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Two Poems by Cathy Park Hong


 

Engines within the Throne

 

We once worked as clerks

            scanning moth-balled pages

into the cloud, all memories

outsourced except the fuzzy

            childhood bits when

 

I was an undersized girl with a tic,

they numbed me with botox.

            I was a skinsuit

of dumb expression, just fingerprints

over my shamed

 

            all I wanted was snow

to snuff the sun blades to shadow spokes,

muffle the drum of freeways, erase

            the old realism

 

but this smart snow erases

            nothing, seeps everywhere,

the search engine is inside us,

the world is our display

 

            and now every industry

has dumped cubicles, desktops,

fax machines into developing

            worlds where they stack

them as walls against

 

what disputed territory 

            we asked the old spy who drank

with Russians to gather information 

the old-fashioned way,

 

now we have snow sensors,

            so you can go spelunking

in anyone’s minds, 

let me borrow your child

 

thoughts, it’s benign surveillance,

            I can burrow inside, find a cave

pool with rock colored flounder,

and find you, half-transparent

with depression.

 

A Wreath of Hummingbirds

 

I suffer a different kind of loneliness.

From the antique ringtones of singing

wrens, crying babies, and ballad medleys,

my ears have turned

to brass.

 

They resurrect a thousand extinct birds,

Emus, dodos, and shelducks, though some,

like the cerulean glaucous macaw,

could not survive the snow.  How heavily

they roost on trees in raw twilight.

 

I will not admire those birds,

not when my dull head throbs, I am plagued

by sorrow, a green hummingbird eats me alive

with its stinging needle beak.

 

Then I meet you.  Our courtship is fierce

in a prudish city that scorns our love,

as if the ancient laws of miscegenation

are still in place.  I am afraid

I will infect you

 

after a virus clogs the gift economy:

booming ...

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"Social Media Marketing Masterclass [In 3 Easy Steps]" by Jesse Darling


Lesson One:

IT DOESN'T MATTER IF YOU DON'T KNOW WHAT YOU'RE DOING,
SO LONG AS IT'S WORKING.

 

██████              01 December at 17:31

heh. your videos, blog and online presence are like a window on some sort of amazing, magical, brighter-than-life parallel universe – full of beautiful people, glamour, enchanted bric-a-brac and generally cool stuff.

rock on. and good luck in  ██████ :)

______________________________________

Jesse Darling          01 December at 09:40

██████ If only you could see the mice, the mould, the incessant rain, the  ██████ & the bank balance. Still, it’s  ██████; it’s home. ;) So thank you.

███████████████████████

xx JD

______________________________________

Lesson Two:

GIVE YOUR CUSTOMERS WHAT THEY WANT,
EVEN IF YOU DON'T UNDERSTAND WHAT THEY'RE ASKING FOR.

 

██████              26 December, 2011

Dear Jesse,

I have some questions to ask you because of your physical nuance— the awareness you have— the sensitivity— the life— yet still the ability to move. This must require constant cleaning, writing, talking, expressing— I think you are in a sense an evolution of ██████ — please do not take this as an insult — I could only insult myself if simplifying— but what I see in your manner of expressing with words is an ability to communicate subtleties in a way that does not appear to be so. ██████.

Something very clear about you— and which fains from he word artist or philosopher, though you are an artist— you are also knowing of— existing outside of— █████████ — and these are ██████ tendencies — not of the preceding university ‘objective’ era, but something cunning to ‘information’ and its know not, as well as ‘art’ and its know not—

Anyway, questions pending.

██████

______________________________________

Jesse Darling          26 December 2011

██████. Hit me up.

______________________________________

Lesson Three:

HATERS GONNA HATE.
NEVER STOP BELIEVING.

██████              15 February at 01:18

If one is an artist does that mean that life ...

