Rhizome and free103point9 Open Call for Transmission Art Web Projects
free103point9 and Rhizome are pleased to announce a collaborative call for web-based works that explore transmission as a medium for creative expression. Projects should practically and/or conceptually incorporate transmission themes and tools. Applicants are encouraged to visit free103point9's online Study Center resource for historical, technical, and cultural reference materials on Transmission Art.
Projects should have been completed within the last year of the opening of the exhibition: January 7, 2006. Projects that are in-development at the time of submission will be considered as long as their completion date seems to fit realistically with the exhibition timeline. A modest artist fee will be provided in support of selected projects. We welcome a wide range of interpretations and ideas.
Selected projects will be included in an online exhibition featured by both free103point9 and Rhizome websites January -- March 2006. A live performance and/or presentation event will also take place during the duration of the exhibition.
Open Call October 1, 2005
Submission Deadline October 31, 2005
Notification November 14, 2005
Online Exhibition January -- March 2006
Presentation/Performance March 2006
Please include the following items in your application materials. Proposals should be emailed to email@example.com no later than midnight October 31, 2005.
Questions regarding your proposal should be directed to Lauren Cornell and Galen Joseph-Hunter.
Name of Artist/Collective
Without exceeding 500 words, please describe your current artistic practice.
Proposed Project Narrative
Without exceeding 1000 words, please describe your project.
Please outline your development strategy in order to meet a launch date of January 1st.
Work Samples ...
Now, I know what you are thinking. You’re thinking: Whoa! Not only do I get to be a dolphin, but I get to be a flying dolphin in the sky who puffs out these beautiful, prismatic cumulonimbus clouds!! I hate to break it to you, but your arms will need to be replaced with hinged arms, keep in mind.
The Art, Technology, and Culture Colloquium of UC Berkeley's Center for New Media Presents:
Ephemeral Gumboots: Dancing the Rhythm of Change
Cobi van Tonder, Artist and Musician, Johannesburg
*Wed*, 28 Sept, 7:30-9pm: UC Berkeley, 160 Kroeber Hall All ATC Lectures are free and open to the public.
The history of Gumboot dance illustrates the potential of culture for transforming social aggression. Cobi will present Ephemeral Gumboots, a hybrid media artwork/musical instrument that takes South African Gumboot dance and extends it as an interface into an electronic music-making system. How does the music of Ephemeral Gumboots reflect the media age in South Africa? How has the artist or facilitator, responded (or succumbed) to the politics and hegemony of technology?
For Deleuze and Guattari, music "both simulates space and creates it literally, on the dance floor, in headphones, on the Internet" (Andrew Murphy, 2000). The refrains of dance music provide territories for the body and mind to move and travel. Cobi will reflect on the contemporary impact of technology and her personal experience of it as she presents her project from a socio and political perspective. She will also invite composers and dancers to use her system for further creative exploration.
via BoingBoing, 9/22/05:
This site includes a Google hack that combines Google Maps with hurricane tracking data, for a comprehensive view of Rita's activities: Link
Houston TV Station KHOU is reporting Rita updates on a blog which may become their primary distribution means if things get rough. Includes MP3 audio and text story summaries. Link
Boing Boing reader oboreruhito says,
The newspaper I work for in Lake Charles, La., in the path of Hurricane Rita, has shifted operations to blogspot, since everyone who can update our usual site has evacuated. They will be updating as news occurs and as long as they have power. Lake Charles, located about 15-20 miles inland from the Gulf of Mexico, is expecting to see quite a bit of flooding from the storm surge, and more from the rains; everything south of I-10 will experience flooding, and areas 8 feet above sea level and lower are expected to be underwater for at least some time. The waterways around here feed into the gulf, and the storm surge alone will cause most of them to crest. I know the focus is on the Texas coast, but we're expecting to get quite a bit of damage and 100+ mph winds ourselves.
The group site Houston metblog also has frequent first-person updates: Link
disturb.the.peace "angry women" - open call
"Whoa! Why does this word carry so much weight, and why do these women want to
distance themselves so far from this word?" Once I had received a similar response from
three other women, as though anger was un-cool, or un-sexy, I started thinking of the
"Angry Young Men" of the fifties and sixties-the amorphous James Dean types whose
anger was sexy, because anger is one of the sanctioned responses that men have, and
women don't. No man would protest being featured in a book called Angry Young Men,
do you think?
[Interview with Andrea Juno, Ed of "angry women" (Juno Books, 1992)]
Disturb.the.Peace [angry woman] will be aimed at creating a collaborative net-based
installation with the core concept of the visual portrait of feminine anger. The net offers a
canvas for self-portraiture and self-documentary, which both men and woman users and
artists have used to explore the many eclectic thematics that make up contemporary
net.art. However, anger - that non P.C, emotional serpent - still remains visually elusive.
Emails are full of bile, blogs map outpourings of rage and disgust, newsgroups simmer
over with adversary and cutting one-liners but not, apparently, visual artworks...? Can
anger be beautiful? Can rage be aesthetic? In popular culture there are a range of angry
babes to pick: from girl-power to the Powerpuff girls but
"...their popularity may not reflect a dramatic shift in our society's view of gender roles,
but rather our inability to stomach female anger unless it's sugar-coated in cuteness and
scored with a pervasively chirpy, non-threatening tone."
