BIO
G. H. Hovagimyan is an experimental cross media, new media and performance artist who lives and works in New York City. He was born 1950 in Plymouth, Massachusetts. In 1972, He received a B.F.A from the University of the Arts in Philadelphia, Pennsylvania and received an MA from New York University in 2005. He is a professor at the School of Visual Arts in the MFA Computer Arts Department. He was one of the first artist's in New York to start working in Internet Art in 1993 with such artist's online groups as, the thing, ArtNetWeb, and Rhizome.
He has collaborated with English/French sound artist Peter Sinclair (sound artist) on a number of works. <br>
From 1973 to 1986 he was involved in the SoHo and Lower East Side underground art scene. He exhibited a rigorously conceptual art show at 112 Workshop in 1973. He was a friend of the artist Gordon Matta-Clark who was also involved in 112 Workshop. He worked with Matta-Clark on several projects namely; Days’ End, Conical Intersect, Walking Man’s Arch, and Underground Explorations. In 1974 during the video-performance series at 112 Greene Street, he performed opposite Spaulding Gray in Richard Serra's video, A Prisoner's Dilemma.<br>
Much of his early work was ephemeral in nature. It involved performance art, written and language works and temporary installations in galleries. A word piece, Tactics for Survival in the New Culture, was exhibited in "The Manifesto Show" (1979) organized by the artist collective colab. This particular piece was to become the basis for one of his first online hypertext works in 1993. He showed in several group exhibitions organized by Jean Dupuy, a French Fluxus artist living in New York at 405 E. 13th Street. In 1980 he did a series of punk performance pieces for Artist's Space series called Open Mic. One piece, Rich Sucker Rap was recorded by Davidson Gigliotti for a video tape called Chant Accapella which Electronic Arts Intermix carries in its catalog. He also performed in several No Wave Cinema films among them, The Offenders(1980) by Scott B & Beth B and The Deadly Art of Survival by Charles Ahearn.
In the early 1990’s he started working in Media Art and New Media Art. Some of the pieces involve using a combination of photographs and text, often mimicking advertising. In May, 1994 his twenty billboard project for Creative Time, Hey Bozo… Use Mass Transit, received quite a bit of press. The work was seen on several newscasts such as Good Day New York, and the NBC Nightly News (nationally). It was written up in the NY Post, NY Daily News, The New York Times, etc. A telephone interview with the artist and a report on the project was distributed over the AP newswire.
Around the same time he began working with computers and the internet. One of the earliest internet artists, his first pieces, BKPC, Art Direct and, Faux Conceptual Art, were written about in the art magazines Art in America ( Robert Atkins, 1995 Art in America, December, “Art On Line” pp.63) and Art Press (Special Issue, Techno: Anatomy of electronic culture, 1998) France. He also hosted an internet radio/TV talk show called Art Dirt. The first of it's kind, Art Dirt, is part of the Walker Art Center's Digital Studies Archives collection. Of his collaborative works with Peter Sinclair, the most well known are a Soapopera for Laptops/ iMacs, Shooter and Rant/ Rant Back/ Back Rant. Shooter, an immersive sound and laser installation was developed at Eyebeam Atelier as part of its’ Artist in Residence program.
He has collaborated with English/French sound artist Peter Sinclair (sound artist) on a number of works. <br>
From 1973 to 1986 he was involved in the SoHo and Lower East Side underground art scene. He exhibited a rigorously conceptual art show at 112 Workshop in 1973. He was a friend of the artist Gordon Matta-Clark who was also involved in 112 Workshop. He worked with Matta-Clark on several projects namely; Days’ End, Conical Intersect, Walking Man’s Arch, and Underground Explorations. In 1974 during the video-performance series at 112 Greene Street, he performed opposite Spaulding Gray in Richard Serra's video, A Prisoner's Dilemma.<br>
Much of his early work was ephemeral in nature. It involved performance art, written and language works and temporary installations in galleries. A word piece, Tactics for Survival in the New Culture, was exhibited in "The Manifesto Show" (1979) organized by the artist collective colab. This particular piece was to become the basis for one of his first online hypertext works in 1993. He showed in several group exhibitions organized by Jean Dupuy, a French Fluxus artist living in New York at 405 E. 13th Street. In 1980 he did a series of punk performance pieces for Artist's Space series called Open Mic. One piece, Rich Sucker Rap was recorded by Davidson Gigliotti for a video tape called Chant Accapella which Electronic Arts Intermix carries in its catalog. He also performed in several No Wave Cinema films among them, The Offenders(1980) by Scott B & Beth B and The Deadly Art of Survival by Charles Ahearn.
