Rhizome | stitching phenomena: giving globals soundings

>>>> a generational streaming of recontextualized sound in art: cellphone-delivered stitching phenomena projects... A-stitching Globals artifact sounds? http://earthguest.net/LaLlongPLS.htm B- Together with a friend, when-you both-are-availabe-and-can-do-any of the projects below, contribute individual parts (or a cluster) of Earth's varied soundtracks. This requires at least two people, on the Globe, to use their own cellphones, computers with sound processsing software, hardrive and access to a battery operated wwv or gmt or utc or gps radio. C-current cellphone uses & 9 projects: Dawn Auroral chorus, Dawn chorus (electromagnetic), Dawn chorus (bird song} Bird migrations (from global flyways), Webtwoblackwhole http://earthguest.net/WBWlg.htm, windwitnessing, passaroundsound.net.nz, trapesing, Sferics D-intro/practice/testing 1 2 3; contribute, come/go; return ((its gotta get refined, shortcutted, etc.)) For every clustered session, begin your cellphone transmission by saying your personal ID, date & day, Latitude & Longitude. Holding a receiver near the mic, include the voiced time (wwv, utc, gmt) and include the tone. (send your sound) Working with a friend who receives from your cellphone node, do a saveas to HD. F- Post your cluster details here.http://earthguest.net/STITCHarchive.htm

Tags: (Spring-Summer 1982) 1977 1982 6e jaargang/no. 67 Academy of Science Auditorium Washington DD via We Art Research Center Kansas City Missouri 1974 cons Artforum June 1976 Arthur J. Sabatini New Music America '87 magazine Aspects of the terrain instruments Banff Centre and the University of Calgary First T Bergamo BLUE Brazilian Globo Televison Network Sao Paulo and Ri British Library Sound Archive: LB Collaborative Conceptual contextual CuSeeMe David Dunn Wilderness as Reentrant form Des Moines Iowa Register The Earth Philharmonic EAR Magazine NY V.8 No.5 p.7 V. 9 No.5 V.9 No p.17 endeavor: I ask you Event Experimental Musical Instruments V.VII No.6 Fifth Assembling journal Richard Kostelanetz Flash Art (Italian Edition) Milan Italy March 1982 Gene Tyranny Out To The Stars Into The Hear Generative Gloria DeFilipps Brush Monitoring Nature's Sounds Nicole V. GagnÃ© I Built It! The Built Environm, Rob Wittig wizard of air waves Suono e ambiente per la vita Teleconstructs

Full Description

>>SOUNDING GENERATIONAL INPUTS: WHAT? GIVING GLOBAL'S PHENOMENA, HOW?, via W2STREAMS; HOW2, webtwoworkshops.be* 2002 seed; 2007 update- questing the inaudibile and the ubiquitousness of invisible vibrations; quiet locales where intermittent and seasonably related wind and wind-influenced vibrations also occur from Latitude 46° 50' N Longitude 92° 11' W... Solar panels assist with the mirroring of global's details by activating securely placed sensors. DC-pre-amplifiers allow a quiet and neutral overhearing of focused vibrations not otherwise audible on R. B. Fuller's "spaceship earth:" from sun heated sap gurgles, an icy creeks smoothing of strewn rocks, the tortionally wrung groans from trees, a descending giant snow flake murmurings from inside miniscule and fluted crevases...meandering astride and atop these events are warm/cold mixtures of convoluted wind ribbons momentarily hosting this whole. A complex multi-sensor-array, the Microflown, allows ears to "see" and listen into contexts where details reside. We hear the familiar wind as an enormous spatial billowing. Extraterestrial noises, Sferics, bounce their way day and night between Earth and the Ionosphere. In the whistler mode they can, with amplification for the ear, appear to be deaden and abrupt sounds. Contrasts are also hearable nightly as tweeked crecendos and decrecendos. * Zeroed realtime Latitude and Longitude coordinates are synced as to day, date, using voiced GMT, WWV or GPS time code and would precede the cellphone-relaying of multitudenous realtime resources. Evolving and varied menus would mirror unique terrestrial and extraterrestrial vibrations and be web2-clickable from originating nodes. From these distinct soundings clustered from Lat.-Long. positions may, on an individual basis, be passed around, shared, traded, archived and DSP-assembled prior to providing whole spatial and phenomena headphone and/or multiple speaker listening. Such a realtime "nerve" stream, of course, is highlighted via web2 menus from which you may connect with and hear Earth's artifacts- in this lifetime. KEYWORDS: sensors, solar panel, direct current preamplifier, black whole, Ionosphere spaceship earth, Sferics; multiplexing, demultiplexing, magneto-ionic mode (whistler), digital signal processing, Microflown, teleSuonohologram, Terrain Instrument, physical nature artifacts, Latitude, Longitude, GMT, WWV, GSP, realtime, webtwo, holography, URLs: http://www.d.umn.edu/~lbrush/lbarchivesd1.html http://www.d.umn.edu/~lbrush/lbarchivesYONY.html http://www.d.umn.edu/~lbrush.html http://www.logosfoundation.org/audio/artinleiding.html http://so-on.be/?id=853 http://earthguest.net/stitchingLASSOO.htm

