Gregory Chatonsky
Since the beginning
Works in Montreal Canada

ARTBASE (34)
PORTFOLIO (40)
BIO
Grégory Chatonsky is a French artist based in Montreal and Paris.

He has received awards and grants including Dicream (2014), CAC (2013), CALQ (2012), CRSH (2011), Cap Digital (2010), Arcadi (2010), CNAP (2008). In 2013, he launched TELOFOSSILS, a project at Museum of contemporary art (Taipei). A second version was showed in Beijing (2015). In 2014, his solo exhibition CAPTURE at CDA (Enghein-les-bains), is about a surproductive netrock band. In 2015, EXTINCT MEMORIES was showed at IMAL (Brussels). He has participated in group exhibitions such as Erreur d'impression, Jeu de Paume (Paris), The Beginning of The End (Timisoara), Mois de la Photo (Montréal), Extimitat (Palma), Der Untergang – Doomsday (Berlin), Connect the doct and see the unseen (Roma), Interlife Crisis (Seatte), The Radius (Chicago), Il Pardosso Della Rupetizone (Roma), Augmented Senses (Shanghai), Biennale d'art contemporain (Montréal), etc. A number of residencies such as Unicorn (2015), Villa Kujoyama (2014), UQAM (2007), Abbaye de Fontevraud (2006), Le Fresnoy (2004).

He works on the relationship between existence and technology, digital ideology and digital materialism, and the dislocation that haunts the production apparatus.
Discussions (1) Opportunities (2) Events (49) Jobs (0)
EVENT

STANDARD, device for public phones


Dates:
Sat Oct 01, 2005 00:00 - Wed Aug 17, 2005

STANDARD,
dispositif pour cabines publiques / device for public phones

Qui etes-vous? Who are you?

Telephonez au 0 810 01 10 05 et participez a la Nuit Blanche 2005 a Paris.
Phone to (33 1) 810 01 10 05 and participate to Nuit Blanche 2005 in Paris.

+ infos: www.incident.net/works/standard

Gregory Chatonsky


EVENT

MEDIATECA / CAIXAFORUM . 5th Symposium on Art and Multimedia


Dates:
Fri Jan 28, 2005 00:00 - Wed Nov 24, 2004

MEDIATECA / CAIXAFORUM
Fundacio “la Caixa”
Barcelona
Spain

5th Symposium on Art and Multimedia
Metanarrativ(e)s
January 28 - 29, 2005

FRIDAY , 28
10’30h Opening

11’00
Within the narrative continuum
Eugeni Bonet, Barcelona, Spain
George Legrady, Santa Barbara,California, USA
(Contributions + Discussion)

16’00
The rules of the game
Espen Aarseth. Center for Computer Games Research, IT University of Copenhagen, Denmark
Natalie Bokchin. Calarts, Valencia, California,USA
Papers and works or experiments on digital metanarration presentation

SATURDAY, 29
11’00
Desire versus destiny
Glorianna Davenport MIT MediaLab Cambridge, Massachusetts,USA
Gregory Chatonsky Incident, Paris, France
(Contributions + Discussion)

16’00
Papers and works or experiments on digital metanarration presentation
Closure
Jose Luis Orihuela University of Navarra.Pamplona, Spain
Josep Saldana Website Projecte straddle3.net, Barcelona,Spain
Merce Molist Journalist specialist on webloging and copyleft, Barcelona, Spain

Curator : Antoni Mercader

More information : www.mediatecaonline.net


OPPORTUNITY

SERIES:THE NUDE Call for participation


Deadline:
Mon Feb 28, 2005 00:00

iNCIDENT.NET
SERIES:THE NUDE
Call for participation

///

Until February, the 28th of 2005

Thank you to send us your netart/videoart projects by email
(incident@incident.net).
Only the works using technologies (interactivity, generativity, network,
etc.) will be selected.

http://incident.net
incident@incident.net

///

THE NUDE

The Nude is a well-known exercise of the artistic process. It helps the
studend built a relationship between various styles of strokes and the
human anatomy, the scientific norm.

Although nudity has evolved over the ages, it will always be a symptom
of our ambivalent relation to images, halfway between the purity of the
body and the downfall of it, whether this downfall be tattered canvas or
in the ground.

But what is the nude hiding? What lies between what can and can't be
seen? For example in works such as: "The Origin of the World" (Courbet,
1866) and "Etant donnes: 1. La chute d'eau, 2. Le gaz d'eclairage"
(Duchamp, 1946-1966), we find an interstice, a fissure where the world
finds its origin, its sexuality.

The sensuality of the nude is an esthetical concern, which can only be
grasped from a distance. An eye touched by a body becomes blind.

At first sight, it seems that in this age we have standardised nudity,
however, obscenity is still present in female bodies. Clothed and hidden
they forbid men's blind gazes.

If art is to lay bare one's body and soul, if its role is both to veil
and unveil in a single gesture, where is our nudity today? What is a
nude when a body can be cloned and nano-technologies penetrate our
flesh? And what relates a generalised nudity and the other form of
bareness, which is dictated by the aesthetic?

///

Merci pour votre participation!

http://incident.net
incident@incident.net

///


EVENT

LECTURE "VARIABILITIES"


Dates:
Mon Nov 15, 2004 00:00 - Tue Nov 16, 2004

INTERACTIVITE ET CREATION DANS L'ART NUMERIQUE CONTEMPORAIN / 19H30-21H30
SORBONNE AMPHITHEATRE TURGOT (PARIS, FRANCE)


EVENT

5TH SYMPOSIUM ON ART AND MULTIMEDIA - METANARRATIV(E)S


Dates:
Mon Jan 24, 2005 00:00 - Tue Nov 16, 2004

CONFERENCE DESIRE VERSUS DESTINY
FUNDACIO “LA CAIXA” (BARCELONA, SPAIN)