Claudio Parodi
Since 2002
Works in Chiavari Italy

Claudio Parodi has a classical training and played jazz. He joined the improvisers' scene after meeting Barre Phillips. Since some years he plays cheap electronics alongside his piano. He organized contemporary art exhibition Intersezioni. He played and recorded with Barre Phillips, Serge Pesce, Patrick Vaillant, Migueù Montanaro, Alain Joule, Edoardo Ricci, Eugenio Sanna, Guylaine Renaud, dancer Laura Banfi, Steve Piccolo, Nino Locatelli, Filippo Monico, Bilux, Roy Paci, DJ Jimmy, DJ Squamo, painter, bass and drums player and vocalist Patrizia Oliva, Giuseppe Ielasi, Cathy Heyden, Jake Kaluna, Roberto Laria, Echo Logico, Roberto Agosta, Mira Calix, poet Marino Ramingo Giusti, Bruno Dorella, Stefania Pedretti, Eleonora Papapietro, Saitoh Tetsu, Bruno Gussoni, Alberto Belli, poet Serge Pey, Riccardo Molpurgo, Paolo Porfiri, Martin O'Loughlin, Marco Cinque, poet Lance Henson, Knarf, Pop, Saalschutz, Suonatori di Sogni, Ron Anderson, Carla Bozulich, Leyna Papach, djwjm, Anna Troisi, Nels Cline, Lullo Mosso, poet Enzo Minarelli, Maramao, Lello Colombo, Claudia Cancellotti, Anna Zecca, Pierpaolo Cimino, Le Quan Ninh, Martine Altenburger, dancer Valerie Metivier, La Fanfare de la Touffe, Ababacar (Abdou) M'Becke, Federick Colombie, Dudu Kouate, DBPIT, Lendormin, Agente Orange, CRAMS Improvisation Collective, Adam Bohnam, Adrian Northover, The Feral Choir (conducted by Phil Minton), Anatrofobia, Sybille Kunz, dancer Cristina Negro, Massaccesi, poet John Clarke, Petri Huurinainen, Jan Mclachalan, Paul Hubweber, Xabier Iriondo, dancer Antonella Morassutti, Laura Catrani, Tomaso Olivari, Anne-Liis Poll, Anto Pett, performer Maria Montiani. He played under the direction of dancer Julyen Hamilton. He opened for Ufomammut Otolab He played in Prauxparodie, musical poetry duo with former Voci Atroci Luca Albrecht Praussello. Among his projects, Half Clouds, improvisation duo with wonderful virtuoso Michel Doneda on soprano sax; Duopoly, improvisation duo with Jon Dobie (founder and tour manager of B-Shops for the Poor and Sonicphonics; he runs the No Wave label) on guitar and sax. He intensely played with Alessandro Buzzi (drums, electronics) as a duo, in La Protezione – with Luigi Valenziano (dubmaster, CD player, tapes) – and in Burzi Snack Bar – with Riccardo Kalb (electric bass, electronics); the duo played in Arrivano le Streghe!, street theatre piece by Teatro del Piccione. He is the author of the music for the videos Malegantus (directed by Alberto Ghiara) and Frammenti Sonori (directed by Francesco Bianchi and Claudio Rossi), second prize in 1998 at VIII videodance international festival Il Coreografo Elettronico and mentioned at the second edition of Genova Film Festival. He played in Manoeuvre Directe with Michel Doneda, Ly Thanh Tien (dance, poetry, trumpet, diapoems) and Maki (guitar, tapes). He played in Sun Circle Moon, a project led by Jacopo Andreini (sax, drums, bass) and Harlan Lyman (drums). He played in a multi-media project with Mirella Carbone (diapositives). He organized Seminario sulla Libera Improvvisazione Saitoh Tetsu & Michel Doneda, with partial financial help from Centro della Creatività Comune di Genova. He plays in Taliban project by poet Alberto Masala, playing with Fabiola Ledda, Maurizio Carbone, Riccardo Pittau. He played in Macchina Disorganizzata n° 6 (a project by Cane Capovolto) playing with Massimo Bressan, Luca Pagani, Simone Perna. His new project is de Manincor/Rispoli/Parodi, improvisation trio with actresses Anna de Manincor and Anna Rispoli on voice. He resulted among the most accomplished musicians on piano (Improvisation Special Mention) and among the accomplished musicians on feedback (electronics) at 2002 Ibla Grand Prize. Under the name rabbia he runs an activity of recordings releasing and events organisation: with Alessandro Buzzi he runs the rabbia series, booking Anatrofobia, Giancarlo Locatelli. He played in Animates with Pascale Moret-Astier (improvised dance), Ly Thanh Tien and Roland Ossart (mélisson). He played in Isola (conversation), a project by Carlo Natoli (concept for video and audio, live electronics) for Fabrica Musica, with Gaetano Santoro (tenor and baritone sax). The performance Rifl-Esso (Francesco Calandrino, computer visuals; Luca Pagani, computer visuals; Claudio Parodi, cheap electronics) was selected for the Selected Artist exhibition at Chiangmai First New Media Art Festival (Thailand), performed online at CMU Faculty of Architecture and twice at CMU Art Museum and performed live at PEAM '03 Pescara Electronic Artists Meeting The Cdrom of the performance was presented at The Performance Open during Performance Art Festival + Archives (Cleveland, Ohio, USA) He plays piano and feedback in a trio with Mat Pogo (vocals, megaphone) and s.drò (electric guitar, objects). He played tarogato (Turkish clarinet) in the performance senza smàni (a pag. 777 di teleVideo) with Francesco Calandrino (performance coordinator, alto sax, acoustic guitar, electric bass) and Luca Pagani (acoustic guitar, electric bass). His records Loneliness and 11'39"+5'00"=20'00" were broadcast at le placard 6 last 72 hrs His own version CD of The Madness (for Clarinet, Bass Clarinet and four Pianos) was played during I suoni della narrazione/iXem incontra Roma festival His piece Ti bàttan… (per Elena) was played during Electrolune His piece Autres Miroirs edited version 1 for raita (Tunisian reed) and eight channels diffusion tape took part to Les Maitres