Hanne Mugaas
Since 2006
Works in Oslo Norway

Hanne Mugaas is an independent curator based in New York. She has curated exhibitions and screenings in Berlin, Stockholm, Tokyo and Paris. Recent projects include "Take it to the Net" for Vilma Gold in London, "Techniques of Today" for MIACA in Yokohama and "The Copy and Paste Show" for Rhizome.org. Mugaas is also a research assistant to Associate Curator Barbara London at the Museum of Modern Art (MoMA) in New York.

Takuji Kogo at the MoMA

MediaScope 2007: An Evening with Takuji Kogo.

Takuji Kogo founded Candy Factory, an alternative Yokohama gallery that operated from 1998 to 2000. He exploits the Internet to explore the meanings of globalization, especially through sites left deserted when the economy of multinational companies fails. Kogo playfully interlaces photography, animation, and sampled music, and he invites the participation of Web denizens. An Evening with Takuji Kogo is part of Out of the Internet, an international festival featuring cultural content emerging from the Asia Pacific regions. The project is realized through MAAP Multimedia Art Asia Pacific. Program approx. 90 min.

Monday, February 26, 8:00. Titus Theater 2.

For more info about Takuji Kogo, please visit Candy Factory.

MediaScope 2007 - Ongoing
Dedicated to experimentation with cinematic form and content, MediaScope presents emerging and recognized artists who discuss their work with the audience. The program explores filmmaking and videomaking, as well as Web-based, installation, and digital art practices. MediaScope is supported by Jennifer McSweeney.

The Museum of Modern Art
(212) 708-9400
11 West 53 Street, between Fifth and Sixth avenues
NY 10019-5497

Images: Candy Factory screenshot, January 26, 2003, and Set for Fox 9 News, February 6, 2003. Photo: Cameron Wittig.


Every Icon Project

John Simon 1997. I'd like to see something like this slowed down and randomly going through


Media Matters

Curators, conservators, registrars and media technical managers from New Art Trust, MoMA, SFMOMA, Tate, have formed a consortium to establish best practice guidelines for care of time-based media works of art (for example, video, slide, film, audio and computer-based installations). Effective approaches to the stewardship of electronic art rely on the blending of traditional museum practice with new modes of operating that derive from and respond to the complex nature of these installations.