In the early 1990’s he started working in Media Art and New Media Art. Some of the pieces involve using a combination of photographs and text, often mimicking advertising. In May, 1994 his twenty billboard project for Creative Time, Hey Bozo… Use Mass Transit, received quite a bit of press. The work was seen on several newscasts such as Good Day New York, and the NBC Nightly News (nationally). It was written up in the NY Post, NY Daily News, The New York Times, etc. A telephone interview with the artist and a report on the project was distributed over the AP newswire.
Around the same time he began working with computers and the internet. One of the earliest internet artists, his first pieces, BKPC, Art Direct and, Faux Conceptual Art, were written about in the art magazines Art in America ( Robert Atkins, 1995 Art in America, December, “Art On Line” pp.63) and Art Press (Special Issue, Techno: Anatomy of electronic culture, 1998) France. He also hosted an internet radio/TV talk show called Art Dirt. The first of it's kind, Art Dirt, is part of the Walker Art Center's Digital Studies Archives collection. Of his collaborative works with Peter Sinclair, the most well known are a Soapopera for Laptops/ iMacs, Shooter and Rant/ Rant Back/ Back Rant. Shooter, an immersive sound and laser installation was developed at Eyebeam Atelier as part of its’ Artist in Residence program.
RHIZOME ACTIVITIES
For Immediate Release:
Artists Meeting, the artists collaborative, will have a benefit party/
art auction and concert at the Flux Factory,
Sunday, November 1st. Doors open at 6pm. Suggested Admission is $10.
Flux Factory
39-31 29th St
Queens, NY 11101
Directions -- http://www.fluxfactory.org/about/directions/
Schedule of Events:
Art Viewing/Auction -- 6pm-8pm - (special auction performance by
Bethany Fancher starting at 7:00).
Artworks by: James Andrews, Daniel Blochwitz, Eliza Fernbach,
Emmanuelle Gauthier, David Graeve, Karen Gunderson,
Jon Handel, G.H. Hovagimyan, Thomas Hutchison, Jaime Jackson, Olga
and Viktor Lysenko, Lara Star Martini, Christina McPhee,
Artists Meeting, Mayuko Nakatsuka, Nsumi Collective, Sally Payen,
Maria Joao Salema, Lee Wells and others.
Preview and Pre-Bid auction site - http://artistsmeeting.org/auction
Concert/Dance Party/DJ - 8pm-10pm
Featuring -- Super Seaweed Sex Scandal and Live Footage
SSSS - http://www.myspace.com/superseaweedsexscandal
Live Footage - http://www.livefootagebrooklyn.com/
Special DJ sounds by: Y.M.I.
Further info: artmeet(AT)nujus.net
Artists Meeting is testing out a new fundraising site called kickstarter.com. We have a project called Artists Meeting - Art Machine that we are developing to be shown in Art Fairs. It is an Art Automat. We're asking the Rhizome community to donate small sums to build this piece. The upside is that you get valuable prizes if you contribute on the Kickstarter site.
Plazaville by G.H. Hovagimyan with Christina McPhee
Opening Reception: Tuesday, April 7th, 2009, 5pm-7pm
Location: Pace Digital Gallery, 163 William Street (btw Beekman St. &
Ann St.)
Lower Manhattan
http://csis.pace.edu/digitalgallery/
Exhibition Dates: April 7th - May 1st
Gallery Hours: 12-6pm, Tues. - Fri.
Plazaville is a new media video artwork based on the classic 1965 movie Alphaville by Jean Luc Godard. It is a noir/sci-fi, "no budget" movie set in 21st Century New York City. Scenes from the original Alphaville are re-enacted, interpreted and improvised by artists,actors and videographers, directed by G.H. Hovagimyan, and shot in HD video. Video artist Christina McPhee films the ambient POPS (publicly-owned private plazas) of Wall Street-- then remixes with retro punk sounds plus "Alpha60" computer voice-overs.
