Edwin VanGorder
Since 2010
Works in Madison, Wisconsin United States of America

PORTFOLIO (12)
BIO
I am a cyber drawing artist interested in building my archives as my art form which integrates trace both in the sense of genuine movement and prosody as well as the sense of semiotic blending which creates unusual architectures out of drawing as a cross-disciplinaric rhetoric or morphogenic agency of becoming.
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DISCUSSION

https://ia601506.us.archive.org/33/items/JulyVol2MOrphicJournal1/JulyVol2MOrphicJournal%5B1%5D.pdf


https://ia601506.us.archive.org/33/items/JulyVol2MOrphicJournal1/JulyVol2MOrphicJournal%5B1%5D.pdf
Bow and the Lyre Bolero:
In this journal I am taking the natural and artificial orders of art and virtuality as psychological colloids mapped to visual and movement morphemes of my own particular ordering process. The “strange loops” of the early consideration of artificial intelligence per Goedel Escher Bach, and the implications of Finnegan’s Wake inform my sense of the correlative dimensions of the motion sensor drawing to analytical functions as open potentials of the poiesis behind poetics.
As a cultural project then the sensibility proposes dedifferentiation and deterritorialization modes that separate from the indices which technology elaborates in order to ask whether the Structuralist project may be reconvened upon separation from such overdeterminations as do naturally accrue. The idea then is that limming or drawing takes the intutition of consciousness that the antique gesture of “sublime” proposed and re-cognise that towards the limmable in the sense of neologistic topologies which arrive not at the subliminal or sublime but rather the morphogenic.

DISCUSSION

M->Orphic Journal July vol 2 : Bow and the Lyre Bolero




In this journal I am taking the natural and artificial orders of art and virtuality as psychological colloids mapped to visual and movement morphemes of my own particular ordering process. The “strange loops” of the early consideration of artificial intelligence per Goedel Escher Bach, and the implications of Finnegan’s Wake inform my sense of the correlative dimensions of the motion sensor drawing to analytical functions as open potentials of the poiesis behind poetics.
As a cultural project then the sensibility proposes dedifferentiation and deterritorialization modes that separate from the indices which technology elaborates in order to ask whether the Structuralist project may be reconvened upon separation from such overdeterminations as do naturally accrue. The idea then is that limming or drawing takes the intutition of consciousness that the antique gesture of “sublime” proposed and re-cognise that towards the limmable in the sense of neologistic topologies which arrive not at the subliminal or sublime but rather the morphogenic.

DISCUSSION

July M->Orphic Journal



July M->Orphic Journal… : is a kind of virtual flip in the motion sensor medium book of a video in which the theme of morphological arrows given a torus identify a kind of archiscape seen from above or aeirial view followed by a labyrinth structure, and rubbings of this which close in on the chromatic scale and source the famous dust raising, as well as a masking quality.
The overtones of surveillance, of archive that accompany the motion sensor medium search out a sense of the reflexive, of radicals or morphemes in the making. The reflexive as problematic, within the spirit of recourse by which discourse is discursive as it parses touches upon transgression and contingency, that within what one may make of influence, cultural stain. As the works in their canonical status envelope upon this osmotic reference I late in the book introduce their presentation as pattern block irruptions. In between a relation to trace and rhizome in which tracing paper draped on screen and photographed as software object which then for example may trace from behind the screen but in general traps light to explosive effect becomes another form radical within this series. Within my Rhizome portfolio you may find a video: Ghosts Aghast Deus ex Machina…
https://youtu.be/SL0Ab5B2xyg

https://archive.org/details/JulyMOrphicJournal

DISCUSSION

July M->Orphic Journal



July M->Orphic Journal… : is a kind of virtual flip in the motion sensor medium book of a video in which the theme of morphological arrows given a torus identify a kind of archiscape seen from above or aeirial view followed by a labyrinth structure, and rubbings of this which close in on the chromatic scale and source the famous dust raising, as well as a masking quality.
The overtones of surveillance, of archive that accompany the motion sensor medium search out a sense of the reflexive, of radicals or morphemes in the making. The reflexive as problematic, within the spirit of recourse by which discourse is discursive as it parses touches upon transgression and contingency, that within what one may make of influence, cultural stain. As the works in their canonical status envelope upon this osmotic reference I late in the book introduce their presentation as pattern block irruptions. In between a relation to trace and rhizome in which tracing paper draped on screen and photographed as software object which then for example may trace from behind the screen but in general traps light to explosive effect becomes another form radical within this series. Within my Rhizome portfolio you may find a video: Ghosts Aghast Deus ex Machina…
https://youtu.be/SL0Ab5B2xyg

https://archive.org/details/JulyMOrphicJournal

DISCUSSION

M->Orphic Journal June vol 3 addendum


https://archive.org/details/JuneMOrphicJournalvol31
syllepsis- touching upon fate behind the scenes- abbraciari: grasp, comprehend limit…
I suppose answering an answer as good or bad as answering a question with a question:
Between lim ( limit) limming->drawing->motions sensor drawing//: what would be an appropriate limerick?....art etymologies, Cubist masks of cyber space (Boolian sets) how can one find the ghost guilty or innocent within the Pas de deux mental machinae?
What are the architectures of architext linking local syllepsis to cyber abbracciarie between immersion interaction and generativity. Where is redoing genesis not already a work in progress… how can one use interpolation and interpellation to cure the addiction to “points”…? Is the collective subconscious deliberately buried to constitute a found object? How does one constitute a subject within the palimpsest of definitions towards natural?. How discursive is discourse? How allied are the alloysis of psychological colloids the matrix of topological rhetorics towards the transdisciplinary particularization of morphime to radical as artificial to usage and chords strings –threads of virtuality and constitution of subject towards a naturalness within cruel theatre and the palimpsest of kindliness of kinds? Is oscillation current ghost of contexts per subject object traces?


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