A documentary of the art performance Producer: Open Flux Director: Hakan Akçura Music: Dror Feiler Camera: Hakan Akçura, Dror Feiler, Leyla Ferngren, Gunilla Sköld-Feiler Edit: Hakan Akçura 41.31 min. 2010 Stockholm, Sweden
Full Description
Sazak is a mountain village located in Karaburun, Izmir on the Aegean coast of Turkey and is just one of many Greek villages forcibly evacuated in 1922.
The Greek residents of this and surrounding villages, who once grew rosica grapes in their vineyards and produced delicious wines and molasses, were considered together with the Greek army that invaded Izmir. The Greek residents were driven to the sea at the coves around Karaburun, killed and deported and the villages they left behind were plundered, although they actually had the same rights in these lands as those who remained.
Since those times, for 87 years, Sazak remained desolate, solitary and unprotected on the steep slop facing toward the islands of Lesvos and Chios, where there are still stone houses and unique silhouettes.
In August 2009, about 50 citizens from Patras, Greece, came to Karaburun, Izmir in Turkey. They were the grandchildren of those who were forced to leave the lands which they would visit after 87 years as part of the 2nd Karaburun Peninsula Greek-Turkish Friendship Days.
As they were going to the Kucukbahce village for the first dinner to meet with the local people on the evening of August 6, their bus stopped and they got out. They looked at the village of Sazak, or Sazaki as they call it, lying far away in the falling darkness of the evening.
The second dinner would be at the village of Sarpincik on the next day.
I wanted to salute them by making an art performance at the village of Sazak on August 7, i.e. on the same day as that last dinner. I posted the performance announcement on walls in the town and the surrounding villages days before:
Thistles of Sazak
I will try to clear the village of Sazak from thistles, which covers its heavy emptiness like a heartrending veil, from dawn to dusk on the Seventh of August, 2009. Your participation is welcome at my performance.
Hakan Akçura
For me, trying to clear the covering of thistles at Sazak is a symbolic cleansing meant to open the way for rescuing the village from the lonely, derelict, unprotected state in which it has been left together with its painful past for 87 years. Also to transform it to one of the symbols of Greek-Turkish friendship, which I believe will develop ever more with each passing day.
I asked for permission, in a way, from the earlier owners of each house, who are no longer there, before clearing the thistles.
Yes, my performance was open to participation. I spread my call not only in and around Karaburun, but I also informed all the guests, Greek and Turkish alike, who met at the first dinner. Only two persons came to the performance in addition to my team; a retired philosophy teacher and his daughter from Bergama, who were spending their summer holidays in Kucukbahce.
They shared their water and fruit with me.
I would like to thank them.
Hakan Akçura
Work metadata
- Year Created: 2010
- Submitted to ArtBase: Tuesday Dec 2nd, 2014
- Original Url: https://vimeo.com/78220923
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Work Credits:
- hakanakcura, primary creator
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Artist Statement
"I am an open flux artist. The following attributes that are the target of my creations are the things, I believe, all the contemporary artists who can't refrain from creating with concern and responsibility should have: To witness 'the essence of time' (zeitgeist) once again, that is to be more adverse and radical on this earth that is going down the drains; to heed the sharing and wide circulation of their creations instead of their ownership problems. To be independent. Along with being an artist who shows the way, opens the minds and redefines new problems, being an artist who also can be open to all kinds of interaction and communication, and being a playmaker when necessary. To try to create and furthermore try to protect the existence of courage, originality and composition without falling into the swamp of elitism and populism."(Hakan Akçura, "Theory of Open Flux", NY Arts Magazine, September, 2008)