NAKI, TSUKUBA, and EDELWEISS
Maywa Denki is performing at Quartier d'ete Festival in Paris on July 21,22 and 23. This art unit, which is produced by Nobumichi Tosa, has been inventing a number of hard-to-describe electric devices by transforming the history and culture of small electrics manufacturers in Japan's high-growth period (about 40 years ago) into three product lines of interactive art objects: NAKI, TSUKUBA, and EDELWEISS.
They've "manufactured" various kinds of musical instruments including Pachimoku, which Nobumichi Tosa wears in the photo, and Koi-Beat, which could be interpreted as "love beat" as well as "carp beat."
Pachimoku is operated by finger snapping motion, which is sensed and transmitted to beater bars of the two Mokugyo's (wodden drums used in Zen rituals) at the top, through rather thick wires, which would withstand high voltage (e.g., AC 100 Volts, commonly used for home appliances in Japan).
Koi-beat (see this page) is a carp-shaped rhythm machine with 16x4 monotonous square electric switches and it generates groovy rhythms at 100 Volts.
They play music with the various instruments they've invented You'll see if you get a chance to go to that event in Paris. For the rest of us, hopefully they'll record the event and turn it into another "manufactured product" of theirs (in short, a CD or a DVD). [blogged by manekineko on we-make-money-not]
I know the general rule of thumb is that geeks don’t like to get their hands dirty. However, occasionally I relish the chance to get out on the weekend and build, fix, or improve things around the ol’ homestead. I took this picture this morning of a brick walkway I am putting in.
While this was a ton of manual labor, I found that even in bricklaying, nerdiness has its place. I spent about 45 minutes in a zombie-like state while my mind processed the stack pattern involved in laying this pathway. I was trying to figure out how to arrange this pattern so that it would not require any side cuts (cutting the bricks with a wet saw). Additionally, the pallet that I bought contained three sizes of bricks all in equal numbers. To ensure that I didn’t end up running out of one of the sizes, I had to design my pattern so that it repeated and that it used the same amount of bricks in the various sizes.
I don’t know if you can tell from this cellphone camera picture, but this pattern spans over six interlocking rows and contains 18 large blocks, 18 medium blocks and 18 small blocks. Here is where the nerdiness comes into play, I don’t think that I would have been able to visually arrange all this without those hours of training in front of the NES (my driving skill also greatly benifited from hours infront of “Out-Run
Building on the resounding success of the pioneering Women in Games conference, 2004, we are pleased to announce "Women in Games 2005".
This topical event will feature the following keynotes speakers:
Ernest Adams: Game design consultant and author, founder of IGDA, Melissa Federoff: Microsoft Games Usability Engineer
Aphra Kerr: Media Research Centre, University of Ulster,Northern Ireland
Constance Steinkuehler: MMOG researcher and game columnist, University of Wisconsin-Madison.
WiG 2005 is an opportunity to bring together women who work in the field of computer games both nationally and internationally. One of the aims of the event is to be a forum for recognising the tremendous achievements that have been made in industry and academia, by "women in games".
The WiG 2005 conference will highlight to both the academic and industrial world the most recent, groundbreaking work in this area of computer game research and development.
WiG 2005 will take place August 8 - 10 inclusive, timed to immediately precede the Edinburgh International EntertainmentFestival. The conference will be held in the newly built student centre at the University of Abertay Dundee.
We invite you to visit our website for further details http://www.womeningames.com
Registration is now available online.
Luís da Silva:
just letting you know I started a blog called SOURCE CODE, dedicated to debating issues connected to digital art, hactivism, tactical media, resistance, critical theory...
"An artist in the chat room", a text discussing Art_room, an online performance by Susana Mendes Silva
"Confess yourself", a text discussing Confess, a web project by Stewart Smith
feel free to join a debate or start a new post
The Albright-Knox Gallery's website really blows chunks. I've been bitching (good naturedly) about their "Extreme Abstraction" show, thinking it was just the four fairly un-extreme artists I mentioned, but it turns out those were just the four participating in the extreme symposium. The website doesn't list the artists in the exhibition! Or if it does I missed it. Does anyone know who is in the exhibit, and if there is anyone more extreme in it than Liz Larner, Linda Besemer, Katharina Grosse, Ingrid Calame, and David Reed? Also, why are Cory Arcangel, Paper Rad, and Tree Wave performing in connection with the exhibit? Are they extreme abstract artists?
Further digging on the Albright site pulled up this para: "'Extreme Abstraction' is a major installation that will open to the public in the summer of 2005. Commissions by leading, (sic) abstract artists, recent acquisitions of contemporary art, and masterworks from the Gallery's collection will be highlighted together and throughout the entire Gallery to provide visitors with a visual representation of the history and future of abstract art. Artists such as Polly Apfelbaum, Lynda Benglis, Arthuro Herrera, Piet Mondrian, Jackson Pollock, Gerhard Richter, and Pae White are only a few of the many artists who will be represented, several of whom will be working at the Gallery on site-specific installations for this exhibition." OK, this gets more blue chip by the minute.
