Edwin VanGorder
Since 2010
Works in Madison, Wisconsin United States of America

PORTFOLIO (9)
BIO
I am a cyber drawing artist interested in building my archives as my art form which integrates trace both in the sense of genuine movement and prosody as well as the sense of semiotic blending which creates unusual architectures out of drawing as a cross-disciplinaric rhetoric or morphogenic agency of becoming.
Discussions (18) Opportunities (0) Events (0) Jobs (0)
DISCUSSION

M->ORphic Journal chords-threads-strings


https://archive.org/details/MOrphicVideoDrawingJournalMayJune1
is the continuation of this months M->Orphic Journal towards architectural projects: I like to use the Archilovers zine environment as a site to build into
http://www.archilovers.com/stories/8062/labyrinth-rubbings.html
is link for article and video relationg a tube house sensiblity taken to information architecture in which "rubbings" are in a sense a virtuality I compose towards the "stain" of a virtual loop architectonic.
https://youtu.be/-hRAWZhzUdY
is utube address of a one minute video towards this idea
https://ia600308.us.archive.org/28/items/VideoArtforArchitecturalInteriors1/VideoArtforArchitecturalInteriors%5B1%5D.pdf
is a proposal for an architectural firm towards using video as interior space structuring.

DISCUSSION

Morphological Arrows


https://ia600308.us.archive.org/27/items/MOrphicArrowsCyberDrawingJournal1/MOrphicArrowsCyberDrawingJournal%5B1%5D.pdf

is my zine or journal archiving for May : M->Orphic Arrows, in which the general Boolian logic of intersection, opposition and union derived from cubism towards an information architecture is within the motion sensor medium.

An earlier book of notes I wrote was titled Between Simulacrae and Parallelism and this idea helps to map a transition in the series
which begins with a kind of simple expropriation of the idea of Boticelli's Inferno and Paradisio drawings. The Canonical content which my work brings adapts to the projects musical question towards an altered dimension and cultural landscape (Smithson please don't tum so loudly in your grave) . My topesthesia took in the content of two Chinese authors who are in a sense doppelgangers, both writers supporting themselves by painting, one critiqning the Late Norther Song and the other the Cultural Revolution. I treat these as a "convlolvulum" by which as doppelgangers to themselves they exist in relation to the dopelganger of verbal visual language.
The Canto as Pound adapted it in the phrase ''the wave runs both ways through the seagroove" gives the intuition of textmapping i.
e. Duchamp's Anemic Cinema ( Cinema misspells Anemic backwards), and so my work similarly takes up the idea of a kind of inverse Canto which like vision or a sculptural cast must tum inside out. The two Chinese authors give the opportonity to contrast the morphology of very refined culture and that which has absolutely rejected the intellectoal. The two authors were Cao Xueqnin and GaoXingjian one sees even their names are close ( and you have to realize the first author , writing for his friends had his books finished by them after his early death)... The second author we can connect to very easily via Andy Warhol in his Mao series and Warhol being, strangely, very influenced by Morandi i.e. the repetition, the cubist union, opposition and intersection, his collective culture bricabrac, and drawing style, in addition Warhol really liked drawing on ultra high quality print paper... the print process, in its intaglio mode a kind ofhealing of the incised line, thus Warhols screens were in themselves- masks rather than healing.(bandages?)

https://ia600308.us.archive.org/27/items/MOrphicArrowsCyberDrawingJournal1/MOrphicArrowsCyberDrawingJournal%5B1%5D.pdf


DISCUSSION

Motion Sensor Drawing: Orbidden City from Frotage Rd


https://www.youtube.com/watch?v=C1ecvowj8zE

I become interested in the "Orphic" dimension- the word informs both "morphic" and "form" and the relation of "Orphism" by which the Delauney interest in dyes ( osmotic consciousness) and the proto targets he and Dove seem to have engaged as image constructs that influence for example the Guggenheim as ramping up the sensibility of the bow and the lyre- of a circumference or comprehension that calls attention to the circle of consciousness...
The Greek eta and mu as mirror images for mysteriously to the borrowed letter h which is the "hard breathing form of eta and combined with x is "hu" meaning both report- roar of the crowd lightning bolt whip crack etc. and also dawn thus roar and aurora have this osmotic quality. The Orphic distinction of Apollonian and Dyonesian chords threads and strings of association receive my motion sensor drawing moods and modes. ( hu+ amain or direction gives a kind of arty etymology for "human"
Along these lines I also created an interactive for Archilovers - i use the site imagery of ongoing constructions to build my own environments see
http://www.archilovers.com/stories/8014/orphic-m-orphic-archipuncture.html

and
https://youtu.be/C1ecvowj8zE

DISCUSSION

Motion Sensor Drawing: Orbidden City from Frotage Rd


https://www.youtube.com/watch?v=C1ecvowj8zE

I become interested in the "Orphic" dimension- the word informs both "morphic" and "form" and the relation of "Orphism" by which the Delauney interest in dyes ( osmotic consciousness) and the proto targets he and Dove seem to have engaged as image constructs that influence for example the Guggenheim as ramping up the sensibility of the bow and the lyre- of a circumference or comprehension that calls attention to the circle of consciousness...
The Greek eta and mu as mirror images for mysteriously to the borrowed letter h which is the "hard breathing form of eta and combined with x is "hu" meaning both report- roar of the crowd lightning bolt whip crack etc. and also dawn thus roar and aurora have this osmotic quality. The Orphic distinction of Apollonian and Dyonesian chords threads and strings of association receive my motion sensor drawing moods and modes. ( hu+ amain or direction gives a kind of arty etymology for "human"
Along these lines I also created an interactive for Archilovers - i use the site imagery of ongoing constructions to build my own environments see
http://www.archilovers.com/stories/8014/orphic-m-orphic-archipuncture.html

and
https://youtu.be/C1ecvowj8zE

DISCUSSION

Motion Sensor Drawing: Orbidden City from Frotage Rd


https://www.youtube.com/watch?v=C1ecvowj8zE

I become interested in the "Orphic" dimension- the word informs both "morphic" and "form" and the relation of "Orphism" by which the Delauney interest in dyes ( osmotic consciousness) and the proto targets he and Dove seem to have engaged as image constructs that influence for example the Guggenheim as ramping up the sensibility of the bow and the lyre- of a circumference or comprehension that calls attention to the circle of consciousness...
The Greek eta and mu as mirror images for mysteriously to the borrowed letter h which is the "hard breathing form of eta and combined with x is "hu" meaning both report- roar of the crowd lightning bolt whip crack etc. and also dawn thus roar and aurora have this osmotic quality. The Orphic distinction of Apollonian and Dyonesian chords threads and strings of association receive my motion sensor drawing moods and modes. ( hu+ amain or direction gives a kind of arty etymology for "human"
Along these lines I also created an interactive for Archilovers - i use the site imagery of ongoing constructions to build my own environments see
http://www.archilovers.com/stories/8014/orphic-m-orphic-archipuncture.html

and
https://youtu.be/C1ecvowj8zE


SAVED WORKS (13)
CURATED EXHIBITIONS (1)