Plazaville is also a variable media artwork and can be viewed in a number of different ways. Separate short scenes that function as mini-movies were created by McPhee and Hovagimyan to be downloaded from the web and
can be viewed on youTube, iTunes, iPhones and HDTV using AppleTV. For Pace Digital Gallery, Plazaville is presented as a projection/installation piece, the scenes have been loaded onto a computer that continually re-assembles the movie in a random order. All of the Plazavilles short scenes can be viewed via web browser on the turbulence.org web site.
You may access the current scenes of Plazaville via computer at:
RSS feed via web browser: http://transition.turbulence.org/Works/plazaville/index.xml
Computer via internet:
http://transition.turbulence.org/Works/plazaville/index.html
iTunes:
log onto the iTunes store and search for Plazaville Series
YouTube:
http://www.youtube.com/user/ghovagimyan
contact info:
Jillian MacDonald
jmcdonald2 at pace.edu
212.346.1814
http://csis.pace.edu/digitalgallery/
-------------------------
Plazaville
by G.H. Hovagimyan with Christina McPhee
Camera, Editing & Sound Design - G.H. Hovagimyan, Christina McPhee
Max MSP programming - Joseph Valle
Starring --
George Spaeth ............................................................... Lemme Caution
Lanna Joffrey ................................................................... Natasha Von Braun
Bryant Mason.................................................................... Henry Dickson
Victoria Guthrie ............................................................... Seductress #1
Patrick Porter ................................................................... Chief Engineer
Kate Kertez ....................................................................... Seductress #2, Lab Technician
Syrie Moskowitz ................................................................ Seductress #3
Thomas Hutchison ........................................................... Professor Von Braun
Scott Casper .................................................................... Professors Heckle & Jeckle
Mark Keaton ..................................................................... Gov't Agent #1
Mitch Corber .................................................................... Gov't agent #2
Kelly Howe ........................................................................ Scientist/Interrogator
Juan Cardenas ................................................................ Hotel Clerk
John-Patrick Driscoll ....................................................... Gov't Agent/ Censor
Raphaele Shirley ............................................................. Lab Technician, Driver
Olga Lysenko ................................................................... Telecom official, Gov't Censor
Carlos Maura ................................................................... Tough Guy #2
And also starring - James Andrews, Edita Zulic, Megan Thomas, Colin Reynolds, Leesa Abahuni, Nicole Abahuni, Livia Stofko
Production & location Managers - Raphaele Shirley, Mayuko Natsaka, Casey Jones, Olga Lysenko
Web Interface & Programming Design - G.H. Hovagimyan
Music by -- Bram Barker, Johan Van Barel, Scott Glasgow, Stefan L. Smith, Gasper Gantzer, Scott Starrett, T.I.T.S (2008 live concert in San Francisco)
Synth Voices & Sound Cues -- G.H. Hovagimyan
Plazaville is a 2009 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site made possible with funding from the New York City Department of Cultural Affairs. Additional support for Plazaville came from the Lower Manhattan Cultural Council's Swing Space program, created with lead support from the September 11th Fund and space donated by The Sapir Organization. The Hudson River Park Trust, The Emily Harvey Foundation, School of Visual Arts and Truth & Pride.
Special Thanks to Raphaele Shirley and the Artists Meeting group http://artistsmeeting.org
SEX-FOOD-DEATH
Dates:
Fri Apr 13, 2012 19:00 - Fri Apr 13, 2012
Location:
Brooklyn,
New York
United States of America
United States of America
SexFoodDeath
The Semiology of Art Against Nature, seen as an Ontological Trajectory, Mapping the Representation of Nature versus Art.
A Panel Discussion @ 319 Scholes Street,
Brooklyn, NY 11206
April 13th, 2012
Doors open at 7pm. Panel discussion starts at 8pm
Followed by a cocktail reception with the panelists
Free admission
Sex-Food-Death is a panel discussion organized by 319 Scholes and Artists Meeting, a New York City based collective. The Panel will explore a range of creative tendencies that presage the coming integration of biology, science, art, research, and post-human critique.
A multidisciplinary team of panelists from the L’Institut d’Arts Invasifs, working in conjunction with researchers from University of Life Sciences and the Institute for Molecular Life Sciences, will discuss their controversial research on Biostallations, an emerging creative practice situated in active theaters of war. This work has been quietly generating controversy among European bio-ethicists and religious leaders, due to its use of human subjects, genetic interventions, drone technology, and bizarre academic ritual celebrations. While the group of artists undertaking this work chooses to remain underground, their institutional research partners have agreed to speak out for the first time, amid accusations of European-wide censorship and a media blackout.
