Specific demonstration, Le cri, (the cry) marks a precise point and often a short duration. It's the trace of an immediate sensitive memory and a precise point where feelings culminate. The maximum impact is sought and this event is announced like an alarm without interpretation other than the context which preceded it. This project is about communication and voice. How can we communicate, the cry is a primary way for us to be understood, it can express pain, pleasure, alarm, desire... There is also the question of the different points of view, inside or outside the mouth, from face to profile, with a "cubist as cinema" reference, turning around a subject. The voice is our way to communicate and our very first act.
Full Description
Specific demonstration, Le cri, (the cry) marks a precise point and often a short duration. It's the trace of an immediate sensitive memory and a precise point where feelings culminate. The maximum impact is sought and this event is announced like an alarm without interpretation other than the context which preceded it. This project is about communication and voice. How can we communicate, the cry is a primary way for us to be understood, it can express pain, pleasure, alarm, desire... There is also the question of the different points of view, inside or outside the mouth, from face to profile, with a "cubist as cinema" reference, turning around a subject. The voice is our way to communicate and our very first act.
Work metadata
- Year Created: 2003
- Submitted to ArtBase: Sunday Apr 6th, 2003
- Original Url: http://incident.net/works/lecri/
- Permalink: http://incident.net/works/lecri/
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Work Credits:
- Michael Sellam, creator
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