We wander for a while, looking at the new shows. Mrs. FtF (usually pretty charitable in her opinions) says of one group exhibition, "This is horrible." She's right. It is.
By 4:30 we've seen enough. But I want to see the Turrell. So we sit down in the hallway outside the room to wait. Soon a crowd starts to form. At 4:45 it's me, the wife and kid, and a group of 20 German tourists. I can understand exactly three words of what they are saying among themselves: "Turrell," "Roden," and "Crater."
At 4:55 the door still isn't open. The Germans are getting restless. One of them starts making paper hats for the kid out of the floor plans they are all carrying. Security staff members are pacing the hallway. Mrs. FtF overhears them discussing the problem. They've lost the key to the door. Brilliant. You put a major piece of contemporary art behind a locked door, and you don't keep a spare key around?
I'm about ready to pack it in when along comes one of the art handlers. He's been installing a show in another gallery on the floor. He sizes up the situation, pulls a Five-in-One painter's tool out of his pocket, sticks it between the door and the jamb, gives a little pull, and pops the door open for us.
Now I know who really holds the keys to the art world kingdom. It's that anonymous guy who nobody trusts with a key but who's always got the right tool in his back pocket.
Writer begs publisher to give her book to Google Print
One of Kottke's readers is a writer named Meghann Marco whose publisher is joined to the suit against Google over the excellent, writer-friendly Google Print service. She has written an amazing open letter to her publisher:
I asked my publisher, Simon and Schuster, for my book to be included in Google Print. I was told they did not do that.
Lack of exposure is the primary reason that a book like mine would fail in the marketplace. I spend most of my day trying to get attention for my book. Not for the money, but because I believe that it is well written and funny. Very few authors will become rich writing books. We do it because we have something to say. If we wanted to be rich, we'd have invented a search engine!
Please let me know if there is anything I can do to help. After all, it's perfectly free to check out a book from the library. I have no problem with my book being indexed by your site. In fact, I wish it was!
Someone asked me recently, "Meghann, how can you say you don't mind people reading parts of your book for free? What if someone xeroxed your book and was handing it out for free on street corners?"
I replied, "Well, it seems to be working for Jesus."
---------- Forwarded message ----------
From: Carol Ann Wald
Date: Nov 3, 2005 1:00 PM
Subject: Call for Works: The ELO Electronic Literature Collection
THE ELECTRONIC LITERATURE COLLECTION -- A CALL FOR WORKS
The Electronic Literature Organization (http://www.eliterature.org) seeks submissions for the first Electronic Literature Collection. We invite the submission of literary works that take advantage of the capabilities and contexts provided by the computer. Works will be accepted until January 31, 2006. Up to three works per author will be considered.
ctronic Literature Collection will be an annual publication of current and older electronic literature in a form suitable for individual, public library, and classroom use. The publication will be made available both online, where it will be available for download for free, and as a packaged, cross-platform CD-ROM, in a case appropriate for library processing, marking, and distribution. The contents of the Collection will be offered under a Creative Commons license so that libraries and educational institutions will be allowed to duplicate and install works and individuals will be free to share the disc with others.
Gamer Buys Virtual Space Station
"A virtual space resort being built in the online role-playing game, Project Entropia, has been snapped up for $100,000 (£56,200). Jon Jacobs, aka Neverdie, won the auction for the as yet unnamed resort in the game, which lets thousands of players interact with each other. Entropia also allows gamers to buy and sell virtual items using real cash.
The space station is billed as a "pleasure paradise". Last year, a gamer bought an island for $26,500 (£13,700). The space station is described as a "monumental project" in the "treacherous, but mineral rich" Paradise V Asteroid Belt and comes with mining and hunting taxation rights. With the price tag also comes mall shopping booth and market stall owner deeds, a land management system, a billboard marketing system, and space station naming rights. Neverdie is a popular and well-known in-game character. He and another character, Island Girl, appeared in a 2003 dance music movie Hey DJ!, which starred Jon Jacobs, Charlotte Lewis, and Tina Leiu..." From Gamer buys virtual space station, BBC News.
There have been a handful of interesting experiments involving use of
the so-called Apple Motion Sensor or Sudden Motion Sensor that's
built in to all recent PowerBooks and iBooks. Most of these projects
have used a program called AMStracker to read from the sensor.
However, the current version works only with the first powerbooks to
come out with the sensor. It doesn't work with the iBooks and now the
newest PowerBooks have yet a new way of handling the motion sensor.
When I made my Carpenters Level Dashboard Widget, at first I used
AMStracker. But it bothered me that I had to instruct people to
download and install AMStracker. You see, it's proprietary and the
creator, Ahmit Singh strictly forbids distribution of it. So, for the
sake of making installation of my widget easier for the end user, I
went looking for an open-source program that would do the same thing.
I found it, it's called Motion, originally written by Chris Klein.
Since it's open, you can distribute it along with your nifty motion- sensor-enabled-whatever-it-is. On top of that, I've adapted the
original version so that it works on iBooks and have now adapted it
again to support the newest PowerBooks. Ahmit still says he's trying
to find the time to fix AMStracker for the iBooks (on top of that, he
says that it's an OS thing but it's not, it's a hardware thing. Don't
tell him. Let's let him think it's an OS thing).