Sex-Food-Death will illuminate new and potentially groundbreaking creative practices, while proposing techniques for collapsing the boundaries between contemporary theories of bio-art and art, art and nature, nature and bio-art. These multiparous fields of generative practice existing within both microscopic and socio-cultural domains will soon have a disrupting effect on cultural production as we have come to understand it.
“Simultaneously, the so-called ethical constraints of Western Civilization collapse around the reality of the flexible genome. The tools of war unleashed by the scientific community are affording us with a tremendous opportunity to map the exigent patterns of the bio-chemical experience of fear, and to develop protocols, heuristics, and experimental trials, which heighten, modify and rework an individual’s range of experience.”
“As World Society produces ever more regenerative social features, and as its formerly static definitions and self-descriptions clash with their own circular perceptions of their continued existence—contemporary artists must either adapt to this new paradigm, or prepare for extinction. It is only through the continual creation of self-producing/other-producing virtual organisms—that art can survive the coming singularity. Biostallations are but the opening move in this unfolding post-information domain.”
”The object is over, dead, finished. The virtual is soon to follow.”
Dr. Novotny, addressing a recent gathering of paleo-capitalists at the FLINS conference, Brugge, EU.
With Ivan Drajic (Croatia), Martin Savernak, (Czeck Republic), Dr. Ava Novotny (Czeck Republic),
Dr. Branko Cerny (Croatia), Jan Nemec (Croatia, ), Raz Johansen (Altai Republic). Moderated by William Gregory
A visual art exhibition and will accompany the panel discussion.
319 Scholes supports digital arts and experimentation through exhibitions, lectures, panels, participatory workshops, and live performances. We use a non-disciplinary approach to examine technology and its effects on our communities, relationships, and the body. Grounded in the belief that art is the best way to navigate the potential of networked culture, we aim to cultivate challenging and experiential modes of engaging with new media. Established in 2009, 319 Scholes is run by artists and a core group of collaborators, operating out of a renovated warehouse in Bushwick, Brooklyn.
http://319scholes.org
The Semiology of Art Against Nature, seen as an Ontological Trajectory, Mapping the Representation of Nature versus Art.
A Panel Discussion @ 319 Scholes Street,
Brooklyn, NY 11206
April 13th, 2012
Doors open at 7pm. Panel discussion starts at 8pm
Followed by a cocktail reception with the panelists
Free admission
Sex-Food-Death is a panel discussion organized by 319 Scholes and Artists Meeting, a New York City based collective. The Panel will explore a range of creative tendencies that presage the coming integration of biology, science, art, research, and post-human critique.
A multidisciplinary team of panelists from the L’Institut d’Arts Invasifs, working in conjunction with researchers from University of Life Sciences and the Institute for Molecular Life Sciences, will discuss their controversial research on Biostallations, an emerging creative practice situated in active theaters of war. This work has been quietly generating controversy among European bio-ethicists and religious leaders, due to its use of human subjects, genetic interventions, drone technology, and bizarre academic ritual celebrations. While the group of artists undertaking this work chooses to remain underground, their institutional research partners have agreed to speak out for the first time, amid accusations of European-wide censorship and a media blackout.
Sex-Food-Death will illuminate new and potentially groundbreaking creative practices, while proposing techniques for collapsing the boundaries between contemporary theories of bio-art and art, art and nature, nature and bio-art. These multiparous fields of generative practice existing within both microscopic and socio-cultural domains will soon have a disrupting effect on cultural production as we have come to understand it.
“Simultaneously, the so-called ethical constraints of Western Civilization collapse around the reality of the flexible genome. The tools of war unleashed by the scientific community are affording us with a tremendous opportunity to map the exigent patterns of the bio-chemical experience of fear, and to develop protocols, heuristics, and experimental trials, which heighten, modify and rework an individual’s range of experience.”
“As World Society produces ever more regenerative social features, and as its formerly static definitions and self-descriptions clash with their own circular perceptions of their continued existence—contemporary artists must either adapt to this new paradigm, or prepare for extinction. It is only through the continual creation of self-producing/other-producing virtual organisms—that art can survive the coming singularity. Biostallations are but the opening move in this unfolding post-information domain.”