Sorry if this is a repeat, I didn't see it posted here earlier. I'm in a panel discussion tonight at SVA, details below ...
Friday, April 28th 2006, 7pm
School of Visual Arts. 209 East 23rd Street,
(between 2nd & 3rd Ave.)
Artists Talk on Art is pleased to present 'Post Post Modern,
Today is officially my last day at Rhizome, so I wanted to send out a
quick note and officially bid farewell. Actually, this isn't so much
a farewell, since I'll still be around, just as another member. The
only difference, really, will be that you will all have to put up
with my miscellaneous ramblings, without the benefit of me actually
writing code for you. ("Oh, great", I can hear some of you thinking.)
Patrick May has been in the office since February, and the transition
has gone better than I could've hoped. He'll be in touch with y'all
soon, but let me just say that he's hit the ground running and
already has a batch of fresh new ideas to improve the user experience
Patrick, Lauren, and Marisa make a phenomenal team, and it's going to
be a kick to stand back and watch where they take Rhizome in the
future. I'm happy to be moving on, but I have to admit I will miss
working with and for the other folks on staff.
I will also miss working with the Rhizome community, many of whom
I've had the privilege of getting to know well over the last three-
and-a-half years. I've enjoyed having so many people to learn from as
the field has continued to grow. And although some of our discussion
about Rhizome policy has been, mm, how you say, contentious, I always
kept in mind that it is mostly driven by the desire to see Rhizome,
and the entire field of new media arts, succeed. Without its
opinionated users, Rhizome wouldn't be what it is today, so thanks to
all of you.
As for my plans in the near future: Still unfixed, and right this
minute I suppose I like it that way. I'm actually going to be
vacationing a bit next month, with old friends to visit in Barcelona,
a friend's wedding in Minneapolis, and then quality time with my
family in Washington State. After that, who's to say? I'll be sure to
keep y'all posted, in between posting here about hallucinogenics and
XML and everything in between.
Thanks, everyone. And keep in touch,
ex-Director of Technology
Last November, I notified the Rhizome community that I would soon be
stepping down as Rhizome's Director of Technology. Today, I'm very
happy to announce that our next Director of Technology will be Patrick
Patrick comes to Rhizome with an exceptional background in both
technology and in the arts. His previous position at the publishing
company Source Media gives him extensive experience with developing and
maintaining large, content-driven sites with limited resources, and
this experience will come in handy at a highly dynamic,
community-oriented website like Rhizome. He is also active in the free
software and Ruby communities: He is the creator of the Ruby-Web
library, and has presented at the International Ruby Conference.
Patrick is also the cofounder and Director of Programming at the
Williamsburg-based artists' collective Open Ground, helping to guide
the consensus-based curatorial process that furnished Grand Street with
four years' worth of always surprising group shows. He is an artist
himself, and his creative practice incorporates a software library he
created that automatically publishes consecutive iterations of images
to an artists' blog; he discussed this tool at Rhizome's second
"Blogging and the Arts" panel discussion.
Being Rhizome's Director of Technology, of course, requires more than
just a knowledge of programming, and more than a familiarity with new
media arts. Rhizome has always been an undersized organization with
oversized ambitions, and we continue to explore ways to deepen the
nascent connections between art and technology. Patrick's resume hits a
lot of the right topics, but what's most important is that he's able to
think of the big picture--not just in terms of artworks and lines of
code, but also in terms of organizations and communities. I'm confident
that he will make the perfect partner for Lauren and Marisa as the
three of them lead Rhizome in the future. We've accomplished a lot in
the last year, and I'm excited to see what changes will come in the
We are expecting the transition process to work like this: Patrick will
come in on February 2nd, and he and I will work side-by-side throughout
February as I train him in. My last day will be March 3rd, but even
after then I'll still be available to Patrick & the organization in
I'm quite happy to leave this job in Patrick's capable hands. I hope
you all welcome him as kindly as you welcomed me.
Director of Technology
+ + +
> I have long been appalled by the way that theorists supposedly steeped
> psychoanalytic readings could misdefine schizophrenia and then
> consistently glamorize this very serious, very misdefined condition as
> some sexy alternative to 'reality.' There is a long list of scholars
> who've become quite famous in the course of building and upholding this
> Now I'm all for creativity, metaphor, and wordplay, but I feel that
> any of
> us with a ligitimate interest in these discourses or in contributing to
> any kind of meaningful conversation have a personal responsibility not
> entrench this kind of grossly irresponsible scholarship.
Good thing Rhizome doesn't try to have an official stance on psychiatry
I'm not familiar with D&G's writings on psychiatry, but it's quite
possible to be critical of mainline psychiatry without necessarily
glamorizing the condition of schizophrenia. A lot of the good
"anti-psychiatry" theory moves to put such conditions out of the
individual context, and into the social context, which was part of
psychiatry's brief in the beginning but has been slowly leached out of
the practice as it became more closely lashed to modern technocratic
I agree with much of what Eric wrote here:
> In Mircea Eliade's research, the role of the schizophrenic is enabled
> by some tribes and excluded by others. In complex social networks,
> which we are a part of, the schizophrenic is excluded and sent to the
> As well capitalism has no room, or need for the schizophrenic. They
> don't contribute to the nations wealth in an open market system.