Sonneurs during 34e Festival International des Musiques et Créations Electroniques Synthèse His performance feedback solo + video was presented at YouAreHere Festival 2004 in Nottingham His work La Morte – The Death was diffused during the MAF 05_FEB opening event He plays feedback in Fete Foreign a project by Barre Phillips featuring Barre Phillips on conduction and doublebass plus 24 musicians. Fete Foreign had its world premiere at Angelica Festival Internazionale di Musica quindicesima edizione 2005 and was presented at Festival des Musiques Insolentes 2006 He plays Turkish clarinet, raita (Tunisian reeds) and shon (Thailand mouthorgan) in trio with Manuela Barile (voice) and Alessandro Buzzi (snare drum). His work Mu edited version 2 has been diffused at Festival Synthese 2005 He played during the laboratorio/meeting of PX Piombino_eXperimenta, playing with Pietro Riparbelli, _dies, DBPIT, les champs magnétiques, Domenico Sciajno, kinetix. His piece Outside my Window takes part to the studios coordinates by Frederic Nogray at the Art School of Blois. His piece …sorry you can't get through… was diffused during Zeppelin 2005 His piece Mu took part to Rencontres Internationales Paris/Berlin to XI Festival Primavera en La Habana 2006 and to IMMarts TechArt06 Exhibition He plays Turkish clarinet and feedback in Dono Celeste, along with Alessandro Buzzi (drums), Enrico Ghezzi (keyboards), Anthony Millner (voice), Giampaolo Piras (electric bass), Carlo Segalerba (keyboards), Diego Zappia (electric guitar). His piece jm2lbmojh,+2wwffr;vj;gy;pi; (from a text by Ly Thanh Tien) for Piano was performed by Rodney Waschka II during Arts Now Series at North Carolina State University. He played Turkish clarinet in … Open…, led in 2004 by Jean-Marc Montera and in 2006 by Jean-Marc Montera and choreograph and dancer Michèle Riccozzi (featuring Lelio Giannetto on doublebass) He played feedback in I, Norton, Opera Conduction by Gino Robair (featuring Fabrizio Spera on drums). He was invited presenter at First International Society for Improvised Music Conference 2006 where he was guest at Thomas Buckner presentation (performing The Producer Speaks by Robert Ashley and an improvisation – article at ) and had Thomas Buckner as a guest at his own presentation. He played Turkish clarinet in Un Bel Gioco Dura l'Oco by Lorenzo Capello (featuring Claudio Lugo on curved soprano sax). He played feedback in a conduction prepared for two days by Tristan Honsinger, then for one day and conducted by Fabrizio Puglisi He was interviewed by Radio Calolzio His piece I Fiori di Piombino for solo feedback was exhibited at FILE 2007 He was invited presenter at ISIM Second Annual Conference where he presented his project solo Turkish clarinet and performed in Patterns of Living and Sounding by Marc Jensen (featuring Viv Corringham on voice). He played selected percussion in the performance Artista Discaricato (with Maria Rosa Montiani, performer) during Notte della Poesia in the frame of Parole Spalancate 2010! XVI Festival Internazionale di Poesia di Genova The performance was kindly hosted by Collettivo Discaricart His CD The Mother of All Feedback (Extreme XCD 067) has been exhibited at the one-month exhibition FILE 2010 FILE 10
Festival Internacional de Linguagem Eletronica His piece JCN 11k had its World Premiere at Sguardi Sonori 2010 2011 Infinite Spaces Alongside with dancer Antonella Morassutti he played piano at Coreografia d'Arte 2010 His piece The things that are missing has been presented in FILE Hypersonica Participants at FILE 2011 - Electronic Language International Festival exhibition Video cerva biche doe [music by Claudio Parodi (SACEM)] took part to Premio Cinematografico Palena 2012 His piece Vitesse and video cerva biche doe [music by Claudio Parodi (SACEM)] took part to Sguardi Sonori 2012 His piece 1 - A tree, at night 6'17" (SACEM) featuring Luigi Marangoni and Bobby Soul has been broadcasted on WGDR , on "The Connect" Radio Station , on DFM and on KUNM His piece 2 – il Sediosauro 5'59" (SACEM) featuring Luigi Marangoni and Bobby Soul has been broadcasted on WGDR and on KUMN His piece 3 – corridoio, la Donna Bicipite 5’32” (SACEM) featuring Luigi Marangoni and Bobby Soul has been broadcasted on WGDR and on KUNM His piece 4 – scale, Foglia rinsecchita 5’09” (SACEM) featuring Luigi Marangoni and Bobby Soul has been broadcasted on WGDR His piece 5 – Sutra di Guscio di Lumaca 6’56” (SACEM) featuring Luigi Marangoni and Bobby Soul has been broadcasted on WGDR His work A tree, at night 48’25” (SACEM) featuring Luigi Marangoni and Bobby Soul has been broadcasted on WGDR His CD Heavy Nichel (Creative Sources Cs251) has been broadcasted on WGDR and on CJSR His piece 4 – scale, Foglia rinsecchita 5’09” (SACEM) was presented by Brandon LaBelle at Errant Bodies in the frame of The Stranger that is next to me. His CD Heavy Nichel (Creative Sources Cs251) has been broadcasted on Radio Beograd 3 His piece Right Error part 5 3’41” (SACEM) took part to Sguardi Sonori 2014 His piece al penè 7’31” (SACEM) took part to ICMC | SMC 2014 video cervabiche doe [music by Claudio Parodi (SACEM) took part to The Drift Thomas Buckner & Claudio Parodi Taken From A True Story (Extreme XCD 071) has been broadcasted on Radio Beograd 3 His piece 4 – scale, Foglia rinsecchita 5’09” (SACEM) was presented by Toni Dimitrov at Автономен Културно Социјален Центар in the frame of World Radio Day His piece 4 – scale, Foglia rinsecchita 5’09” (SACEM) was broadcasted in the frame of Radiophrenia

