PORTFOLIO (2)
BIO
A. Andreas, given name Andreas Maria Jacobs (NL 1956) is an artist, writer and editor, studied physics and mathematics at the University of Amsterdam NL, electronic and computer music at the State University Utrecht NL and holds a BSc. in software engineering, University of Applied Sciences - The Hague NL.

Among his works are
- La Resocialiste - Edicion Internacional 2010,
- Ors Vibranter Wurld 2008,
- Creative Resistance - New Media as Soft Arms 2007,
- Semantic Disturbances 2005,
- Fiat Lux 2005 and
- Gerausche aus der Helle 1989.

His pieces have appeared in
- Electronic Literature Collection Volume 2, 2010
- /seconds issue #11, 2009
- Hyperhiz #5, Winter 2008
- Web del Sol, eScene #34 2008
- New River Journal (Fall, 2007)
- Nictoglobe (Volume 14 Issue 3, 2005)

[(}|{)]

As online agent for the Brahamian Intelligence Service internationally being performed at various festivals and clubs.

(Self)published essays in:
- project.Arnolfini (UK 2008),
- seecult.org (Serbia 2007),
- MetaMute (UK 2007) among others.

He is publisher/editor of Nictoglobe magazine, ISSN 1874-9534, online since 1986!.

An irregular contributor to Poetry Kessel-Lo Belgium, Theory and Wryting, Netbehaviour and more mailinglists.

A. Andreas is currently working as a free-lanced software engineer. He lives in Amsterdam, the Netherlands and Walkenried, Germany with Judith V. and their 3 children. More of their work can be found at Nictoglobe.
Discussions (62) Opportunities (13) Events (36) Jobs (0)
DISCUSSION

[Nictoglobe] Volume 14, Issue 1, Spring 2007 [A. Andreas]


Van: Brahamian Intelligence Service [mailto:brahma@nictoglobe.com]
Onderwerp: [Nictoglobe] Volume 14, Issue 1, Spring 2007 [A. Andreas]

to all,

Nictoglobe Volume 14, Issue 1, Spring 2007

Semantic Disturbances:

intuitive Google definitions

A serie of browser based automata, updated with the following item:

Tracks, a DHTML movie. To be continued.

(Best viewed with FireFox full screen mode 1280 x 800)

cf:: http://www.nictoglobe.com/new/notities/text.list.html

Gallery d+n+r:

Digital Paintings by A. Andreas

cf.: http://www.nictoglobe.com/new/room/New%20Room/index.html

best

A. Andreas - editor v/h Nictoglobe

www.nictoglobe.com

DISCUSSION

[Nictoglobe] Semantic Disturbances - Restoration of Community after a Industrial Catastrophe [A. Andreas]


Van: Brahamian Intelligence Service [mailto:brahma@nictoglobe.com]
Onderwerp: [Nictoglobe] Update of Semantic Disturbances - a browsing
Automaton [A. Andreas]

to all,

[v/h Nictoglobe]

Semantic Disturbances

intuitive Google definitions

A serie of browser based automata

Updated with the following items:

Restoration,

Community

This concludes the serie: Restoration of Community after a Industrial
Catastrophe

(Best viewed with FireFox full screen mode 1280 x 800)

cf: http://www.nictoglobe.com/new/notities/text.list.html

and/or

http://rhizome.org/object.rhiz?36255,

http://www.webbiennial.org

best

A. Andreas - editor v/h Nictoglobe

www.nictoglobe.com

DISCUSSION

[Nictoglobe] Update of Semantic Disturbances - a browsing Automaton [A. Andreas]


Van: Brahamian Intelligence Service [mailto:brahma@nictoglobe.com]
Onderwerp: [Nictoglobe] Update of Semantic Disturbances - a browsing
Automaton [A. Andreas]

to all,

[v/h Nictoglobe]

Semantic Disturbances

intuitive Google definitions

A serie of browser based automata

Updated with the following items:

Industrial,

Catastrophe.

(Best viewed with FireFox full screen mode 1280 x 800)

cf: http://www.nictoglobe.com/new/notities/text.list.html

and/or

http://rhizome.org/object.rhiz?36255,

http://www.webbiennial.org

best

A. Andreas - editor v/h Nictoglobe

DISCUSSION

FW: [syndicate] ass wars at rhizome! c'mon and join now for shakin' thee grrttt


Critics comes after the action ,so why you worry?
Afraid of not getting the credentials?

That is an issue anyway, so I am proposing a personal/collective monument
for the undercredited anonymous artist i.e.
http://www.undercreditedandanonymousartistmonument.org to which everyone can
contribute by adding the name of one of the victims, with a short
explanation why.

Definitively I will propose: Andrej Tisma and horrorkatze, both victims of
capitalistic culturalization, in that particular sense that the so called
Sorros organization indeed short circuited NATO politics with cultural
ursurpation of Balkan artists.

Not to speak of the 5th colonnist of the Richard Florida maffia in so called
creative industries.

Geert Lovink plays a role in this game, whether he likes or not.