> Witness the homeless today and the Bedlams of the past. Providing a
> social space doesn't cure the chemical imbalances, but it can give
> them a nurturing environment and a sense of belonging.
> It isn't a cure, but it does provide needed dignity.
Though I'd go a little further and say that ultimately it may not be
correct to describe schizophrenia as a condition requiring a "cure" ...
You could also remove the normative aspect from psychiatry altogether
and simply that schizophrenia is a condition, a statistical outlier,
but not necessarily more or less healthy, just different.
I don't want to trivialize or glamorize the problems faced by those
with mental illnesses. In fact, my dad works in the industry, so I grew
up with all sorts of terrible stories about mental illnesses.
But if you're not normal, and that makes it difficult to live in
society, who's to blame for that, exactly? Homosexuality was only
removed from the DSM within the last 50 years. If you grew up gay in a
Christian fundamentalist household in a homophobic small town, and
revealing your desires to anybody might get you condemned or beaten or
killed, and then you grow up with serious intimacy issues, whose fault
Or, to take a much more harrowing example from the cutting edge of
psychiatric pathology: Some psychiatrists are beginning to look into
what is currently called Body Integrity Identity Disorder, which is the
overwhelming desire of a person to voluntarily amputate a very specific
part of their body. These patients (who are almost always men) feel
that a certain part of their body (almost always below the waist)
simply doesn't belong to them, and that they would be more whole
without it. Like pre-op transsexuals, they often dress the part, for
example by tying their leg back and wearing loose fitting pants that
are clipped up where the missing part would be.
And, although research on this is extremely preliminary, at this point
it would appear that the only known treatment is actually amputation.
Some of these patients are able to pursue this in a proper medical
setting, but as you might imagine some are forced to do it themselves,
using whatever tools you might imagine a person might use if they were
forced to self-amputate without the benefit of a medical staff, an
operating theatre, or anesthesia.
The New York Underground had a pretty amazing documentary on the
subject (I think two years ago), and a few of the interviewees were
people who had taken this step. They all looked astoundingly happy.
Their condition was cured. They were just without one leg or foot or
Now, this is pretty horrifying stuff, and it's clearly not normal in
the statistical sense, but why is it unhealthy? We know, for example,
that plenty of people who lose their limbs in accidents are capable of
living rich, fulfilling lives. So why can't the same be true for
somebody who loses his limb on purpose? And what should society's
response be to this? Should we make it easier for people to get, to
twist a Christian fundamentalist phrase, "amputation-on-demand"? Or
should we force them to pursue years of experimental treatments--shock
therapies, medication, aversion therapy, etc., etc.--in lieu of just
getting an amputation, which is on its own a very established, safe
Anyway, back to schizophrenia ... It's quite possible that the world is
going to become increasingly hostile to its schizophrenics, largely as
a result of the spread of global capitalism. Cities are worse for
schizophrenics than the countryside, so a future in which more than
half the world's population is urban doesn't bode well for them. The
complex web of invisible power relations--whether technical, financial,
social, or legal--required to get along in the 21st century probably
don't do any good for the schizophrenic's propensity for paranoia.
Maybe the trade-offs are worth it, maybe they're not. I personally
can't claim to be pure in this respect, anyway: I live in a big city
and I work with the internet and I even find the Economist to be
interesting reading. But maybe it's a shame that we're implicitly
deciding that from now on, society has no place for the schizophrenic.
And maybe it's a copout to say that it's because of biology that they
don't fit in, when it's just as much because of culture.
Or maybe the decision isn't so final. Maybe the fragmentation of
culture that comes with the spread of information technology actually
works against the idea of reality as consensus--and thus in favor of
the schizophrenic. Any world that has a place for furries and centaur
porn and Everquest economies and transgenderism and people who dress up
like Uruk-Hai on the weekends might actually have a place for
schizophrenics, right? Who's to say.
Director of Technology
+ + +
Each writer will receive a $200 stipend for participation. Participating in this artwork will require a light, but ongoing commitment: perhaps an hour a week, from March to June.
No particular experience, or publications, are necessary. However, you should be mildly comfortable with technology, enough to use a website like MySpace or a blog host like Blogspot. It would also be okay if you had a friend who could help you with the technical stuff. Basically, the project involves a little tech setup, and I don’t want to have to do a lot of tech support for other people.
If that doesn’t sound too maddeningly vague, please let me know if you’re interested by emailing me at firstname.lastname@example.org. I’d appreciate a few writing samples, and if you have any experience with improvisational anything (stand-up comedy, music, even live-action role-playing), it’d be useful to know about that, too. Also, please feel free to ask any other questions. Thanks!