OvO: Assassine (Bar la Muerte 2001)
Loneliness (collector's item CDr)
11'39"+5'00"=20'00" (CDr rabbia)
Loneliness on Frammenti, sonorità in-tagli… (CDr + artbook Musica Moderna Records)
Enzo Minarelli/Luca Pagani/Claudio Parodi: Musicamimica Musicamimica (ovvero far musica
con la mano nella lingua dell'antico Egitto) nuova versione (miniCDr rabbia)
D.B.P.I.T.: The Outstanding Story of Mr. Mallory (Sweet Farewell 2004)
free download at
La Morte – The Death mp3 at Tamara Lai: sacrifier le Sacrifice sacrificing selected for FILE 05/06, Web Biennal 05, ART TECH
MEDIA 06 and Eighth International Digital Art Exhibit
Notturno Inquieto mp3 at
Francesco Calandrino/Claudio Parodi: Sovietica pian piàno on Setola di Maiale Samples (Setola di Maiale SM800-810-820-830 2005)
Claudio Parodi/Francesco Calandrino: Parodia del dito (Setola di Maiale SM890 2006)
Life Goes On… on ISIM International Society for Improvised Music Compilation CD 1, Spring 2006
I Fiori di Piombino (Radical Matters - Editions/Label - Web editions series - RMWE021 - 2006)
I Fiori (Sound Sources) (Radical Matters - Editions/Label - Web editions series - RMWE015 - 2006)
Per vent'anni pellegrino
Spostandomi ad est, ad ovest.
Tornato a Seken
Non mi son mosso d'un pollice.
SEIKEN-CHIJU private edition available only at the concerts
Silent Movie on Bend it like Beckett Sound Works (Art Trail/Sound Works 2006)
Horizontal Mover (homage to Alvin Lucier) (Extreme XCD 056 2006)
Vanja on Vanessa Van Basten: La Stanza di Swedenborg (Cold Current – Radiotarab – Noise Cult – Eibon
Records/CC-C0005 – RT004 – VAN068 – 2006)
Mu edited version 2 on ISIM compilation CD volume 2
Of Flesh We Are Made private edition available only at the concerts
A Ritual which is incomprehensible on Various Artists Extreme Sampler XLTD 010
A Ritual Which is Incomprehensible (to the smile of Pauline Oliveros) (Extreme XCD 062 2008)
1999 Enzo Minarelli Millennium Poem DVD (3ViTre Pol510001003 2009)
The Mother of All Feedback (Extreme XCD 067 2009)
Heavy Nichel (Creative Sources Cs251 2014)
Thomas Buckner & Claudio Parodi: Taken From A True Story (Extreme XCD 071 2014)
al penè on metaphysical drome (Ifar Label 2015)
Prima del terzo (Unfathomless U26 2015)