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Poems by Steve Roggenbuck


Steve Roggenbuck, carpe dime you only live ounce, 2012

smile at me using the dead girls mouth

 

it hurts with me.

im in california hugging with my dead family.

we're alredy 

simple in the western u.s. crying in my bed

im dead with you sad girl.

i want you in the airports of my country

 

 

 

 

i am about the size of a dead nine year old

 

i am about the size of a dead nine year old

in her cool bed room 

in september 

i am ugly with dead children

it is early september at 7 in the morning

i want to listen to birds outside of my 

bed room

i love birds 

i love them more than humans

there are also dead

bodies hanging from my familys tire swing

 

 

 

 

 

dead girl, you are dead

 

i am crying in you and being fucked at the same 

time by january rain. i hurt 

when i move.

i am being rained on with dead 

children now dead five year olds.

i dont care if my blood 

chokes me, 

i no longer want to have blood. i want your 

cold pointless hands.

i want to put flowers in your cold pointless mouth

 

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Robot Literature by Angelo Plessas


Angelo Plessas, from Untitled Portrait Gallery, 2009

 

Double Faced

For those who Know Best their mirror,

a Conspiracy revolves around.

Silence from behind devours a relic from the past.

Life is usually attached to lengths of magnetic fields.

You might be Emerging as something else.

I might Switch Back. All I wish is that when I start up,

my life will be OkaY

 

Around us

Keep, Art was Stolen By a Masked man in thong.

I thank Obama because he\’s black,

he said We love Colors.

You are feeling suicidal now please stop.

Apocalyptic, I contemplate the Universe around us.

 

elated quilt 

elated quilt establishes despairingly

victorious coma becomes elatedly

thoughtful income clips deprecatively

beautiful sidewalk checks long-windedly

combative pie cracks giddily

crowded haircut buzzes dazzlingly

quaint answer enhances garishly

 

A TYPICAL DAY OF DALI AND GALA

DALI, materialized in a apartment. Many persons in a single body. It was the

sixth game of attention. Behaving scarcely angered, DALI punched a ninja star,

but this certainly didn't encourage DALI deciding what to do in smart way. Out of

nowhere, DALI hoped that DALI's marginal fidelity is to be perpetually positive,

because hatred is born out of fear. Unconsciously DALI emailed GALA, DALI's

neighbor/accomplice 'Free yourself from common sense', said DALI. DALI must

have seen GALA for 20 hours in Tahrir square during the Revolution some of

them were modest diabolical and empirical inspirations. GALA was a nobody.

Many persons outside a single body. Between the line of black and white. GALA

was outgoing more or less... pestering. DALI called GALA 'Somebody has to

listen to me' he said. 'These are the symptoms of the liberal-democratic affluent

society', said DALI.

GALA hypnotized by lazy DALI. 'Why and for whom does philosophy work today

?' , said GALA. GALA ...

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Two Poems by Christine Kelly



Christine Kelly, Apple 1 is an apple. Apple 2 is the idea of an apple, 2011

 

 

One or More Occasions


If the diviner,

when he wakes up to the sound

of his own trumpet,

or presents the

                        MUST-HAVE

 

in moonlight, the wrong kind of bottle

 

we belong in the monosyllabic new

the diviner won’t embarrass

on fear of exits (this and an absence of such

fear are both aphrodisiacs)

 

stone cold absence

then the diviner becomes crooked

a bendy-neck swan totem stands in for

subjectivity

and

a subjective everything

 

features:  

 

 

feature: handle

 

 

features:

 

 

feature: permanent hat

 

 

and guess what

 

this is a timeslot

a clutter among others

at which we marvel occasionally

 

 

sink

into clean and empty

sing about the full

about means around

or in proximity to

timespace designations.  Hey,

take it like a spittoon.

 

sink

into the bloated order of cause and effect—

cranial piping is how I arrived

at permanent hat, actually

 

resembling a column of smoke

 

puff

puff

puff

puff

 

coming out of the diviner’s hat

 

 


I Baroque It

 

“DOES sport imply sanctity?” was a sporting question, which through no extension

other than the yawny, tragic phonetiks surrounding someone’s (I bet) snowmobile accident…

…less likely than a skiing accident,

more likely than a competitive taffy pull filling the interior of a milk hood shared by two school chums

with vacuum trident

tongues 

hitchedup. 

