Audrey Chan, BOOMERANG (2006) - Part 2/4 (2008)

by 1056568

BOOMERANG is a meditation on the paradox of memorial design in a historical moment characterized by the rapid proliferation of images of war and terror across the Internet. The video employs found footage of amateur video produced by American soldiers and Iraqi insurgents, clips from Middle-Eastern news sources, and excerpts from Freida Lee Mock’s award-winning 1995 documentary, “Maya Lin: A Strong Clear Vision.” BOOMERANG also addresses the re-contextualization of popular music in service of the home-edited video montage format through an American soldier’s interpretation of Eminem’s “Soldier” (2002) and the artist’s appropriation of Aretha Franklin’s “The House That Jack Built” (1968). Anchored by segments of first-person text, the video constructs a space where Aristotelian Poetics, historical spectatorship, political identity construction, the failures of war, and digital media commingle.

Full Description

BOOMERANG is a meditation on the paradox of memorial design in a historical moment characterized by the rapid proliferation of images of war and terror across the Internet. The video employs found footage of amateur video produced by American soldiers and Iraqi insurgents, clips from Middle-Eastern news sources, and excerpts from Freida Lee Mock’s award-winning 1995 documentary, “Maya Lin: A Strong Clear Vision.” BOOMERANG also addresses the re-contextualization of popular music in service of the home-edited video montage format through an American soldier’s interpretation of Eminem’s “Soldier” (2002) and the artist’s appropriation of Aretha Franklin’s “The House That Jack Built” (1968). Anchored by segments of first-person text, the video constructs a space where Aristotelian Poetics, historical spectatorship, political identity construction, the failures of war, and digital media commingle.

Work metadata

Want to see more?
Take full advantage of the ArtBase by Becoming a Member
Comments

This artwork has no comments. You should add one!
Leave a Comment