parola per parola.jpg on Sguardi Sonori 2008 festival of media and time based art
parola per parola.jpg donation to Contemporary Art Museum Casoria (NA)

Feedback at

Prof. Maria Rosa Montiani, Claudio Parodi: Masterclass: Music and Figurative Arts: relationships and cross pollinations. A historical overview. A Margaret Dumont project.
Prof. Maria Rosa Montiani, Claudio Parodi: Masterclass: Music and Figurative Arts: relationships and cross pollinations. 18th and 19th centuries.

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la corte

Il grande "polipoeta"
Enzo Minarelli al Foyer della Corte

Venerdi 28 marzo alle ore 17.30
presso il Foyer del Teatro della Corte avra luogo
quarto appuntamento della rassegna "Masterizzare il tempo" ideata e organiz=
zata dal Circolo dei Viaggiatori nel Tempo nell'ambito dell'iniziativa "Hel=
zapoppin" del Teatro di Genova.
Questa volta e di scena ENZO MINARELLI, uno dei piu grandi esponenti d=
ella videopoesia e poesia sonora mondiale.
Minarelli presentera in esclusiva la sua opera "Poema a colori" su musich=
e originali del grande bassista Ares Tavolazzi, oltre ai brani che lo hanno=
reso celebre in Europa e Sudamerica come Nordsud & Sudnord, Regina, Monost=
ico, Poema, Con Sonanti.
La performance sara un interessante e coinvolgente "concerto" di musiche,=
voci, testi poetici, suoni concreti, immagini video, uno spettacolo nel qu=
ale la poesia prende molteplici forme.
Non a caso Minarelli ha definito il suo stile poetico "Polipoesia" e ha dat=
o vita agli Archivi di Polipoesia nel sito



