3D-printed Guy Debord action figures (2012). Produced by McKenzie Wark, design by Peer Hansen, with technical assistance by Rachel L.
The figure is part of a limited edition run of 200 made by Wark, who was inspired to delve into maker culture because of Debord's own investment in craft as evidenced in the twelve handcrafted issues of Internationale Situationniste. (You can read more about this in Brendan Byrne's recent interview with Wark on Rhizome). It's important to note that you can also make your own Debord figure based on Wark's 3D model, which will be released under a Creative Commons license.
The questions, which were supplied by Verso, are after the jump. They are not to be taken lightly...
It looks a busy time out there for those interested in art and technology, with lots to do and see and apply for. Here are our picks for the week; good thing your proposal for the 2013-2014 Rhizome Commissions was finished and submitted weeks ago, right?
Rick Silva, from the series En Plein Air.
In April 2013, the most viewed article on Rhizome was Daniel Rourke's richly illustrated interview with David OReilly, animator and director of a recent episode of Cartoon Network's series Adventure Time. The most commented-upon thread was, of course, Breaking the Ice, in which generational differences emerged, future directions were debated, pasts relived, and present staff members reminded of founding ideals.
We added Oliver Laric's "An Incomplete Timeline of Online Exhibitions and Biennials" to the ArtBase following Laric's decision to withdraw from BiennaleOnline. Later, organizer David Dehaeck fired back in the pages of El País, saying "The BiennaleOnline is about art and not bits and bytes." Got that?
In the month's longreads, Tom McCormack probed the links between ASCII art and Apollinaire, and Part 3 of Jacob Gaboury's well-researched 'Queer History of Computing' series continued to bring sexual politics into technology history.
Daniel Rourke profiled Alex Myers and Emilie Gervais, Megan Heuer delved into Peggy Ahwesh and Sadie Benning's use of Pixelvision, I wrote about Ryder Rypps' Red Bull-fueled endurance performance Hyper Current Living and visited Eyebeam's F.A.T. retrospective, and Alexander Keefe dug up screeds by occultist techno-utopian Xul Solar.
Our Seven on Seven conference was always on our minds; in case you missed it, check out the videos of all presentations, my recap, Giampaolo Bianconi's remarkably lucid live blog, and profiles of participants Jill Magid, Fatima Al Qadiri, Jeremy Bailey, Cameron Martin and Harper Reed.