Here's my beef. I'm still seeing stuff coming out for use with
AMStracker. Why on Earth would anyone want to use it when there's an
open alternative? It boggles my mind. So, if anyone is interested in ...
Sorry if this is a repeat, I didn't see it posted here earlier. I'm in a panel discussion tonight at SVA, details below ...
Friday, April 28th 2006, 7pm
School of Visual Arts. 209 East 23rd Street,
(between 2nd & 3rd Ave.)
Artists Talk on Art is pleased to present 'Post Post Modern,
Today is officially my last day at Rhizome, so I wanted to send out a
quick note and officially bid farewell. Actually, this isn't so much
a farewell, since I'll still be around, just as another member. The
only difference, really, will be that you will all have to put up
with my miscellaneous ramblings, without the benefit of me actually
writing code for you. ("Oh, great", I can hear some of you thinking.)
Patrick May has been in the office since February, and the transition
has gone better than I could've hoped. He'll be in touch with y'all
soon, but let me just say that he's hit the ground running and
already has a batch of fresh new ideas to improve the user experience
Patrick, Lauren, and Marisa make a phenomenal team, and it's going to
be a kick to stand back and watch where they take Rhizome in the
future. I'm happy to be moving on, but I have to admit I will miss
working with and for the other folks on staff.
I will also miss working with the Rhizome community, many of whom
I've had the privilege of getting to know well over the last three-
and-a-half years. I've enjoyed having so many people to learn from as
the field has continued to grow. And although some of our discussion
about Rhizome policy has been, mm, how you say, contentious, I always
kept in mind that it is mostly driven by the desire to see Rhizome,
and the entire field of new media arts, succeed. Without its
opinionated users, Rhizome wouldn't be what it is today, so thanks to
all of you.
As for my plans in the near future: Still unfixed, and right this
minute I suppose I like it that way. I'm actually going to be
vacationing a bit next month, with old friends to visit in Barcelona,
a friend's wedding in Minneapolis, and then quality time with my
family in Washington State. After that, who's to say? I'll be sure to
keep y'all posted, in between posting here about hallucinogenics and
XML and everything in between.
Thanks, everyone. And keep in touch,
ex-Director of Technology
Last November, I notified the Rhizome community that I would soon be
stepping down as Rhizome's Director of Technology. Today, I'm very
happy to announce that our next Director of Technology will be Patrick
Patrick comes to Rhizome with an exceptional background in both
technology and in the arts. His previous position at the publishing
company Source Media gives him extensive experience with developing and
maintaining large, content-driven sites with limited resources, and
this experience will come in handy at a highly dynamic,
community-oriented website like Rhizome. He is also active in the free
software and Ruby communities: He is the creator of the Ruby-Web
library, and has presented at the International Ruby Conference.
Patrick is also the cofounder and Director of Programming at the
Williamsburg-based artists' collective Open Ground, helping to guide
the consensus-based curatorial process that furnished Grand Street with
four years' worth of always surprising group shows. He is an artist
himself, and his creative practice incorporates a software library he
created that automatically publishes consecutive iterations of images
to an artists' blog; he discussed this tool at Rhizome's second
"Blogging and the Arts" panel discussion.
Being Rhizome's Director of Technology, of course, requires more than
just a knowledge of programming, and more than a familiarity with new
media arts. Rhizome has always been an undersized organization with
oversized ambitions, and we continue to explore ways to deepen the
nascent connections between art and technology. Patrick's resume hits a
lot of the right topics, but what's most important is that he's able to
think of the big picture--not just in terms of artworks and lines of
code, but also in terms of organizations and communities. I'm confident
that he will make the perfect partner for Lauren and Marisa as the
three of them lead Rhizome in the future. We've accomplished a lot in
the last year, and I'm excited to see what changes will come in the
We are expecting the transition process to work like this: Patrick will
come in on February 2nd, and he and I will work side-by-side throughout
February as I train him in. My last day will be March 3rd, but even
after then I'll still be available to Patrick & the organization in
I'm quite happy to leave this job in Patrick's capable hands. I hope
you all welcome him as kindly as you welcomed me.
Director of Technology
+ + +
> I have long been appalled by the way that theorists supposedly steeped
> psychoanalytic readings could misdefine schizophrenia and then
> consistently glamorize this very serious, very misdefined condition as
> some sexy alternative to 'reality.' There is a long list of scholars
> who've become quite famous in the course of building and upholding this
> Now I'm all for creativity, metaphor, and wordplay, but I feel that
> any of
> us with a ligitimate interest in these discourses or in contributing to
> any kind of meaningful conversation have a personal responsibility not
> entrench this kind of grossly irresponsible scholarship.