Work metadata

Year Created: 1975
Submitted to ArtBase: Thursday Apr 12th, 2007
Original Url: http://passaroundsound.net
Work Credits:
- leif BRUSH, creator

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Artist Statement

>>SOUNDING GENERATIONAL INPUTS: WHAT? GIVING GLOBAL'S PHENOMENA, HOW?, via W2STREAMS; HOW2, webtwoworkshops.be* 2002 seed; 2007 update- questing the inaudibile and the ubiquitousness of invisible vibrations; quiet locales where intermittent and seasonably related wind and wind-influenced vibrations also occur from Latitude 46° 50' N Longitude 92° 11' W... Solar panels assist with the mirroring of global's details by activating securely placed sensors. DC-pre-amplifiers allow a quiet and neutral overhearing of focused vibrations not otherwise audible on R. B. Fuller's "spaceship earth:" from sun heated sap gurgles, an icy creeks smoothing of strewn rocks, the tortionally wrung groans from trees, a descending giant snow flake murmurings from inside miniscule and fluted crevases...meandering astride and atop these events are warm/cold mixtures of convoluted wind ribbons momentarily hosting this whole. A complex multi-sensor-array, the Microflown, allows ears to "see" and listen into contexts where details reside. We hear the familiar wind as an enormous spatial billowing. Extraterestrial noises, Sferics, bounce their way day and night between Earth and the Ionosphere. In the whistler mode they can, with amplification for the ear, appear to be deaden and abrupt sounds. Contrasts are also hearable nightly as tweeked crecendos and decrecendos. * Zeroed realtime Latitude and Longitude coordinates are synced as to day, date, using voiced GMT, WWV or GPS time code and would precede the cellphone-relaying of multitudenous realtime resources. Evolving and varied menus would mirror unique terrestrial and extraterrestrial vibrations and be web2-clickable from originating nodes. From these distinct soundings clustered from Lat.-Long. positions may, on an individual basis, be passed around, shared, traded, archived and DSP-assembled prior to providing whole spatial and phenomena headphone and/or multiple speaker listening. Such a realtime "nerve" stream, of course, is highlighted via web2 menus from which you may connect with and hear Earth's artifacts- in this lifetime. KEYWORDS: sensors, solar panel, direct current preamplifier, black whole, Ionosphere spaceship earth, Sferics; multiplexing, demultiplexing, magneto-ionic mode (whistler), digital signal processing, Microflown, teleSuonohologram, Terrain Instrument, physical nature artifacts, Latitude, Longitude, GMT, WWV, GSP, realtime, webtwo, holography, URLs: http://www.d.umn.edu/~lbarchivesYONY.html http://www.d.umn.edu/~lbrush.html http://www.logosfoundation.org/audio/artinleiding.html http://so-on.be/?id=853