BIO
Eric Dymond is an artist who works with many tools and programming languages.
He graduated from the Nova Scotia College of Art and Design with a BFA in studio.<br />
He exhibited paintings in Toronto, Detroit, New York, Montreal and London during the 1970's, 1980's and 1990's. The paintings were created with sandblasted sprays employing formal themes from the history of painting (still life's , individual portraits, traditional landscapes) . These series appear minimal with repeating content and are a form of Serialism.
In the early 1990's he began working with digital media, building perl programs with TCL/TK, web sites (see the doorway on Leonardo) and stand-alone applications.
He continues working in all media, rejecting specialization.
A brief timeline :
1976-On View -first exhibition held by Visual Arts Ontario
1977-One person show-Gallery 567
1978-One person show-Nancy Pooles Studio
1978-Group Exhibition-Habatat Galleries,Detroit,Michigan
1979-One Person Show-Habatat Galleries,Detroit,Michigan
1979-Young Realists, London Regional Gallery
1979-One Person Show-Nancy pooles Studio
1980-New Artists-London Regional Gallery
1980-O.A.C.-group juried show
1981-One Person show-Nancy Pooles studio
1982-Group exhibition-Honey Sharp Gallery-Tanglewood,Mass.
1983-One Person show-Nancy Pooles studio
1983-Group Exhibition-Adam Gimbel Gallery-New York,N.Y.
1984-One Person Show-Grimsby Public Gallery
1985-One Person Show-Nancy Pooles studio
1985-One Person Show-Gallery 1667-Halifax,N.S.
1987-One Person Show-Kitchener Waterloo Public Gallery
1988-Group Exhibition-Market Gallery,Toronto
1990-Two person show-Brampton public Gallery
1990-One Person Show-Quan Schieder Gallery
1991-CD-Rom interacive/Philips Corp.
1991-Group Exhibition-Robert Kidd Gallery-Detroit,Michigan
1993-Group Exhibition-Market Gallery
1993-Marilyn (perl/tk)
1994-One Person Show-Schieder and Associates
1995-Group Exhibition-Bau-Xi Gallery
1996-The doorway (http://www.edymond.com/artseen/door.htm)
1997-Newmail (http://www.edymond.com/artseen/newmail.htm) part of Iceflow, the Images festival of Independent Film Toronto
(http://replay.waybackmachine.org/19980209225557/http://interaccess.org/iceflow/newmail.htm)
1997.1998,1999,2001 - http://www.netarts.org , see archives.
see my Rhizome portfolio and Furthfield for current web works and writings.
Collections:
Numerous public and private collections in Canada and the United States.
including,
City of Toronto
McIntosh Gallery, University of Western Ontario, London Ontario
London Public Library, London Ontario
Kitchener Waterloo Public Gallery
Algoma Public Gallery
Kamloops Public Gallery
College of Physicians and Surgeons (Ontario)
Connor and Clark
Royal Lepage
He graduated from the Nova Scotia College of Art and Design with a BFA in studio.<br />
He exhibited paintings in Toronto, Detroit, New York, Montreal and London during the 1970's, 1980's and 1990's. The paintings were created with sandblasted sprays employing formal themes from the history of painting (still life's , individual portraits, traditional landscapes) . These series appear minimal with repeating content and are a form of Serialism.
In the early 1990's he began working with digital media, building perl programs with TCL/TK, web sites (see the doorway on Leonardo) and stand-alone applications.
He continues working in all media, rejecting specialization.
A brief timeline :
1976-On View -first exhibition held by Visual Arts Ontario
1977-One person show-Gallery 567
1978-One person show-Nancy Pooles Studio
1978-Group Exhibition-Habatat Galleries,Detroit,Michigan
1979-One Person Show-Habatat Galleries,Detroit,Michigan
1979-Young Realists, London Regional Gallery
1979-One Person Show-Nancy pooles Studio
1980-New Artists-London Regional Gallery
1980-O.A.C.-group juried show
1981-One Person show-Nancy Pooles studio
1982-Group exhibition-Honey Sharp Gallery-Tanglewood,Mass.
1983-One Person show-Nancy Pooles studio
1983-Group Exhibition-Adam Gimbel Gallery-New York,N.Y.
1984-One Person Show-Grimsby Public Gallery
1985-One Person Show-Nancy Pooles studio
1985-One Person Show-Gallery 1667-Halifax,N.S.