[Powerpuff Girls to the Rescue: Heather Havrilesky, Salon. Posted July 5, 2002]
D/tP is a call to women artists to visually explore the face of [their] anger ...
Sorry if this is a repeat, I didn't see it posted here earlier. I'm in a panel discussion tonight at SVA, details below ...
Friday, April 28th 2006, 7pm
School of Visual Arts. 209 East 23rd Street,
(between 2nd & 3rd Ave.)
Artists Talk on Art is pleased to present 'Post Post Modern,
Today is officially my last day at Rhizome, so I wanted to send out a
quick note and officially bid farewell. Actually, this isn't so much
a farewell, since I'll still be around, just as another member. The
only difference, really, will be that you will all have to put up
with my miscellaneous ramblings, without the benefit of me actually
writing code for you. ("Oh, great", I can hear some of you thinking.)
Patrick May has been in the office since February, and the transition
has gone better than I could've hoped. He'll be in touch with y'all
soon, but let me just say that he's hit the ground running and
already has a batch of fresh new ideas to improve the user experience
Patrick, Lauren, and Marisa make a phenomenal team, and it's going to
be a kick to stand back and watch where they take Rhizome in the
future. I'm happy to be moving on, but I have to admit I will miss
working with and for the other folks on staff.
I will also miss working with the Rhizome community, many of whom
I've had the privilege of getting to know well over the last three-
and-a-half years. I've enjoyed having so many people to learn from as
the field has continued to grow. And although some of our discussion
about Rhizome policy has been, mm, how you say, contentious, I always
kept in mind that it is mostly driven by the desire to see Rhizome,
and the entire field of new media arts, succeed. Without its
opinionated users, Rhizome wouldn't be what it is today, so thanks to
all of you.
As for my plans in the near future: Still unfixed, and right this
minute I suppose I like it that way. I'm actually going to be
vacationing a bit next month, with old friends to visit in Barcelona,
a friend's wedding in Minneapolis, and then quality time with my
family in Washington State. After that, who's to say? I'll be sure to
keep y'all posted, in between posting here about hallucinogenics and
XML and everything in between.
Thanks, everyone. And keep in touch,
ex-Director of Technology
Last November, I notified the Rhizome community that I would soon be
stepping down as Rhizome's Director of Technology. Today, I'm very
happy to announce that our next Director of Technology will be Patrick
Patrick comes to Rhizome with an exceptional background in both
technology and in the arts. His previous position at the publishing
company Source Media gives him extensive experience with developing and
maintaining large, content-driven sites with limited resources, and
this experience will come in handy at a highly dynamic,
community-oriented website like Rhizome. He is also active in the free
software and Ruby communities: He is the creator of the Ruby-Web
library, and has presented at the International Ruby Conference.
Patrick is also the cofounder and Director of Programming at the
Williamsburg-based artists' collective Open Ground, helping to guide
the consensus-based curatorial process that furnished Grand Street with
four years' worth of always surprising group shows. He is an artist
himself, and his creative practice incorporates a software library he
created that automatically publishes consecutive iterations of images
to an artists' blog; he discussed this tool at Rhizome's second
"Blogging and the Arts" panel discussion.
Being Rhizome's Director of Technology, of course, requires more than
just a knowledge of programming, and more than a familiarity with new
media arts. Rhizome has always been an undersized organization with
oversized ambitions, and we continue to explore ways to deepen the
nascent connections between art and technology. Patrick's resume hits a
lot of the right topics, but what's most important is that he's able to
think of the big picture--not just in terms of artworks and lines of
code, but also in terms of organizations and communities. I'm confident
that he will make the perfect partner for Lauren and Marisa as the
three of them lead Rhizome in the future. We've accomplished a lot in
the last year, and I'm excited to see what changes will come in the
We are expecting the transition process to work like this: Patrick will
come in on February 2nd, and he and I will work side-by-side throughout
February as I train him in. My last day will be March 3rd, but even
after then I'll still be available to Patrick & the organization in
I'm quite happy to leave this job in Patrick's capable hands. I hope
you all welcome him as kindly as you welcomed me.
Director of Technology
+ + +
> I have long been appalled by the way that theorists supposedly steeped
> psychoanalytic readings could misdefine schizophrenia and then
> consistently glamorize this very serious, very misdefined condition as
> some sexy alternative to 'reality.' There is a long list of scholars
> who've become quite famous in the course of building and upholding this
> Now I'm all for creativity, metaphor, and wordplay, but I feel that
> any of
> us with a ligitimate interest in these discourses or in contributing to
> any kind of meaningful conversation have a personal responsibility not
> entrench this kind of grossly irresponsible scholarship.
