Project achieved during a residence at the Fontevraud Abbey.
The dislocation of videographic picture - time: the point of reading is not defined by the machine anymore, but by the positioning of the user's mouse.
The dislocation of the text: fragments of the phenomenology of the mind are sampled, modified, transformed, mixed.
An indiscernible side in modes of reading.
Interactivity as manner to intensify the movements and the invisible battles of a fly people on windows.
The interactive picture as without - speed, as picture that oscillates between the variable picture segments. Of what manner do sounds and pictures make track (a sound track, videographic track )? What is the structure of their synchronization and their shift? Do pictures go quickly or slowly? In what sense does it move? Is this a flux?
A homage to the bees of David Blair.
Require Shockwave 3d ...
Full Description
Project achieved during a residence at the Fontevraud Abbey.
The dislocation of videographic picture - time: the point of reading is not defined by the machine anymore, but by the positioning of the user's mouse.
The dislocation of the text: fragments of the phenomenology of the mind are sampled, modified, transformed, mixed.
An indiscernible side in modes of reading.
Interactivity as manner to intensify the movements and the invisible battles of a fly people on windows.
The interactive picture as without - speed, as picture that oscillates between the variable picture segments. Of what manner do sounds and pictures make track (a sound track, videographic track )? What is the structure of their synchronization and their shift? Do pictures go quickly or slowly? In what sense does it move? Is this a flux?
A homage to the bees of David Blair.
Require Shockwave 3d and Quicktime 5.
Work metadata
- Year Created: 2002
- Submitted to ArtBase: Sunday Sep 22nd, 2002
- Original Url: http://www.incident.net/works/struggle/
- Permalink: http://www.incident.net/works/struggle/
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Work Credits:
- Gregory Chatonsky, creator
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