”The object is over, dead, finished. The virtual is soon to follow.”
Dr. Novotny, addressing a recent gathering of paleo-capitalists at the FLINS conference, Brugge, EU.
With Ivan Drajic (Croatia), Martin Savernak, (Czeck Republic), Dr. Ava Novotny (Czeck Republic),
Dr. Branko Cerny (Croatia), Jan Nemec (Croatia, ), Raz Johansen (Altai Republic). Moderated by William Gregory
A visual art exhibition and will accompany the panel discussion.
319 Scholes supports digital arts and experimentation through exhibitions, lectures, panels, participatory workshops, and live performances. We use a non-disciplinary approach to examine technology and its effects on our communities, relationships, and the body. Grounded in the belief that art is the best way to navigate the potential of networked culture, we aim to cultivate challenging and experiential modes of engaging with new media. Established in 2009, 319 Scholes is run by artists and a core group of collaborators, operating out of a renovated warehouse in Bushwick, Brooklyn.
http://319scholes.org
AM auction at Flux Factory
Dates:
Wed Oct 14, 2009 00:00 - Wed Oct 14, 2009
For Immediate Release:
Artists Meeting, the artists collaborative, will have a benefit party/
art auction and concert at the Flux Factory,
Sunday, November 1st. Doors open at 6pm. Suggested Admission is $10.
Flux Factory
39-31 29th St
Queens, NY 11101
Directions -- http://www.fluxfactory.org/about/directions/
Schedule of Events:
Art Viewing/Auction -- 6pm-8pm - (special auction performance by
Bethany Fancher starting at 7:00).
Artworks by: James Andrews, Daniel Blochwitz, Eliza Fernbach,
Emmanuelle Gauthier, David Graeve, Karen Gunderson,
Jon Handel, G.H. Hovagimyan, Thomas Hutchison, Jaime Jackson, Olga
and Viktor Lysenko, Lara Star Martini, Christina McPhee,
Artists Meeting, Mayuko Nakatsuka, Nsumi Collective, Sally Payen,
Maria Joao Salema, Lee Wells and others.
Preview and Pre-Bid auction site - http://artistsmeeting.org/auction
Concert/Dance Party/DJ - 8pm-10pm
Featuring -- Super Seaweed Sex Scandal and Live Footage
SSSS - http://www.myspace.com/superseaweedsexscandal
Live Footage - http://www.livefootagebrooklyn.com/
Special DJ sounds by: Y.M.I.
Further info: artmeet(AT)nujus.net
YouTube Triptychs (2008) - Micaela Durand
you3b.com is a terrific tool! Artists Meeting http://artistsmeeting.org has been using it since January '09 for a series of youTube party/exhibitions shown at Postmasters gallery in New York (459.W.19th). Here's a review of our events in DIGIMAG in Feb. '09 -- http://www.digicult.it/digimag/article.asp?id=1392
We started doing youTube parties in October of '08 at Postmasters Gallery http://www.postmastersart.com/ before we discover the you3b.com tool created by Jeff Crouse and Steve Mahon at eyebeam. http://eyebeam.org There's quite bit of documentation on the AM site and also the direct links to all the tritychs we've produced using you3b.com The list is a DIY triptych party and curated virtual exhibition. -- http://www.artistsmeeting.org/index.php/Exhibition-Documentation/YTTP_2.html
We started doing youTube parties in October of '08 at Postmasters Gallery http://www.postmastersart.com/ before we discover the you3b.com tool created by Jeff Crouse and Steve Mahon at eyebeam. http://eyebeam.org There's quite bit of documentation on the AM site and also the direct links to all the tritychs we've produced using you3b.com The list is a DIY triptych party and curated virtual exhibition. -- http://www.artistsmeeting.org/index.php/Exhibition-Documentation/YTTP_2.html
Artists Meeting - Art Machine on Kickstarter
Dates:
Thu Jul 23, 2009 00:00 - Thu Jul 23, 2009
Artists Meeting is testing out a new fundraising site called kickstarter.com. We have a project called Artists Meeting - Art Machine that we are developing to be shown in Art Fairs. It is an Art Automat. We're asking the Rhizome community to donate small sums to build this piece. The upside is that you get valuable prizes if you contribute on the Kickstarter site.