Good thing Rhizome doesn't try to have an official stance on psychiatry
I'm not familiar with D&G's writings on psychiatry, but it's quite
possible to be critical of mainline psychiatry without necessarily
glamorizing the condition of schizophrenia. A lot of the good
"anti-psychiatry" theory moves to put such conditions out of the
individual context, and into the social context, which was part of
psychiatry's brief in the beginning but has been slowly leached out of
the practice as it became more closely lashed to modern technocratic
I agree with much of what Eric wrote here:
> In Mircea Eliade's research, the role of the schizophrenic is enabled
> by some tribes and excluded by others. In complex social networks,
> which we are a part of, the schizophrenic is excluded and sent to the
> As well capitalism has no room, or need for the schizophrenic. They
> don't contribute to the nations wealth in an open market system.
> Witness the homeless today and the Bedlams of the past. Providing a
> social space doesn't cure the chemical imbalances, but it can give
> them a nurturing environment and a sense of belonging.
> It isn't a cure, but it does provide needed dignity.
Though I'd go a little further and say that ultimately it may not be
correct to describe schizophrenia as a condition requiring a "cure" ...
You could also remove the normative aspect from psychiatry altogether
and simply that schizophrenia is a condition, a statistical outlier,
but not necessarily more or less healthy, just different.
I don't want to trivialize or glamorize the problems faced by those
with mental illnesses. In fact, my dad works in the industry, so I grew
up with all sorts of terrible stories about mental illnesses.
But if you're not normal, and that makes it difficult to live in
society, who's to blame for that, exactly? Homosexuality was only
removed from the DSM within the last 50 years. If you grew up gay in a
Christian fundamentalist household in a homophobic small town, and
revealing your desires to anybody might get you condemned or beaten or
killed, and then you grow up with serious intimacy issues, whose fault
Or, to take a much more harrowing example from the cutting edge of
psychiatric pathology: Some psychiatrists are beginning to look into
what is currently called Body Integrity Identity Disorder, which is the
overwhelming desire of a person to voluntarily amputate a very specific
part of their body. These patients (who are almost always men) feel
that a certain part of their body (almost always below the waist)
simply doesn't belong to them, and that they would be more whole
without it. Like pre-op transsexuals, they often dress the part, for
example by tying their leg back and wearing loose fitting pants that
are clipped up where the missing part would be.
And, although research on this is extremely preliminary, at this point
it would appear that the only known treatment is actually amputation.
Some of these patients are able to pursue this in a proper medical
setting, but as you might imagine some are forced to do it themselves,
using whatever tools you might imagine a person might use if they were
forced to self-amputate without the benefit of a medical staff, an
operating theatre, or anesthesia.
The New York Underground had a pretty amazing documentary on the
subject (I think two years ago), and a few of the interviewees were
people who had taken this step. They all looked astoundingly happy.
Their condition was cured. They were just without one leg or foot or
Now, this is pretty horrifying stuff, and it's clearly not normal in
the statistical sense, but why is it unhealthy? We know, for example,
that plenty of people who lose their limbs in accidents are capable of
living rich, fulfilling lives. So why can't the same be true for
somebody who loses his limb on purpose? And what should society's
response be to this? Should we make it easier for people to get, to
twist a Christian fundamentalist phrase, "amputation-on-demand"? Or
should we force them to pursue years of experimental treatments--shock
therapies, medication, aversion therapy, etc., etc.--in lieu of just
getting an amputation, which is on its own a very established, safe
Anyway, back to schizophrenia ... It's quite possible that the world is
going to become increasingly hostile to its schizophrenics, largely as
a result of the spread of global capitalism. Cities are worse for
schizophrenics than the countryside, so a future in which more than
half the world's population is urban doesn't bode well for them. The
complex web of invisible power relations--whether technical, financial,
social, or legal--required to get along in the 21st century probably
don't do any good for the schizophrenic's propensity for paranoia.
Maybe the trade-offs are worth it, maybe they're not. I personally
can't claim to be pure in this respect, anyway: I live in a big city
and I work with the internet and I even find the Economist to be
interesting reading. But maybe it's a shame that we're implicitly
deciding that from now on, society has no place for the schizophrenic.
And maybe it's a copout to say that it's because of biology that they
don't fit in, when it's just as much because of culture.
Or maybe the decision isn't so final. Maybe the fragmentation of
culture that comes with the spread of information technology actually
works against the idea of reality as consensus--and thus in favor of
the schizophrenic. Any world that has a place for furries and centaur
porn and Everquest economies and transgenderism and people who dress up
like Uruk-Hai on the weekends might actually have a place for
schizophrenics, right? Who's to say.
Director of Technology
+ + +
Each writer will receive a $200 stipend for participation. Participating in this artwork will require a light, but ongoing commitment: perhaps an hour a week, from March to June.
No particular experience, or publications, are necessary. However, you should be mildly comfortable with technology, enough to use a website like MySpace or a blog host like Blogspot. It would also be okay if you had a friend who could help you with the technical stuff. Basically, the project involves a little tech setup, and I don’t want to have to do a lot of tech support for other people.
If that doesn’t sound too maddeningly vague, please let me know if you’re interested by emailing me at firstname.lastname@example.org. I’d appreciate a few writing samples, and if you have any experience with improvisational anything (stand-up comedy, music, even live-action role-playing), it’d be useful to know about that, too. Also, please feel free to ask any other questions. Thanks!