A. Andreas - Art Ist

-----Oorspronkelijk bericht-----
Van: beate zurwehme [mailto:beate@zurwehme.org]
Verzonden: 28 March 2007 17:51
Aan: syndicate@anart.no
Onderwerp: [syndicate] ass wars at rhizome! c'mon and join now for shakin'
thee grrttt

Betreff: Re: RHIZOME_RAW: THURSDAYS@ARGOS //Geert Lovink New: Media
Arts at the Crossroads// 05.04

proper is your father's game [name]. you are right!
courtesy speak&spell

thank you.

Am 28.03.2007 um 16:41 schrieb Barry Smylie:

What is a proper discussion? Is this? Proper?

How about, "do it", "go for it", "make/do".

(end of discussion)

-----Original Message-----
From: owner-list@rhizome.org [mailto:owner-list@rhizome.org] On Behalf
Of
horrorkatze
Sent: March 28, 2007 7:28 AM
To: Martin John Callanan
Cc: list@rhizome.org
Subject: Re: RHIZOME_RAW: THURSDAYS@ARGOS //Geert Lovink New: Media
Arts at
the Crossroads// 05.04

sorry, but that question should initialize a yet necessary discussion
about those new media arts vampirettes. we are the workers.

Am 28.03.2007 um 13:23 schrieb Martin John Callanan:

Come on, There is enough junk without your inane comments. If you are
that
concerned, at least have a proper discussion.

Martin

On 28/3/07 13:47, "horrorkatze" <bonzo@signifikat.de> wrote:

>
> uhm, geert isn't dead? shit.
>
>
>
> Am 28.03.2007 um 11:42 schrieb <stoffel@argosarts.org>:
>
> THURSDAYS@ARGOS
> LECTURE
> 05.04.07 // 20:30
>
> Geert Lovink
> New Media Arts at the Crossroads
>
> The emerging new media arts genre is in a crisis. Not that 'new media'
> are on their way out. What we're talking about here is a 'luxury'
> problem: in what direction to grow futher. After an initial period in
> which time and again the question "what is new media" was raised, we
> have now moved to a second phase, in which large parts of the
> population have become familiar with multimedia, cell phones and the
> Internet. However, new media arts still operates in a self-referential
> ghetto, dominated by techno-fetishism. In the meanwhile, the world at
> large has moved from utopian promises about virtual reality and
> cyberspace to a culture of massive use. Taking this 'democratization'
> of new technologies in mind, what are the implications of this shift
> for the 'electronic arts' branch? Should new media artists and their
> (few) institutions seek collaboration and integration with the museum
> and gallery art? Should new media remain a seperate category, with its
> own festivals and ex!
> hibitions, or be integrated into the broader 'contemporary arts'? Or
> should we rather further institutionalize the new media discipline?
>
> Geert Lovink (NL/AUS) is a media theorist and activist, Internet critic
> and author of Dark Fiber, Uncanny Networks and My First Recession. He
> worked on various media projects in Eastern Europe and India. He is a
> member of the Adilkno collective and co-founder of Internet projects
> such as The Digital City, Nettime, Fibreculture and Incommunicado. He
> is founder and director of the Institute of Network Cultures, professor
> at Interactive Media (Hogeschool van Amsterdam) and associate professor
> at the Media & Culture department, University of Amsterdam. In
> 2005-2006 he was a fellow at the Berlin Institute for Advanced Study.
>
> followed by debate
>
>
>
>
>
> THURSDAYS@ARGOS
> 05.04 LECTURE - GEERT LOVINK NEW MEDIA ARTS AT THE CROSSROADS
> 19.04 CONCERT - TOSHIMARU NAKAMURA & NICHOLAS BUSSMANN / MARCUS
> SCHMICKLER & HAYDEN CHISHOLM
> 26.04 LECTURE - DANIEL ROSENBERG LINE AND TIME
> 03.05 LECTURE + SCREENING - HERMAN ASSELBERGHS & ROSI BRAIDOTTI IN
> THE FUTURE PERFECT
> 17.05 LECTURE - JON IPPOLITO & JOLINE BLAIS ART AFTER INSTITUTIONS
> 24.05 CONCERT - DISCODESAFINADO / MACHINEFABRIEK
>
> ARGOS, Centre for Art & Media
> Werfstraat 13, 1000 Brussel
> www.argosarts.org
> +
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>
>
> +
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>

Martin John Callanan
http://greyisgood.eu

+
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Subscribers to Rhizome are subject to the terms set out in the
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+
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-> questions: info@rhizome.org
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DISCUSSION

[Nictoglobe] Update of Semantic Disturbances - a browsing Automaton [A. Andreas]


Van: Brahamian Intelligence Service [mailto:brahma@nictoglobe.com]
Onderwerp: [Nictoglobe] Update of Semantic Disturbances - a browsing
Automaton [A. Andreas]

to all,

[v/h Nictoglobe]

Semantic Disturbances

A serie of browser based automata

Updated with the following items:

Bridge (connect or reduce the distance between),

Fluid (fluidal songs sung at the river)

(Best viewed with FireFox full screen mode 1280 x 800)

cf: http://www.nictoglobe.com/new/notities/text.list.html

and/or

http://rhizome.org/object.rhiz?36255,

http://www.webbiennial.org

best

A. Andreas - editor v/h Nictoglobe