From the Walker Art Center, Duluth Terrain Instrument sounds were beamed to the site via modulated laser which was amplified in adjacent, overhead trees. A large variety of Shadow sensors were placed in the overhead trees which were listened to for "silent" wind-jostled sounds from leaves and limbs. Simultaneously- from a different input source- Westar V satellite-delivered Terrain Instrument soundings from Duluth, Minnesota, US were melded and used twice: (1) during the performance these were amped to speakers in overhead trees nearer to the pond and accompanied Sharon Friedler and Will Swanson, wearing their waist band beltsaddleharps with FM transmitters; (2) other channels were fed via the Terrain Instrument 202 microprocessor outputs and were based on key-control assignments of specific scenarios into the two diagonal speaker-laden planes hovering above the grassy performance locale.