Rifl-Esso at Chiangmai First New Media Art Festival (Thailand)

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Francesco Calandrino computer visuals
Luca Pagani computer visuals
Claudio Parodi cheap electronics

Chiangmai First New Media Art Festival (Thailand)

Friday March the 28th h. 18.00 (Thai time) h. 11.00 (GMT) h. 12.00 (I=
talian time)
CMU Faculty of Architecture
online performance audio streaming

Friday April the 4th h. 18.00 (Thai time) h. 11.00 (GMT) h. 12.00 (It=
alian time)
CMU Art Museum
online performance audio streaming

Claudio Parodi
Via Trieste 46/23
16043 Chiavari (GE)
tel. +39 0185307740
mobile +39 3290276077

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<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=5>Rifl-Esso</FONT></DIV>
<DIV><FONT face=Arial size=5></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=5>Francesco Calandrino&nbsp;&nbsp; computer=

<DIV><FONT face=Arial size=5>Luca Pagani&nbsp;&nbsp; computer
<DIV><FONT face=Arial size=5>Claudio Parodi&nbsp;&nbsp; cheap
<DIV><FONT face=Arial size=5></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=5>Chiangmai First New Media Art Festival
<DIV><FONT face=Arial size=5></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Friday March the 28th&nbsp;&nbsp; h. 18.00=
time)&nbsp;&nbsp; h. 11.00 (GMT)&nbsp;&nbsp; h. 12.00 (Italian
<DIV><FONT face=Arial size=2>CMU Faculty of Architecture</FONT></DIV>
<DIV><FONT face=Arial size=2>online performance&nbsp;&nbsp; audio
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Friday April the 4th&nbsp;&nbsp; h. 18.00 =
time)&nbsp;&nbsp; h. 11.00 (GMT)&nbsp;&nbsp; h. 12.00 (Italian
<DIV><FONT face=Arial size=2>CMU Art Museum</FONT></DIV>
<DIV><FONT face=Arial size=2>online performance&nbsp;&nbsp; audio
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2><A
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>contacts:</FONT></DIV>
<DIV><FONT face=Arial size=2>Claudio Parodi</FONT></DIV>
<DIV><FONT face=Arial size=2>Via Trieste 46/23</FONT></DIV>
<DIV><FONT face=Arial size=2>16043 Chiavari (GE)</FONT></DIV>
<DIV><FONT face=Arial size=2>Italia</FONT></DIV>
<DIV><FONT face=Arial size=2>tel. +39 0185307740</FONT></DIV>
<DIV><FONT face=Arial size=2>mobile +39 3290276077</FONT></DIV>
<DIV><FONT face=Arial size=2>e-mail: <A



rabbia recordings releases

Enzo Minarelli/Luca Pagani/Claudio Parodi Musicamimica Musicamimica (ovve=
ro far musica con la mano nella lingua dell'antico Egitto) nuova versione

Enzo Minarelli voice on CD Coralmente me stesso (3ViTre)
Luca Pagani CD manipulations, electric basses
Claudio Parodi composition, CD manipulations, digital pianos

miniCDr rabbia02 4'54" numbered edition price 5 euros + shipment COD =

Claudio Parodi 11'39"+5'00" '00"

Claudio Parodi feedback

CDr rabbia01 10'23" numbered edition price 7,50 euros + shipment COD =

"Your second release 10'23" (11'39"+5'00" '00") is really interesting t=
oo (especially the second half!!!), but is more listened as a solo work. Bu=
t it's not a problem. It's just different." Olivier Brisson

"I admire very much the emotional tension that can stand very well througho=
ut all the piece. Particularly, the structure is very convincing, it can st=
and very well in its electrifying continuum... (it is never boring, nor rep=
eating itself, and this is a great goal in this so delicate genre). I find =
very convincing this piece too, mostly toward the end, though the coldness =
of the synthetic sounds of the sinus tones which I never liked and I find v=
ery not musical, synthetic indeed. Here too, my congratulations!" John Palm=

Claudio Parodi Loneliness

Claudio Parodi cheap electronics

collector's item CDr with handmade graffito 10'19" numbered edition p=
rice 5 euros + shipment COD only

"I'm a great fan of your 10'19" release (Loneliness): real tension and lots=
of thin movements. It's a very good recording, it doesn't take the impress=
ion of a solo work, and the source isn't really identifiable. Very interest=
ing." Olivier Brisson

"I must take off my hat in sign of respect toward this piece. I think you g=
ot very well to create a sonic landscape that stays always fresh and intere=
sting. This is exactly the most difficult thing to get in free-improvisatio=
n. The gestures and their articulations stay fresh and imaginative througho=
ut all the piece. Compliments!" John Palmer

also available

Frammenti, sonorita in-tagli...

