal decision-making processes, the importance and function of occupying public spaces and how social change can occur. The films were shot in the spring of 2012 in those places used by the movements of the squares for meetings and working groups: the Plaza de Pontejos, a quiet square in the immediate vicinity of the central Puerta del Sol in Madrid; at Plaza de la Corrala, a meeting place for the neighborhood assemblies of Lavapiès in Madrid; in Syntagma Square, the central assembly and demonstration point in front of the Parliament in Athens; and in Central Park in New York, where Occupy Wall Street held the “Spring Awakening 2012”.

The film brings together activists from three cities central to the movement. “I consider inclusiveness and respect used as a means to build horizontality and recover our power without the need to have somebody representing us very powerful,” says Ayelén from the Collective Thinking Work Group in Madrid. This rejection of representation also generally includes the parliaments; people should be politicized and invited to take their fate into their own hands. Babis Magoulas of the square movement in Athens says: “It’s the political process, the one that creates the man who is concerned with the commons, who participates and doesn’t allow the political to be taken over by the ‘experts’ whether they are syndicates or political parties. That’s why I’m saying it’s big. And direct democracy was not imposed; it was applied as the only way to convene. If it wasn’t horizontal, it would have had no meaning.” For Jen Waller of Occupy Wall Street, this has created, “the first people’s movement in this country that has called out the ruling class as the enemy.”