Early incidence of dual ownership can create loquaciousness so drippy that it requires a dish.      

OBLITERATE        WET         GENEROSITY 

 

-----towel                  towels-----

 

Shan’t discuss human sexual attraction in this one, but know, just know, know what you know,

when you hear those angels trumpeting:  oxygen.  100% oxygen hands slip in from behind.

                $527 Cobra Quiz [win again and again]

Cobra the yogic asana. 

Cobra the health insurance for poor sods.

Cobra ...

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"Two Days Diary" by Lisa Oppenheim


Alexandra Gorczynski, Bathroom in the Dark, 2011

March 23rd, 2011

Early mornings were never my thing. I mean, it’s not that artists are lazy. Or out drinking late most nights. Or not out last night, a Tuesday. Hungover. I go out with the dog.  It’s still basically dark. A kind of dark blue fog, super cold and grey. A couple are out early, two middle aged men bundled up and both smoking with thick leather gloves. They are sitting on a bench in front of the takeout place on the corner. It’s way too cold to be sitting outside.  I hear one say to the other as I pass them, “do you want the thing or the other thing.” And I think, this is true partnership, to have thoughts coalesce around the same object. Not a shared thought, but a coming together. The muffin or the bagel.  Privileging someone else’s desires for a subjectless thing. Generosity. Just as likely the better looking half of an egg and cheese sandwich. I go in the store and order one for myself. Salt and grease. 

Today in 1923 Tennessee became the first state to outlaw the teaching of evolution. Today in 1933 the Reichstag passed the Enabling Act, granting Hitler total power. Fittingly, today is miserable. Still basically dark, hail. The never ending domino fall of winter storms. 

March 29th, 2011

I live in America’s most bug infested city. There are bug infested mattresses all around my neighborhood this evening. It’s trash night and everyone has put the big stuff on the curb. Not just bug-ridden mattresses, also rugs, rotting Ikea cushions from a few seasons back, clothes of all kinds. I drop off my sheets at the laundry across the street and six o ...

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"Excerpt from my Novel Screenburn" by Lance Wakeling


I start by looking for images of parking lots. I’m thinking about finding the perfect image, or making one. I have to see an image of a parking lot with over-layed text that reads “Social Network.”

Then I move on to looking at images under the term crash. There are cartoon characters, crash dummies, airplanes in pieces, bodies, stills from the movie, cymbals, explosions. I open a new tab: Wikipedia – Crash. I’m redirected to collision.

A collision is an isolated event in which two or more moving bodies exert relatively strong forces on each other for a relatively short time. ¶ Collisions can be elastic, meaning they conserve energy and momentum, inelastic, meaning they conserve momentum but not energy, or totally inelastic (or plastic), meaning they conserve momentum and the two objects stick together.

It’s this last type of collision that interests me most, the totally inelastic one—when the two colliding objects merge into one and conserve momentum.

While cruising through the images I’m collecting, I think of Jean Baudrillard and then J.G. Ballard, retracing steps that I took three years ago, all in perfect recall. I make a new folder called parking-lots and drop in images with filenames like 5781586-aerial-view-of-an-empty-parking-lot, grantham-parking-lot-0951, Lot, Tel_Aviv_parking_lot, and zoo_lot2-750149.

It’s getting dark outside and my terminal is bathing this corner of the room and the front side of my knuckles in bluish light. My fingernails dimly reflect the screen. All the tiny parallel ridges reflect light in opposing directions, causing the reflection to appear matte.

I get up from my desk, look out the window, decide not to close the drapes, turn around and glance at the cat, then sit back down. My fingernails are long and hit the keys before the pads of my fingers. I ...

