Marisa Olson
Since the beginning
Works in Brooklyn, New York United States of America

PORTFOLIO (10)
BIO
Marisa Olson is an artist, writer, and media theorist. Her interdisciplinary work has been exhibited at the Venice Biennale, Centre Pompidou, Tate(s) Modern + Liverpool, the Nam June Paik Art Center, British Film Institute, Sundance Film Festival, PERFORMA Biennial; commissioned and collected by the Whitney Museum, Museum of Modern Art, Houston Center for Photography, Experimental Television Center, and PS122; and reviewed in Artforum, Art21, the NY Times, Liberation, Folha de Sao Paolo, the Village Voice, and elsewhere.

Olson has served as Editor & Curator at Rhizome, the inaugural curator at Zero1, and Associate Director at SF Camerawork. She's contributed to many major journals & books and this year Cocom Press published Arte Postinternet, a Spanish translation of her texts on Postinternet Art, a movement she framed in 2006. In 2015 LINK Editions will publish a retrospective anthology of over a decade of her writings on contemporary art which have helped establish a vocabulary for the criticism of new media. Meanwhile, she has also curated programs at the Guggenheim, New Museum, SFMOMA, White Columns, Artists Space, and Bitforms Gallery. She has served on Advisory Boards for Ars Electronica, Transmediale, ISEA, the International Academy of Digital Arts & Sciences, Creative Capital, the Getty Foundation, the Rockefeller Foundation, the Kennedy Center, and the Tribeca Film Festival.

Olson studied Fine Art at Goldsmiths, History of Consciousness at UC Santa Cruz, and Rhetoric & Film Studies at UC Berkeley. She has recently been a visiting artist at Yale, SAIC, Oberlin, and VCU; a Visiting Critic at Brown; and Visiting Faculty at Bard College's Milton Avery Graduate School of the Arts and Ox-Bow. She previously taught at NYU's Tisch School of the Arts' new media graduate program (ITP) and was Assistant Professor of New Media at SUNY-Purchase's School of Film & Media Studies. She was recently an Artist-in-Residence at Eyebeam & is currently Visiting Critic at RISD.

Note to Self, an endurance performance by Mary Coble


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If you've ever thought to yourself "Self, sure life is good and all, but what we really need is to watch a performance artist get inkless tattoos of names of hate crime victims all over her body for eight hours", you're in luck because there'll be a webcast of Mary Coble doing exactly that tonight for your... well, whatever it is you do while watching that, pleasure.

· NOTE TO SELF Performance (webcast, tonight, 6 p.m EST)

· Washington Post article on the whole deal

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URBANtells


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Exploring the City with Digi-Diviner

URBANtells is a mobile sound installation in which the user explores a neighborhood on foot, "data-diving" with a handheld device called digi-diviner. Participants will provide their cell phone and email address to an attendant at a kiosk. In return, they will be given a digi-diviner to walk and explore the neighborhood. A minute or so after they go outside a real time mix of sound art and verbal information triggered by their location will start to play through an earbud attached to the diviner. The information is a mix of recordings of residents and historians, text-to-speech synthesis, recitations, musique, and other processed sound. The information will address the complex layers of personal and collective histories and experience in urban environments, and the degrees to which these acoustic "tells" influence behavior and development within a community similarly to traditional, physical structures.

Users will be able to upload sounds, text, and still images they capture with the diviner en route. This information will be available to other users. Upon returning to the kiosk, participants will receive an interactive Google map of their specific walk via email, containing buttons to play sounds and view images they may have uploaded during their trip. Urbantells, a project by James Rouvelle, Joe Reinsel and Steve Bradley, opens June 2, ‘06 at Art Interactive, Cambridge, MA. [blogged by Regine on we-make-money-not]

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Negativland art show opens in NYC - Fri. Sept. 9


And speaking of Negativland, the band's first ever fine art show is coming up here in New York, from September 9 to October 22, at Gigantic Art Space. Joe, the robot maker interviewed below, made an animatron of Abraham Lincoln for the exhibit that must be seen to be believed (I have done neither)....We'll be at the opening - on Friday, September 9, from 6 to 9 pm. at Gigantic (59 Franklin Street in Tribeca. Map) - so come out and say "hi."...

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Transmediale: Reality Addicts


The theme for the next transmediale festival has been set. The first flyer can be downloaded at: http://transmediale.de/06/pdf/tm06RAflyer.pdf

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REALITY ADDICTS

festival
3 - 7 February 2006

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How to Tell When a Relationship is Over


How to Tell When a Relationship is Over
How to Tell When a Relationship is Over (2003, 5.6MB)

Written and directed by Tony Roche.

Make a micro-movie of under 90 seconds, win a cash prize
of £3000, have your film promoted online on the  depict.org  site,
and see it screened at the - Brief Encounters Bristol Short Film Festival
(23 - 27 November 2005).  Deadline for receipt of entries: Sept 5 2005

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