Plazaville Installation
Dates:
Mon Apr 06, 2009 00:00 - Wed Apr 01, 2009
Plazaville by G.H. Hovagimyan with Christina McPhee
Opening Reception: Tuesday, April 7th, 2009, 5pm-7pm
Location: Pace Digital Gallery, 163 William Street (btw Beekman St. &
Ann St.)
Lower Manhattan
http://csis.pace.edu/digitalgallery/
Exhibition Dates: April 7th - May 1st
Gallery Hours: 12-6pm, Tues. - Fri.
Plazaville is a new media video artwork based on the classic 1965 movie Alphaville by Jean Luc Godard. It is a noir/sci-fi, "no budget" movie set in 21st Century New York City. Scenes from the original Alphaville are re-enacted, interpreted and improvised by artists,actors and videographers, directed by G.H. Hovagimyan, and shot in HD video. Video artist Christina McPhee films the ambient POPS (publicly-owned private plazas) of Wall Street-- then remixes with retro punk sounds plus "Alpha60" computer voice-overs.
Plazaville is also a variable media artwork and can be viewed in a number of different ways. Separate short scenes that function as mini-movies were created by McPhee and Hovagimyan to be downloaded from the web and
can be viewed on youTube, iTunes, iPhones and HDTV using AppleTV. For Pace Digital Gallery, Plazaville is presented as a projection/installation piece, the scenes have been loaded onto a computer that continually re-assembles the movie in a random order. All of the Plazavilles short scenes can be viewed via web browser on the turbulence.org web site.
You may access the current scenes of Plazaville via computer at:
RSS feed via web browser: http://transition.turbulence.org/Works/plazaville/index.xml
Computer via internet:
http://transition.turbulence.org/Works/plazaville/index.html
iTunes:
log onto the iTunes store and search for Plazaville Series
YouTube:
http://www.youtube.com/user/ghovagimyan
contact info:
Jillian MacDonald
jmcdonald2 at pace.edu
212.346.1814
http://csis.pace.edu/digitalgallery/
-------------------------
Plazaville
by G.H. Hovagimyan with Christina McPhee
Camera, Editing & Sound Design - G.H. Hovagimyan, Christina McPhee
Max MSP programming - Joseph Valle
Starring --
George Spaeth ............................................................... Lemme Caution
Lanna Joffrey ................................................................... Natasha Von Braun
Bryant Mason.................................................................... Henry Dickson
Victoria Guthrie ............................................................... Seductress #1
Patrick Porter ................................................................... Chief Engineer
Kate Kertez ....................................................................... Seductress #2, Lab Technician
Syrie Moskowitz ................................................................ Seductress #3
Thomas Hutchison ........................................................... Professor Von Braun
Scott Casper .................................................................... Professors Heckle & Jeckle
Mark Keaton ..................................................................... Gov't Agent #1
Mitch Corber .................................................................... Gov't agent #2
Kelly Howe ........................................................................ Scientist/Interrogator
Juan Cardenas ................................................................ Hotel Clerk
John-Patrick Driscoll ....................................................... Gov't Agent/ Censor
Raphaele Shirley ............................................................. Lab Technician, Driver
Olga Lysenko ................................................................... Telecom official, Gov't Censor
Carlos Maura ................................................................... Tough Guy #2
And also starring - James Andrews, Edita Zulic, Megan Thomas, Colin Reynolds, Leesa Abahuni, Nicole Abahuni, Livia Stofko
Production & location Managers - Raphaele Shirley, Mayuko Natsaka, Casey Jones, Olga Lysenko
Web Interface & Programming Design - G.H. Hovagimyan
Music by -- Bram Barker, Johan Van Barel, Scott Glasgow, Stefan L. Smith, Gasper Gantzer, Scott Starrett, T.I.T.S (2008 live concert in San Francisco)
Synth Voices & Sound Cues -- G.H. Hovagimyan
Plazaville is a 2009 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site made possible with funding from the New York City Department of Cultural Affairs. Additional support for Plazaville came from the Lower Manhattan Cultural Council's Swing Space program, created with lead support from the September 11th Fund and space donated by The Sapir Organization. The Hudson River Park Trust, The Emily Harvey Foundation, School of Visual Arts and Truth & Pride.
Special Thanks to Raphaele Shirley and the Artists Meeting group http://artistsmeeting.org
SAVED WORKS (1)