Good thing Rhizome doesn't try to have an official stance on psychiatry
I'm not familiar with D&G's writings on psychiatry, but it's quite
possible to be critical of mainline psychiatry without necessarily
glamorizing the condition of schizophrenia. A lot of the good
"anti-psychiatry" theory moves to put such conditions out of the
individual context, and into the social context, which was part of
psychiatry's brief in the beginning but has been slowly leached out of
the practice as it became more closely lashed to modern technocratic
I agree with much of what Eric wrote here:
> In Mircea Eliade's research, the role of the schizophrenic is enabled
> by some tribes and excluded by others. In complex social networks,
> which we are a part of, the schizophrenic is excluded and sent to the
> As well capitalism has no room, or need for the schizophrenic. They
> don't contribute to the nations wealth in an open market system.
> Witness the homeless today and the Bedlams of the past. Providing a
> social space doesn't cure the chemical imbalances, but it can give
> them a nurturing environment and a sense of belonging.
> It isn't a cure, but it does provide needed dignity.
Though I'd go a little further and say that ultimately it may not be
correct to describe schizophrenia as a condition requiring a "cure" ...
You could also remove the normative aspect from psychiatry altogether
and simply that schizophrenia is a condition, a statistical outlier,
but not necessarily more or less healthy, just different.
I don't want to trivialize or glamorize the problems faced by those
with mental illnesses. In fact, my dad works in the industry, so I grew
up with all sorts of terrible stories about mental illnesses.
But if you're not normal, and that makes it difficult to live in
society, who's to blame for that, exactly? Homosexuality was only
removed from the DSM within the last 50 years. If you grew up gay in a
Christian fundamentalist household in a homophobic small town, and
revealing your desires to anybody might get you condemned or beaten or
killed, and then you grow up with serious intimacy issues, whose fault
Or, to take a much more harrowing example from the cutting edge of
psychiatric pathology: Some psychiatrists are beginning to look into
what is currently called Body Integrity Identity Disorder, which is the
overwhelming desire of a person to voluntarily amputate a very specific
part of their body. These patients (who are almost always men) feel
that a certain part of their body (almost always below the waist)
simply doesn't belong to them, and that they would be more whole
without it. Like pre-op transsexuals, they often dress the part, for
example by tying their leg back and wearing loose fitting pants that
are clipped up where the missing part would be.
And, although research on this is extremely preliminary, at this point
it would appear that the only known treatment is actually amputation.
Some of these patients are able to pursue this in a proper medical
setting, but as you might imagine some are forced to do it themselves,
using whatever tools you might imagine a person might use if they were
forced to self-amputate without the benefit of a medical staff, an
operating theatre, or anesthesia.
The New York Underground had a pretty amazing documentary on the
subject (I think two years ago), and a few of the interviewees were
people who had taken this step. They all looked astoundingly happy.
Their condition was cured. They were just without one leg or foot or
Now, this is pretty horrifying stuff, and it's clearly not normal in
the statistical sense, but why is it unhealthy? We know, for example,
that plenty of people who lose their limbs in accidents are capable of
living rich, fulfilling lives. So why can't the same be true for
somebody who loses his limb on purpose? And what should society's
response be to this? Should we make it easier for people to get, to
twist a Christian fundamentalist phrase, "amputation-on-demand"? Or
should we force them to pursue years of experimental treatments--shock
therapies, medication, aversion therapy, etc., etc.--in lieu of just
getting an amputation, which is on its own a very established, safe
Anyway, back to schizophrenia ... It's quite possible that the world is
going to become increasingly hostile to its schizophrenics, largely as
a result of the spread of global capitalism. Cities are worse for
schizophrenics than the countryside, so a future in which more than
half the world's population is urban doesn't bode well for them. The
complex web of invisible power relations--whether technical, financial,
social, or legal--required to get along in the 21st century probably
don't do any good for the schizophrenic's propensity for paranoia.
Maybe the trade-offs are worth it, maybe they're not. I personally
can't claim to be pure in this respect, anyway: I live in a big city
and I work with the internet and I even find the Economist to be
interesting reading. But maybe it's a shame that we're implicitly
deciding that from now on, society has no place for the schizophrenic.
And maybe it's a copout to say that it's because of biology that they
don't fit in, when it's just as much because of culture.
Or maybe the decision isn't so final. Maybe the fragmentation of
culture that comes with the spread of information technology actually
works against the idea of reality as consensus--and thus in favor of
the schizophrenic. Any world that has a place for furries and centaur
porn and Everquest economies and transgenderism and people who dress up
like Uruk-Hai on the weekends might actually have a place for
schizophrenics, right? Who's to say.
Director of Technology
+ + +
Each writer will receive a $200 stipend for participation. Participating in this artwork will require a light, but ongoing commitment: perhaps an hour a week, from March to June.
No particular experience, or publications, are necessary. However, you should be mildly comfortable with technology, enough to use a website like MySpace or a blog host like Blogspot. It would also be okay if you had a friend who could help you with the technical stuff. Basically, the project involves a little tech setup, and I don’t want to have to do a lot of tech support for other people.
If that doesn’t sound too maddeningly vague, please let me know if you’re interested by emailing me at email@example.com. I’d appreciate a few writing samples, and if you have any experience with improvisational anything (stand-up comedy, music, even live-action role-playing), it’d be useful to know about that, too. Also, please feel free to ask any other questions. Thanks!