CDr 40'30" + artbook 44 pages Musica Moderna Records price 13 euros + shi=
pment COD only

review at

review at

"I nove collages sonori raccolti nel CD vanno presi come porzione di un pro=
getto piu ampio presentato in "showcase" il 6 di dicembre scorso alla Lib=
reria Annexia di Genova con azioni sonore di Francesco Calandrino, pitture =
di Luca Pagani e condimenti di cheap electronics di Claudio Parodi. Al di l=
a dei risultati (piu che sufficienti tutti, al limite vale la pena segn=
alare il notevole Loneliness di Parodi, l'ottimamente strutturato plagiaris=
mo trip-dark di Massimo Bressan e l'alieno e ironico ambient fluxus di Cala=
ndrino) e delle questioni di primogenitura (... ma sara davvero la prima =
compilation italiana di "riciclaggio sonoro/plagiarismo"?...), l'intricata =
serie di rapporti e connessioni (tra forme artistiche, tra artisti lungo tu=
tta la penisola - dalla Sicilia alla Liguria) che trovano snodo oltre che f=
orma di fruizione nel disco (e nel booklet di collages allegato), esprime v=
eramente "un'organicita propria... sebbene non ci fossero accordi prevent=
ivi di nessun tipo tra i musicisti". Cut-up di memoria collettiva in un flu=
sso di immagini e di idee come spore seminali. (7)" Dionisio Capuano Blow U=
p gennaio 2003

"(...) la difficolta del trasportare in una dimensione improvvisativa le =
operazioni "plunderphoniche", funzionanti al meglio se sorrette da un rigor=
oso progetto concettuale. E' quanto avviene nella miniatura di sprut che ap=
re l'antologia Frammenti, sonorita in-tagli (Musica Moderna, cla.parodi@l=, spartano CD-R piu libretto i cui intenti (ed esiti) appaiono p=
ero per il resto nebulosi, con un cast di esordienti intento a confeziona=
re plagiarismi amatoriali e derivative microonde." Vittore Baroni Rumore di=
cembre 2002

review at 021119111923

for shipments details and orders:
Claudio Parodi
Via Trieste 46/23
16043 Chiavari (GE)
tel. +39 0185307740
mobile +39 3290276077


Isola (conversation)

Isola (conversation)
a project by Carlo Natoli for Fabrica Musica

concept for video and audio by Carlo Natoli

Carlo Natoli live electronics
Claudio Parodi feedback
Gaetano Santoro baritone sax

screening at Fabrica (cinema) - Treviso
Friday March the 14th h. 18.00

Claudio Parodi
Via Trieste 46/23
16043 Chiavari (GE)
tel. +39 0185307740
mobile +39 3290276077


Lance Henson/Claudio Parodi

Lance Henson/Claudio Parodi

Lance Henson poetry
Claudio Parodi feedback

One of the strongest voice in Native American poetry immerged in a flux of =
electroacoustical music

Saturday February the 15th h. 22.00
Via Curiel 39
20050 Mezzago (MI)
+39 039623853

Tuesday the 18th h. 22.00
+ Lello Colombo tenor and soprano sax, old turntables
La Casa sul Pozzo
Quartiere Chiuso

Wednesday the 19th h. 22.00
SSLA Libera
Via Pomposiana 271
41010 Marzaglia (MO)
+39 059389676

Friday the 21st h. 22.00
CC Peace Maker
Via Riccione, 4
40026 Imola (BO)
+39 0542-642172

Claudio Parodi
Via Trieste 46/23
16043 Chiavari (GE)
tel. +39 0185307740
mobile +39 3290276077