Ceci Moss
Since 2005
Works in Oakland, California United States of America

BIO
Ceci Moss is the Assistant Curator of Visual Arts at Yerba Buena Center for the Arts in San Francisco. Her curatorial practice is informed by her interest in technology's cultural impact, and the neoliberal and postmodern drivers behind it. Currently a PhD candidate in Comparative Literature at New York University, her academic research addresses contemporary internet-based art practice and network culture, digital technology and perception, and the materiality of media. Her writing has appeared in Rhizome, ArtAsiaPacific, Artforum, The Wire, Performa Magazine, and various art catalogs. Prior to her position at YBCA, she was the Senior Editor of the art and technology non-profit arts organization Rhizome, and an Adjunct Instructor at New York University in the Department of Comparative Literature. She also programs a radio show dedicated to experimental music on the free form community radio station Radio Valencia called Radio Heart, as well as playing music and DJing.



Select Sunsets (2010) - Laurel Schwulst




Currently on view as part of Laurel Schwulst's Proposals for Future Parks at bubblebyte.org.

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Images from Jonathan Zawada's exhibit "Over Time" at PRISM



Why the Earth is Green, 2010

The exhibition focuses on large-scale landscape paintings whose topographies are derived from graph data. Zawada collected and compared a variety of data series that extrapolate information over time, such as “Marijuana usage among year 12 students vs. CD and Vinyl record sales between 1975 and 2000” or “Value of land per square meter in Second Life vs. Value of land per square foot in Dubai between 2007 and 2009.” The data is then manipulated through a 3D fractal program and the resulting environment becomes a virtual abstraction that mimics a mountainous landscape.

Painted on linen, the landscapes are a response to the “virtual” reality of digital experiences that are highlighted by the intrinsic flatness and surreal color palate. Invoking the robotics hypothesis of the “Uncanny Valley,” the works take on an android quality, a sense of reality but not quite, registering with the viewer as both familiar and dissimilar. This theme carries through to his drawings, juxtaposing the hyper-real with the conceptually abstract and underlining the temporality of human experience.

-- DESCRIPTION FROM STATEMENT FOR "OVER TIME" AT PRISM (DEC 16, 2010 — FEB 12, 2011)

Flight 77, 2010

Earth Movers, 2010

Very Hot Nights, 2010

Land Sale, 2010

Originally via TRIANGULATION BLOG

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