Natalie Saltiel
Since 2006

BIO
Rhizome Curatorial Fellow

Scott Draves Generative Art at Devotion Gallery


Scott Draves and Electric Sheep, excerpt from the High Fidelity Demo (at reduced resolution and quality for web upload)

The Electric Sheep is a cyborg mind. It harnesses the collective intelligence of 450,000 computers and people creates abstract art with mathematics and Darwinian evolution. The result is seamless, organic, and infinite.

Scott Draves: Pioneer of Generative Art is on view at Devotion Gallery in Brooklyn until June 5th, 2011. An interview with Draves, conducted by Phoenix Perry, is available at Triangulation Blog.

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Barmecidal Projects: FREE 4 ALL


The question of exhibiting art online has lingered since the early years of internet art. Last month Mike Golby and Jillian Kay Ross entered the conversation with their inaugural exhibition FREE 4 ALL at Barmecidal Projects. Barmecidal Projects is an entirely digital 3D gallery that is a virtual replica of Mathew Marks gallery in New York. FREE 4 ALL, which ran from April 16th- May 16th with an accompanying opening at Butcher Gallery in Toronto, features work by Alex Mcleod, Amalia Ulman, Arielle Gavin, Brad Tinmouth, Brian Khek, Danielle Bessada, David Hanes, Emily Jones, Georgia Dickie, Iain Ball, Jennifer Chan, Jillian Kay Ross, Jon Rafman, Justin Bochek, Jónó Mí Ló, Jarrod Wilson, Kaitlin Till- Landry, Lauren Brick, Lauren Elder, Lee Ormerod, Liam Wylie, Lili Huston- Herterich, Mike Goldby, Orlando Orellano, Rachael Milton, Shelbi Chew, and Tara Downs.

Jon Rafman - BNPJ Urinals (BANNED), 2011.

The gallery’s name Barmecidal, "providing only the illusion of abundance; illusory or imaginary and therefore disappointing," is manifest in the articulation of the virtual exhibition space. By mapping the traditional white cube onto a virtual model, Barmecidal Projects explores the modes of exhibition in both real and artificial space. Golby and Ross aspire to:
…bring together artists working in digital and immaterial forms. Digitally created works existing in the space are rendered in high-gloss, hyperrealistic fashion. Having these objects exist in the gallery space further blurs the boundaries between the Real and representation; the works will be so shiny and irresistible by virtue of their digital nature that they will supersede reality.

Jillian Kay Ross - Hearth, 2011. Arielle Gavin - Untitled, 2010. (Left to right)

Due the technical limitations of the simulated model, visitors are unable to browse through the gallery freely and are lead through a video tour that moves quickly through the space. The experience ...

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Third Annual Migrating Forms Festival


Migrating Forms returns this week with its third annual festival, running Friday, May 20th through Sunday, May 29th at Anthology Film Archives in New York. Nellie Killian and Kevin McGarry have selected new work by more than 48 artists representing a broad spectrum of contemporary film and video practices, retrospective screenings, and special guest curated programs. Here are a few highlights to look forward to:


Friday, May 20, 2011 at 8:30 PM
Popular Unrest (60 min., Canada/UK/USA 2010) dir. Melanie Gilligan

Saturday, May 21, 2011 at 3:45 PM
Group Program 1
The Yellow Bank (30 min., USA/China, 2010) dir. J.P. Sniadecki
Tokyo-Ebisu (5 min., Japan, 2010) dir. Tomonari Nishikawa
Track One (2 min., Taiwan/USA, 2011) dir. eteam
In the Absence of Light, Darkness Prevails (14 min., USA/Brazil, 2010) dir. Fern Silva

Saturday, May 21, 2011 at 8:30 PM
Holidays in the Sun: Cynthia Maughan (70 min.) dir. Cynthia Maughan

Sunday, May 22, 2011 at 9:15 PM
Group Program 4
The Writer in Residence (3 min., UK, 2010) dir. Stephen Sutcliffe
Art Tape: Live With / Think About (3 min., USA, 2011) dir. Michael Bell-Smith
I, Popeye (6 min., USA, 2010) dir. Takeshi Murata
Your Life/Your Language (7 min., USA, 2010) dir. Jacob Ciocci
The Galactic Pot Healer (9 min., USA, 2010) dir. Shana Moulton
The Artist (10 min., UK, 2010) dir. Laure Prouvost
Versions (9 min., Germany, 2011) dir. Oliver Laric

Thursday, May 26, 2011 at 9:15 PM
The Art of the Supercut (40 min., video)
Re-edit master and pop culture parser Rich Juzwiak (fourfour.typepad.com, VH1) presents a program of his influences and favorites. Followed by a screening of Curt Hanks epic Star Wars: Chewbacca Supercut

Friday, May 27, 2011 at 9:30 PM
Tube Time
Tube ...

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Rosa Menkman Remixes for A Dramatic Exit of Tosca


TowardsAndBeyond.com by Rafaël Rozendaal (flash), compressed by Rosa Menkman (avi cinepak 256 greys).

beefchickenpork.com by Rafaël Rozendaal (flash), compressed by Rosa Menkman (gif with dither).

aestheticecho.com by Rafaël Rozendaal (flash), compressed by Rosa Menkman (avi cinepak 256 greys).

A Dramatic Exit of Tosca (Music by Isan and Evan Voytas and Video by Rafael Rozendaal, Jeffers and Rosa Menkman)

Last month, I prolonged my stay in Rio for one week, during which I got the chance to work together with Rafaël Rozendaal, ISAN, Evan Voytas, Elen and Jeffers Egan. It is pretty hard (if not impossible) to develop a 70 minute performance in 5 days, with a group of people you have never met before; working methods, perspectives, aesthetics and aims differ per artist. This is why the artist talks that were given at Parque Lage, were (albeit a bit late into the week) very useful for me.

During his lecture, Rafaël noted: "normally we are used to interactivity as a goal, but I am more interested in interactivity without a goal." A conceptual use of meaninglessness that kick-started my wish to connect my methods with Rafaëls work.

Rafaël also said that for our performance, he wanted to use already existing flash work, because "Flash works are both scalable without quality loss and have a very small file size" - which he described as some of the most important material qualities of his work (and which reminded me of some neo-demoscene-gen). Besides this, the development of a new concept and a new work would take much to long.

Normally I also take a long time for the creation of a work, but given the purpose of ROJO®nova, I decided I wanted to take the chance and make something new. Rafaëls talk inspired me to base all the visuals ...

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Domenico Quaranta: In Your Computer (2011)



Domenico Quaranta is offering free downloads of his new book In Your Computer.

The book is a collection of texts written by Domenico Quaranta between 2005 and 2010 for exhibition catalogues, printed magazines and online reviews: a pocket version of what the author would save from the universal flood, in a world without computers. It documents most of the fields of research he has focused on critically: from Net Art to Software Art and videogames, from biotechnologies to the debate around curating and the positioning of New Media Art in the contemporary landscape, and back to Net Art again.

This itinerary is traced through a selection of essays, monographic texts and interviews with artists and curators, in no particular order: from Eva and Franco Mattes to Casey Reas, from UBERMORGEN.COM to Oliver Laric, from Cory Arcangel to Tale of Tales, from Jon Ippolito to Gazira Babeli.

-via Domenico Quaranta.

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