newspaper +-1% (2008)

Work-newspaper problematize the matter of art reception (who,when, how he sees it). The name +-1\% talks about the fact that it is «the art of minority», that is, the destiny of art as home entertainment of minority. Chosen form (newspaper, a document as a form of expressing, restyled art language) subsists with a root-cause, conclusion of personal and not so personal, as well as a context of institution of stuck, socially accepted relationship with art production. A feeling of incapacity for a paper to be realized as work or work as a process, maybe precisely, ends, completes (contextualizes, promotes), places ( architecturally, theoretically realized) brings a tension, a need to problematize reception itself, welcome, art consumption. Instead of materialized works are given their clear descriptions. Achieving communication is guaranteed, excluding observer's uncertainty in what he sees ahead of him. All is « serving sense' that enables closeness: photography as a ...

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Work-newspaper problematize the matter of art reception (who,when, how he sees it). The name +-1\% talks about the fact that it is «the art of minority», that is, the destiny of art as home entertainment of minority. Chosen form (newspaper, a document as a form of expressing, restyled art language) subsists with a root-cause, conclusion of personal and not so personal, as well as a context of institution of stuck, socially accepted relationship with art production. A feeling of incapacity for a paper to be realized as work or work as a process, maybe precisely, ends, completes (contextualizes, promotes), places ( architecturally, theoretically realized) brings a tension, a need to problematize reception itself, welcome, art consumption. Instead of materialized works are given their clear descriptions. Achieving communication is guaranteed, excluding observer's uncertainty in what he sees ahead of him. All is « serving sense' that enables closeness: photography as a medium of performing or document (a collection of practices going on in certain contexts), + concept, thinking, reason, + way of performance, technique (the confession), instruction( cancelling uncertainty of the observer asking for intentions) +order of observing the page, + page pauses (full and blank one), + signals for certain sentiments,emotions...- demystification of manual (« could happen to anyone») and ideological - « Every man is potentially capable of creating some art, to experience and interpret it» - Some kind of interview is produced, simulated - ( relating to thought) -a real word with an author by means of response. A successful interview between a consumer and author is the work (what is being produced «+1\%»). There is a question about who a consumer is, AN OBSERVER OR WORK? Right from that point of view, I decide to react through different mchanisms (psychologically-sociological, managerial). Since a paper that has to complete work ( the word is about relating aesthetics) is not the content (art presentation) but a simbiosis, integration of surrounding conditions - context, ''Faculty of Fine Arts'' and the work in form of newspaper. Simbiosis causes contradiction in the only, phenomenal form of displaying practice providing cold newspaper photography instead of warm, moisty picture. What is shown and presented are collected documents, piled arguments about mental space where work is going on, as a daily action of spirit and as a phenomenon including in itself language specification. Form of newspaper is taken and posted in the world of art due to its « width» in space so as to convey a canal through which a communication is going on, a message (a relation that does mean work). How? a) Reexamining, trying to find out « the condition laws» under which historical-sociological assumptions (including also psychological-aesthetic ones) are certain artistic forms ever realized. These assumptions, as a condition in realizing artistic form imply actual dealing with parametres: 1) echo of time, environment (a specific social context where the reception is going on) that means dealing with specific structure of recepients' personality. 2) breath and structure, the position of a real author's personality b) Watching the process of communication, actually reception in two, structurally different levels: 1) in an indirect (authentic) experience of Work 2) in a direct, intellectual, reflexive attitude of sbject towards work ( productive reception) Installation with newspaper ... CRITICALLY QUESTIONING THE VENUE AND THE ARTISTIC SELF-CONCEPTION OF THE EXHIBITION

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