1987-One Person Show-Kitchener Waterloo Public Gallery
1988-Group Exhibition-Market Gallery,Toronto
1990-Two person show-Brampton public Gallery
1990-One Person Show-Quan Schieder Gallery
1991-CD-Rom interacive/Philips Corp.
1991-Group Exhibition-Robert Kidd Gallery-Detroit,Michigan
1993-Group Exhibition-Market Gallery
1993-Marilyn (perl/tk)
1994-One Person Show-Schieder and Associates
1995-Group Exhibition-Bau-Xi Gallery
1996-The doorway (http://www.edymond.com/artseen/door.htm)
1997-Newmail (http://www.edymond.com/artseen/newmail.htm) part of Iceflow, the Images festival of Independent Film Toronto
(http://replay.waybackmachine.org/19980209225557/http://interaccess.org/iceflow/newmail.htm)
1997.1998,1999,2001 - http://www.netarts.org , see archives.
see my Rhizome portfolio and Furthfield for current web works and writings.
Collections:
Numerous public and private collections in Canada and the United States.
including,
City of Toronto
McIntosh Gallery, University of Western Ontario, London Ontario
London Public Library, London Ontario
Kitchener Waterloo Public Gallery
Algoma Public Gallery
Kamloops Public Gallery
College of Physicians and Surgeons (Ontario)
Connor and Clark
Royal Lepage
Re: Re: Re: Re: Genius 2000: A New Network
marc garrett wrote:
> I thought that I was the foam in your beer...
>
> marc
foam can be so fickle.
> I thought that I was the foam in your beer...
>
> marc
foam can be so fickle.
Re: Re: Genius 2000: A New Network
By the way, I still have your video, and it still makes waves.
Eric
Eric
Re: Re: Genius 2000: A New Network
Once again, thank you Max,
you are in our dreams, and the foam of my beer!
Which, by the way, is the greater complement,
good luck my friend,
Eric
you are in our dreams, and the foam of my beer!
Which, by the way, is the greater complement,
good luck my friend,
Eric
Re: Submit to ISEA 2006 Symposium
so how come, no one at ISEA has the nerve to present The Doorway
(http://www.edymond.com/artseen/door.htm) as I had asked so many years ago.
today, everyone is as surreal/dada/nuts as as I am(and always have been!), and yet, a simple call for 20 monitors is TOO MUCH to ask!
I tell you, there is no respect in the new media community!
Honestly..., isn't it time?
Haven't I given too much?
Don't I bleed like you do?
Don't I cry like you do?
Don't I laugh like you do?
For once, I would like some closure!!!
I quote from the original document (March 1996)
"This project is public property.I would imagine it could be even more effective if it was viewed using twenty monitors(one monitor for each table).If you want to execute the work this way simply strip the html and make each table a URL.This would yield 400 URL's and although that sounds like a lot,I imagine the programming would still be quite easy."
How long do I have to wait????
http://www.edymond.com/artseen/door.htm
oh well...., maybe next year
ah, i suffer so long for so little.
Eric Dymond
(http://www.edymond.com/artseen/door.htm) as I had asked so many years ago.
today, everyone is as surreal/dada/nuts as as I am(and always have been!), and yet, a simple call for 20 monitors is TOO MUCH to ask!
I tell you, there is no respect in the new media community!
Honestly..., isn't it time?
Haven't I given too much?
Don't I bleed like you do?
Don't I cry like you do?
Don't I laugh like you do?
For once, I would like some closure!!!
I quote from the original document (March 1996)
"This project is public property.I would imagine it could be even more effective if it was viewed using twenty monitors(one monitor for each table).If you want to execute the work this way simply strip the html and make each table a URL.This would yield 400 URL's and although that sounds like a lot,I imagine the programming would still be quite easy."
How long do I have to wait????
http://www.edymond.com/artseen/door.htm
oh well...., maybe next year
ah, i suffer so long for so little.
Eric Dymond
Re: Re: Re: Fwd: RHIZOME_RAW: Re: Re: not so sad, Re: The sadness of the dream of Pixar.
and speaking about spending time online looking at networked pieces.
I was completely engaged with Marisa Olson's and abe linkoln's work at:
http://universalacid.net/
and life is good again
I feel expensive in the new year
I'm not so cheap after all.
seriousely, make and they will come.
thank you both,
Eric
I was completely engaged with Marisa Olson's and abe linkoln's work at:
http://universalacid.net/
and life is good again
I feel expensive in the new year
I'm not so cheap after all.
seriousely, make and they will come.
thank you both,
Eric
SAVED WORKS (2)
CURATED EXHIBITIONS (1)
