"History of a representation," lauched on March 4th, 2002, poses the question of how to represent and archive a creative process. A distribution service, the Transfer Center, has begun to digitize and upload the artist's handwritten notes, drawings and photographs (dating back to 1993) onto various web-hosting sites. Olivier Oswald, a flesh and blood programmer working in close collaboration with the artist, makes regular visits to the Transfer Center, and, posing as a 3D rendering, reads the material before it is sent off.
Full Description
"History of a representation," lauched on March 4th, 2002, poses the question of how to represent and archive a creative process. A distribution service, the Transfer Center, has begun to digitize and upload the artist's handwritten notes, drawings and photographs (dating back to 1993) onto various web-hosting sites. Olivier Oswald, a flesh and blood programmer working in close collaboration with the artist, makes regular visits to the Transfer Center, and, posing as a 3D rendering, reads the material before it is sent off.
Work metadata
- Year Created: 2002
- Submitted to ArtBase: Monday May 27th, 2002
- Original Url: http://www.disseminer.org/
- Permalink: http://www.disseminer.org/
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Work Credits:
- armand behar, creator
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