Brody Condon's "Without Sun" at Machine Project

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Image: Brody Condon, Without Sun, 2008 (Still)

Artist Brody Condon will be exhibiting and presenting a performance of his recent work Without Sun (2008) on July 18, 2009 at Machine Project in Los Angeles. Without Sun (2008) is 15-minute single channel videotape comprised of a series of performances found on the Internet. The tape displays several young people on psychedelic drugs, recounting and documenting, to the best of their ability, their experience for the camera.

The title, Without Sun is inspired by Chris Marker’s classic experimental documentary, Sans Soleil (1983), a film which examines the fallibility of human memory. For Condon, Marker’s piece invokes questions of “faulty and mediated” memory, as well as the theme of travel as a “travelogue [and] destabilization.” From here, Condon explains, the “relevance to kids taking inner journeys and recording themselves then posting the vid[eo] online to preserve the moment seemed clear.”

A transcript of Without Sun can be found on Condon’s website. It reads like a list of utterances without meaning. For instance, phrases such as, “it’s trying to spiral me all in it with it man. Oh. Uh uh. Ahhhh. What the fuck?” Or, “But there is something. Weird. This is weird. You can’t even begin. Everything feels nuts. Like touching stuff….” In another sequence, a young boy in his room explains to the camera, “I don’t even. I’m not controlling my hands. (laugh) this is going to be the best video ever I can already tell. Because. I mean. Ayyy. I forgot there was even …” The incomprehensibility of the phrases are just what you might expect from someone on such a psychedelic journey.

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Image: Brody Condon, Without Sun, 2008 (Still)

However, reading them as a transcription shifts the focus--when one reads one expects trajectory ...

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Call for Proposals

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The Banff New Media Institute, ZER01, and the Sundance Institute have teamed up to present a new commission for "Locative Cinema." Selected artist or artists will have the opportunity to realize their project through a residency at the Banff Centre in July 2010. They will also receive funding ($4,500) and will present their work at the 2010 01SJ Biennial from September 15 - 19, the 2011 edition of New Frontier at the Sundance Film Festival from January 20-30, and the 2011 Banff Summer Arts Festival. Read below for a short description of the commission, for more information and to apply, visit the original call on the ZERO1 site.

The purpose of this commission is to use ‘locative cinema’ as an apparatus through which artists can share their vision using place in ways that are both specific and generic, or at least transferable. The Commission understands the notion of ‘locative cinema’ as a platform-agnostic apparatus through which artists share their vision of place. Any variation on how to present an artist’s work will be considered, from cell phones to the black box of the cinema, from mixed reality to street theatre, from GPS to handhelds, from distributed to ambient. Proposals will be evaluated on their ability to engage people using place as a key element of the experience.

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Powercord VS Philter Phreak (2005) - Yoshi Sodeoka

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Powercord VS Philter Phreak, 2005 from Yoshi Sodeoka on Vimeo.

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All Star Video (1984) - Nam June Paik with Ryuichi Sakamoto

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Video Weavings (excerpt) (1976) - Stephen Beck

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My work is to make something beautiful with technology. I believe in spiritual technology. Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

-- FROM THE ARTIST'S DESCRIPTION

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I'll Replace You (2008) - Jennifer and Kevin McCoy

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I'll Replace You from Jennifer & Kevin McCoy on Vimeo.

This film is an experiment in outsourcing everyday life. In it we hired 50 actors to take over all aspects of our daily routines and roles as parents, spouses, professors, artists and friends. The actors play opposite their real counterparts - our kids, our students, our friends, in our studio, presenting our work.

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Take Care of Yourself (2007) - Sophie Calle

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In this “tour de force of feminine responses…executed in a wild range of media,” Sophie Calle orchestrates a virtual chorus of women’s interpretations and assessments of a breakup letter she received in an email. In photographic portraits, textual analysis, and filmed performances, the show presents a seemingly exhaustive compendium with contributions ranging from a clairvoyant’s response to a scientific study, a children’s fairytale to a Talmudic exegesis, among many others. Examining the conditions and possibilities of human emotions, Take Care of Yourself opens up ideas about love and heartache, gender and intimacy, labor and identity. 107 women (including a parrot) from the realms of anthropology, criminology, philosophy, psychiatry, theater, opera, soap opera and beyond each take on this letter, reading and re-reading it, performing it, transforming it, and pursuing the emotions it contains and elicits.

-- FROM THE PRESS RELEASE FOR THE EXHIBITION OF "TAKE CARE OF YOURSELF" AT PAULA COOPER GALLERY

For an interview with Sophie Calle, where she discusses the exhibition of Take Care of Yourself at the French Pavilion in the 2007 Venice Biennale, go here.

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The Question of Freedom at the Open Video Conference

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Does free video uploading and downloading equal democracy? I asked myself this question during the recent Open Video Conference, organized by the Information Society Project at the Yale Law School and the Open Video Alliance, an umbrella coalition for the development of an “open video ecosystem”: a “movement to promote free expression and innovation in online video.” Conference sponsors include Mozilla, Redhat, Intelligent Television, and Livestream. The conference was held at New York University’s Vanderbilt Hall, home of the NYU Law School from June 19-21, 2009. I attended several of the panels at the conference, although it was primarily Yochai Benkler’s opening keynote that was of concern.

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the peace tape (2009) - Jacob Ciocci

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Music by Extreme Animals.

Beginning this week, Jacob Ciocci will be touring the west and east coast with his videos and a new performance, tour dates here.

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Zebra Standards 29 - R. Stevie Moore (1978/2006)

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Video assembled in 2006 by Nuno Monteiro using footage from George Romero's "There's Always Vanilla"

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