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Sexts from Patricia Lockwood


Image by altffour

Editor’s Note: “"Tricia u MUST join Twitter to network with Poets" *tricia joins twitter, falls in with a million Comedy Fuckers, forgets what poem even is*” — @TriciaLockwood, September 2, 2011

Patricia Lockwood is an actual poet—published in the New Yorker, even!—who has inappropriately touched the imaginations of a thousand followers with her “sexts.” Born around the time of the Anthony Weiner scandal, the genre congeals gobs of glowing poetry from networked life’s greasy stew of blunt spam copy, collaged pop culture, and constant little spells of titillation. This is a selection of Lockwood’s hottest sexts.

 


 

A ghost teasingly takes off his sheet. Underneath he is so sexy that everyone screams out loud

Do you smell like a mousetrap? I am a cruel woman and I simply adore the smell of mousetraps

A Teenage Turtle takes extreme pleasure from sticking his head in and out of his shell very slowly while a rat watches

Midnight. My wife and children are asleep. Breathlessly I begin to search for my favorite kind of porn: "Women Standing in Big Jeans"

THE BIGGEST WOMEN IN THE TIGHTEST JEANS!!! U WONT BELIEVE YOUR EYES! THESE WOMEN SIMPLY CANT GET ENOUGH STANDING AROUND IN BIG JEANS!

These jeansluts stand up really straight with their tits out, holding the jeans as far away from their bodies as possible! SO RAW

This girl wants a denim vest, a denim scrunchie, and denim Keds -- are YOU the sicko who's going to give them to her

You are miniature, and I put you in the bell of a saxophone and play a long soulful B-flat

I am Everest and I JO while a 100-year-old grampa tries to climb me. At the moment he reaches my peak I produce a thunderous rockslide...

 

READ ON »


Poems by Erik Stinson


Erik Stinson, untitled, 2010 

 

go upstream young man: drugs, guns, advertising and the nyc art world 1700-2010

 

i’m seeking a legnthy

ethics-agnostic history of

corporate america from

dutch manhattan to

google silicon valley.

can anyone help me?

time is running out.

i think i’m being

followed, my phones

are tapped and all

i want is an entry

level job

Erik Stinson, Untitled, 2011

 

executive microsystem

three small, harsh

cubes in

concert with

your massive

pulsing

ego circa

1998

 

teen dads let it all hang out

 

we went out

to the salt flats

with a 12 rack

of bud and talked

about new

young starlets

Erik Stinson, Untitled, 2010

 

Anonymous asked: why r u gay

whoa internet literary scene strikes again

‘for the fans’

 

 

 

 

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Letter from the Poetry Editor


 

I keep hearing artists say they are writing. What can they do with what they have written? Leave it in the notebook, like a sketch—a trace of a private activity done in the studio. Get it printed in a literary zine and become a hybrid artist/writer. Attach it to the brochure of a gallery exhibition and let it function, like a press release, for the show’s promotional apparatus—an ephemeral accessory to a saleable thing. Make an artist’s book. By joining work with words and work with materials in a tangible object, the artist’s book leads an audience to see the two as equal members in an artist’s output. But what else is there?

The question looks familiar from Rhizome’s perspective. It doubles the one facing artists who work online. With internet art, as with writing, choices about display are wrapped in choices about distribution. At one point or another, many artists wonder whether what they do online is an end in itself or a public sketchbook, a way to work through ideas that will later be embodied in a work to be shown in a gallery. Furthermore, it’s harder to make work online than on a canvas without touching problems of language. The internet may be a medium of visual culture, but the keyword is what finds the image, the tag brings you back to it, chat spreads it. There is plenty of popular-science speculation on how these new everyday forms of language use are “changing our minds.” Until ways are found to measure these changes, art and poetry can tell us more about them than prose.

Today marks the beginning of a project to regularly feature artists’ texts, poetry, and experimental writing on Rhizome’s blog. Posts in the series ...

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