Chris Poole (aka moot) is many things. He is the founder of the notorious 4chan (2003—), the bulletin board that gave rise to some of the most memorable memes of past decade, and Canv.as (2010—), a website that encourages sharing and remixing media. His most recent project, DrawQuest, is an iPad app that prompts users with a new drawing challenge every day. Its latest version was launched in the iTunes store last week.
Poole embodies and understands the internet and online community in the way only a millennial who had a computer in his bedroom with no parental supervision can. He started 4chan when he was 15, and for the community that emerged around it, he belongs in the pantheon of internet gods. Their adoration went so far that in 2009, 4chan users flooded the Time 100 poll to award Poole as The World's Most Influential Person. They describe him in the satirical Internet culture wiki Encyclopedia Dramatica as "supreme overlord of the Internet." He still devotes a considerable amount of time and money to 4chan, despite the fact that he can expect nothing in return. But although he stays involved in the community he created as an adolescent, Poole has grown up. Now, he’s an entrepreneur attempting to solve the puzzle of how to cultivate and – hopefully – monetize a creative online community.
I met with Poole for bubble tea in the East Village on a hot Tuesday afternoon. After showing me the new updates in the latest version of DrawQuest, we talked about his views on art, online communities, and growing up internet.
Texas State Senator Wendy Davis's shoes during her 13-hour filibuster on June 25, 2013.
Jennifer Steinkamp, from the seires Sexist Slides (1989). Slideshow projected on a street in Hollywood at EZTV.
Molly Soda, Inbox Full (2012). Ten-hour reading of questions sent to the artist from her Tumblr askbox.
For those of you who were unable to join us for the We See In Every Direction Official Surf Party last week, here is a video from the artist, Jonas Lund, that captures some of the highlights of what happens when dozens of people try to share a single browser window. Cursors circulate like flies, the URL window becomes a turf war and a good time is had by all.
Even if the official event is over, the party doesn't have to stop—you can still collaboratively surf the Web with strangers by installing We See, available on The Download. If you're hungry to learn more about the event you can also check out some tweets with the hashtag #WeSee or peep the Facebook event page where some discussion took place.
This month The Download features We See In Every Direction (2013) a Web browser for collaborative, synchronized surfing by Swedish artist Jonas Lund. Browsing the Internet is typically an intimate and personal experience for just one person, but in We See, users traverse online information streams in a collective surfing environment. Users can type, click and change URLs in real time together; they can jockey for control of the browser--akin to fighting for the TV remote--or choose to sit back and let their friends take care of the surfing. Like many of Lund’s previous online works, the piece opens up the walled-off spaces of the Internet for shared use.
The Download is Rhizome's ongoing digital art exhibition and collecting program that features new works by great artists for free download.
TIME Magazine, May 20, 2013.
TIME Magazine, January 1, 2007.
Jon Rafman, New Age Demanded Microfiche Archive, 2013. Microfiche machine and custom microfiche. 51.5 x 33 x 48.4 cm. Via Future Gallery.
sext me with spelling errors and bad grammar so i know it's real— so sad today (@sosadtoday) May 10, 2013
United States of America
RESIDENCY: ONE RESIDENCY BETWEEN MID-NOVEMBER 2013 AND MID-FEBRUARY 2014 FOR A PERIOD OF 4 – 6 WEEKS, HOSTED AT EYEBEAM IN NEW YORK
APPLICATION DEADLINE: SEPTEMBER 15, 2013
With the generous support of Carroll / Fletcher Gallery, a London based contemporary art gallery, TASML is pleased to announce its new artist residence award: TASML | Carroll Fletcher Chinese Artist Residence Award. The award will provide emerging Chinese media artists with an unique opportunity to engage with cutting edge research and production at the intersection of art, science and technology in some of the most innovative media art and design laboratories around the world. From March 2013 until February 2015, two artists will be selected annually through an international open-call for proposal submissions.
In collaboration with Eyebeam the award allows one selected artist to work from 4 – 6 weeks with one of the most innovative art and technology centers operating today: Eyebeam. The awardee will receive a stipend to cover production, travel, accommodation and living expenses in New York.
Applications must be submitted in Chinese and English, and the applicant must have sufficient knowledge of English language for communication
We are asking what are the ground-breaking works that will positively change cultural relationships to new creative technologies? What does technology even mean in 2013 and how can it be creatively used and misused in a way that pushes boundaries and explodes notions of what is possible? If you are actively solving questions like these and could use TASML and Eyebeam’s help in realizing your work, let us know by applying online now!
This residency in collaboration with and hosted at Eyebeam is looking to support atypical new work that is deeply examining and critically challenging culture’s relationship to technology and will consider all proposals that are prepared to positively shift the dialogue. TASML will grant a minimum of $4,000 to each selected residency project but will consider requests for additional project-based funding up to an additional $2,000 maximum. The resident artist will be determined by the quality of applications.
Applications are selected based on:
· Quality of concept
· Quality of past work
· Innovative nature of the project
Send application (CV, project proposal) to email@example.com before September 15, 2013